100 books like Nottingham

Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

I am a librarian and a writer with a passion for history and challenging the narrative, because sometimes, the things the history books tell us aren’t the whole story. After all, history belongs to the victor, doesn’t it? Finding and writing stories that explore historical lives beyond royals and the wealthy is what I love, and I’m always looking for more books that do this. I started reading historical fiction as a child, delving into things like the Dear America and American Girl series, that told the stories of everyday people in these grand moments of history, and reading those books inspired me to write my own.

At heart, I’m still just a girl. I don’t think I’ll ever grow out of wanting to experience the excitement of first kisses, first loves, and of coming out, when everything was new and exciting, and the world was full of promise. That’s why we return to YA even as adults. To feel the butterflies of a first crush, the fluttering of first love, and the agony of first loss. Those transformative books, the ones that change the trajectory of our lives, are usually young adult novels. I wrote The Space Between to give readers a story to fall in love with and take with them the rest of their lives.

It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.

I’m the happy father of five children, born between 2000 and 2017. So in my adult years, I have quite constantly lived in the company of young children, and I’ve started inventing stories for them. I have now six albums published in France, all of which were originally imagined for my kids just before we switch off the light for sleeping. Born in 1975, I live in Paris, I’m the chief editor of Philosophie magazine (a monthly publication with 50 000 readers), and I’ve published twenty novels and essays alas not available in English. I’m the president and co-founder of a creative writing school located in Paris, Les Mots.

I am the author of eleven books for middle-grade readers, including three books from a dog’s point of view. These books have won five state book awards between them, and have been published in other languages. I’ve been writing for young readers for over 20 years. I also live with four furry friends of my own: Cookie (a cockapoo), Myrtle (a pug), Nala (a calico cat), and Daisy (a sweet mutt cat). I miss my big-hearted goldendoodle Lucky every day. And, like my dogs, I can be bribed with cheese.

I’ve found kids to be interested in difficult topics - like stealing, racism, inequality, environmental catastrophe to name a few! But I don’t want to lecture or frighten them about their future. I believe picture books can tell a story about things going awry but coming right again through a good idea, or act of kindness or a magic wand or the intervention of fate. When the story unfolds in the comfort and security of a carer’s lap or a safe classroom and there are accompanying pictures of absorbing detail that communicate the artist’s emotion and humor I think you provide universal foundation blocks for a good life.

The author, editor, or ghostwriter of more than 100 book titles, Glenn Stout loves to mine microfilmed newspaper archives and specializes in deeply reported historical narrative non-fiction that brings the past to life.  Many of his titles have intersected with the Roaring Twenties, including Young Woman and the Sea: How Trudy Ederle Conquered the English Channel and Changed the World, now in development for Disney+ as a major motion picture starring Daisy Ridley.  A long-time aficionado of noir and true crime, Tiger Girl and the Candy Kid was the culmination of more than fifteen years of dogged research, a story The Wall Street Journal called “a hell of a yarn--worthy of an HBO hoodlum epic like Boardwalk Empire.”

My name is Alister Dray Penborn. I am a lifelong mystery lover, all the way back to my favorite childhood cartoon, Scooby-Doo, and my favorite anime, Detective Conan, or Case Closed as it was called in the US at the time of airing. It's a passion that grew over the years as I was exposed to even more great mysteries. One of the most appealing aspects is the investigation process, where a character sees the inconsistencies of crime scenes, analyzes and makes sense of events, and collects and relies on the slightest clues to act as puzzle pieces to the full picture.