100 books like Not Dead Yet

This book is an unconventional romance, but it is a sweeping one, with language that made me swoon and a love story that gave me reason to hope again. The main character, Vin, was a mystery I needed to solve. King Perry is the first in a book series that has opened my heart in ways I didn’t even know my heart needed opening. It’s a beautiful book (and series) that has the potential to change the way you look at life. Yes, it’s that good. 

I love a good world-building tale, and this series is phenomenal. I also felt a real connection with Kai in the second book, The Soldier, but to understand him, you have to read this book first. Kai’s thrown into a situation not of his own making, but he manages to land on his own feet. Not only that, but he finds the courage to open his heart in a situation where he’d be justified in completely shutting down. His bravery is something to behold. I also loved Tam’s unwavering optimism and their Master’s heart of gold. Unconventional relationships are my jam, and this is a gem of a series.

This book and series has everything, an enigmatic main character, an elusive serial killer, and best of all, a romantic relationship between LGBTQ+ characters that’s enviable and healthy and something to aspire to. Levi Abrams is likely my favorite character in any book I’ve ever read. He’s prickly, difficult, whip-smart, and driven, but he’s also vulnerable, genuine, and fiercely loyal. I love that I didn’t guess who the killer was in the first book (I had a theory, but I genuinely didn’t know for sure until the big reveal), and this series kept me on my toes the whole time. The writing is solid and the character development is spot on. It’s the kind of series I wish I had written myself.

Jordan L. Hawk took a tired kind of trope and turned it into something amazing. I love paranormal stories, but with vampires, I need to be convinced. By the end of the first chapter, Jordan had me convinced. He took an opposites-attract story, threw a cranky vampire in the middle of it, and turned it into a love story that I now cannot wait for when each new installment is published. It’s fresh, exciting, and I’m still coming back for more. Jordan’s one of my auto-buy authors, and this is one of my favorites of his series. Hands down. The characters are vivid, the adventures unique, and their love story is one for the ages. There’s nothing ordinary about this book.

The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist. 

It’s easy to find books about vampires, werewolves, ghosts, and witches… but very rarely do you stumble across a young adult book about sirens. Not the mermaid kind (we’ve already covered mermaids), but still sinister, manipulative, and dangerous. Despite this threatening presence, this book is absolutely hilarious and a fantastic adventure. It’s also an LGBT story written by an LGBT author who has always said that this was a book he wrote for his younger self. To let him, and kids like him, know that he’s not alone. And I just love that. 

While trying to learn about gay life in the 1920s, I was delighted to find this novel, “privately” published in 1919. One soon learns that Bertram Cope, who comes to teach at an undergraduate college as he works on an advanced degree, has a relationship with another young male with whom he plans to cohabit—interesting that two men could openly set up housekeeping together, even back then. Meanwhile an older matron, an aging homosexual man, and various young women hope to attract Cope’s attention. Though seen by some as a trivial social satire, Fuller’s light touch and subtle wit mask an undertone of eroticism and homosexual associations. His anonymous, authorial, third-person narrative voice is humorous and incisive, revealing his penetrating observations of social niceties and the layers of his characters’ maneuverings. Clever and understated, the book implies much that is never declared.

A classical space romp with a twist. World-building is a must for any sci-fi, and this doesn’t disappoint.  You’re sucked into this world and its people, carried by an interesting cast of characters. It’s a short read, filled with a big heart, and a world just dying to be explored further in future installments.

Escape often gets a bad rap—staying and fighting or enduring your circumstances are seen as more noble—but there are times when choosing to leave a demoralizing, unhealthy environment to make a fresh start is what you need to do to save your soul. In this book, a woman tries to disappear—and finds herself. If you appreciate books where unassuming sentences land like devastating little bombs, read this.

This book was published by Lollipop Power Press, an iconic feminist publishing house formed in 1969. I have a soft spot for old-school one-color illustrations (these ones are forest green against an off-white background). Emily is raised in an intentional community of four women. One mom is studying to be an electrician. Another is a healer. Vicki drives a school bus. Annie Jo is a carpenter who loves to cook. No one at school believes that Emily has so many mothers, but that all changes when she falls on the playground and her amazing parents get called into school. Suddenly it's très cool to have so many moms. I want this book to have a revival. It’s so good.