100 books like Of Walking in Ice

This book really got to me because it offers a rich and quixotic history of walking that encompasses the Romantics, the French flaneurs, and a host of other wanderers. In her chapter on San Francisco, Solnit re-maps the space of her home city in a way that outlines her own rediscovery and gave me new eyes to see a place that I love.

This book charts a series of journeys along ancient tracks, holloways, and drove-roads. I found it a hugely immersive, surprisingly exhilarating read – I loved how Macfarlane brought a very detailed, lucid, and embodied mode of narration to travels that were often unexpected and strange.

As he walks, we hear stories of ghosts, pilgrims, songs, and their singers – it’s a book about people as much as places, and as I read, I gained a powerful sense of how, as humans, we’re shaped, made, and remade, by the landscapes we move through.

I was gifted this book recently and it is the gift that keeps on giving.

I am an avid walker and the way the author interspersed poignant life stories with his own on walking was lovingly poetic. This quote “the walker is king, and the earth is his domain” is the one that defines the entire message of the book. I’ve been on many pilgrimages in life and witnessed many a transformation but none like the ones these philosophers uncover.

It was a joy to read the profound messages in staying present while walking as exercise. Grab a friend and enjoy walking together as you put one foot in front of the other and have meaningful conversation. 

I love a good walk! And so does Geoff Nicholson who sets out his love of it in a series of essays that make up his book The Lost Art of Walking.

These walking tales tell stories about pedestrianism in literature, art, and film; how it has been an inspiration to the likes of Bob Dylan, Charles Dickens, and Buster Keaton. But Nicholson also brings in some interesting perspectives from science and philosophy on the act of walking.

Written in a chatty, journalistic style, Nicholson is a pleasant and witty recontour to have on these journeys, he is informative and quite often irreverent, and there is plenty of humour thrown in to keep the footsteps light and the journey trotting at a good pace.

The image of the female spy should have been Marthe McKenna and women spies like her.  Instead, because of a nude dancer from The Netherlands, the popular but unfair image of a spy in spy thrillers and Hollywood films is often that of a devious seductress. The nude dancer’s stage name was Mata Hari, who became the mistress to senior French officers and officials during the war. She may have pretended to spy for both sides to earn money, but revealed no significant secrets. Nonetheless in 1917, the French accused her of being a German spy who had used her seductive talents to obtain secrets that sent tens of thousands of French soldiers to their deaths. The evidence at her trial came nowhere close to proving the accusation, but the French needed a scapegoat for the mutiny and collapse of much of their army. She was convicted, executed by firing… show more.

Apart from viewing the late Paddy Ashdown as perhaps the best Prime Minister Britain never had, I also know him as an under-recognised author of gripping Second World War books. The community of WW2 researchers is mutually supportive; knowledgeable colleagues have been immensely helpful to me over the years, and I recall helping Paddy with some information for one of his books. Several of them are worth reading, but here he tells the true stories of three men who pitted their wits against each other in the treacherous milieu of wartime France. The stakes were measured in lives, betrayals, and deaths.

Another benefit of teaching through simulation is to show that history’s outcomes are not preordained. All of May’s works, but especially this one, stress the contingent nature of history. There was nothing inevitable about Germany’s victory over France in 1940. On the contrary, that victory was unlikely. May lays out a solid case that France ought to have won, and then takes care to dissect the circumstances that contributed to its defeat.

In this short book of essays, Joseph Roth, author of the great novel The Radetzky March, describes the efforts of Eastern European Jews to find new homes in the West following the turmoils of World War I and the Russian Revolution. Roth reports on interwar Jewish life in shtetls in Eastern Europe and in what he calls “ghettos in the West” such as Vienna, Berlin, and Paris, as well as in America and the Soviet Union. He writes with sympathy about “ordinary people” forced out of their homes at a time of growing restrictions on international movement and mounting animosity towards migrants in many countries. 

I have always adored the Chanel brand and have been intrigued by Coco Chanel’s childhood story and her rise to fame. Then to read the back story of her activities during World War 2 in Paris, I was gutted. The author depicts her as a full-on collaborator. All done in a bid to save her fortune, but at the expense of others. In this explosive narrative the author pieces together Chanel’s hidden years, her relationships with top-ranking Nazis, and her anti-Semitism.  

Facing a two-front war against France, Britain, and Russia in 1914, Germany opted to strike west first against the French and English; win a quick victory by avoiding French fortresses with an outflanking push through Belgium; and then turn east against the Russians. This operational plan was the brainchild of former Chief of the General Staff Alfred von Schlieffen. In the 1920s, many German generals argued that the inept execution of Schlieffen’s plan explained their loss of the war. Ritter’s work is the classic critique of this argumentation, showing that in reality the flaws of the plan and Schlieffen’s narrow-minded militaristic mindset, not the lesser capabilities of his successors, led to a war of attrition Germany could not win.