Here are 100 books that The Salt Ecstasies fans have personally recommended if you like
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All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.
The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.
It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
I read Patience and Sarah when I was coming out, and even though by then an entire lesbian community was within easy reach, it still brought me the news that I wasn’t alone. Not that I didn't already know that in an abstract sort of way, but on a gut level it was news all the same.
The book spoke to my overcharged emotions at a time when I was still isolated. It’s the only book I remember ever hugging.
Important historical novel with lesbian characters based on real women. It was originally self published as A Place for Us. Includes afterword by Isabel Miller [pseudo of Alma Routsong].
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
Beginning with O came out in the 70s, when a feminist or lesbian poet could fill an auditorium, and often did. Broumas's poems are physical, compelling, and intelligent, like this one, which reaches for a forgotten language from a time when women were whole and unafraid of their power.
Again, let me get out of the way and quote: “I work / in silver the tongue-like forms / that curve around a throat // an arm-pit, the upper / thigh, whose significance stirs in me / like a curviform alphabet / that defies // decoding, appears / to consist of vowels, beginning with O, the O- / mega, horseshoe, the cave of sound. / What tiny fragments // survive, mangled into our language. / I am a woman committed to / a politics / of transliteration, the methodology // of a mind / stunned at the suddenly / possible shifts…
Imaginative and uninhibited, Beginning with O is the 72nd volume of the Yale Series of Younger Poets
This is a book of letting go, of wild avowals, of unabashed eroticism; at the same time it is a work of integral imagination, steeped in the light of Greek myth that is part of the poet's heritage and imbued with an intuitive sense of dramatic conflicts and resolutions, high style, and musical form.
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
Again, I’ll admit to being biased. Ida’s my partner and we’ve been together for well over 40 years, so I’ve known this book from its earliest stages. But biased or not, I haven’t lost my critical abilities: it’s good.
Kate Porter's father is the head of a right-wing militia. She's just been released from prison after her father pushed her to participate in a bank robbery and it led to a teller's death.. Now that she’s free, all she wants to do is bring down her father’s militia, reunite with the woman she loves, and get a decent meal. But a lot has changed while she was behind bars.
Kate Porter emerges from prison after serving a 12-year reduced sentence, having turned state's evidence against her right-wing militia father. But if she thinks she has found freedom to start over in a changed world, she is mistaken. Almost immediately she is recruited as an informant. Her job? To track down her father who is still at large and living underground. She knows that as soon as she makes a move, she will set off an alarm, and her father's minions will begin tracking her. Equally well-trained as a soldier, she hopes they will lead her to her father, and…
Every time I write a romance novel, I find myself returning to the same themes: seeing people for who they are beneath the surface, respecting others despite differences, and choosing to love those who might seem a little odd. Whether they’re angels, mermaids, or plain old humans, my characters lead lives where, despite marginalization and alienation, love and a sense of belonging are possible. My Christmas novella, Mistletoe Mishap, was a Lambda Literary Award finalist.
Escape often gets a bad rap—staying and fighting or enduring your circumstances are seen as more noble—but there are times when choosing to leave a demoralizing, unhealthy environment to make a fresh start is what you need to do to save your soul. In this book, a woman tries to disappear—and finds herself. If you appreciate books where unassuming sentences land like devastating little bombs, read this.
Devastated after her lesbian lover leaves her, a research scientist clears out her home and moves across the country, where she adopts an alien persona and practices "amnesia exercises" in order to wipe out the memories of her past. A first novel.
Every time I write a romance novel, I find myself returning to the same themes: seeing people for who they are beneath the surface, respecting others despite differences, and choosing to love those who might seem a little odd. Whether they’re angels, mermaids, or plain old humans, my characters lead lives where, despite marginalization and alienation, love and a sense of belonging are possible. My Christmas novella, Mistletoe Mishap, was a Lambda Literary Award finalist.
I love romance novels with characters who care about others who are different than themselves. In this one, an extraterrestrial crash-lands on Earth and is rescued by a human man. They’re both emotionally lost, devastated by the deaths of their respective spouses, but as the man nurses the alien back to health, they both regain the will to live. The way they protect each other, despite barely being able to communicate, is heart-wrenchingly beautiful.
Flee. Scatter. Take your mates and your offspring and run.
A new Science Fiction Romance from Angel Martinez
The escape pods fall to Earth one by one over the course of weeks, a mysterious and diverse alien diaspora, each pod containing a different alien race and leaving the world's governments scrambling to deal with this unexpected immigration. Serge Kosygin, still grieving and isolated after his husband's death, watches events with gray disinterest until one day he witnesses a pod crash for himself while driving home. Two of the alien visitors have died, but one survives, badly injured, and Serge is…
I’ve known all my life that I am gay. At age 50 I decided to try my hand at writing. After an image of two men kissing in a 1920s vehicle landed in my head, I began writing my Medicine for the Bluestrilogy (Acquaintanceis book one). But knowing nothing about LGBT history, I began a deep dive into gay and lesbian history, into the history of Portland and Oregon, into the era of the 1920s, the KKK, Prohibition, Freud, eugenics, and more. During 20 years of writing the trilogy, I’ve read dozens of books that roiled through my imagination and the information spilled out in the story.
While trying to learn about gay life in the 1920s, I was delighted to find this novel, “privately” published in 1919. One soon learns that Bertram Cope, who comes to teach at an undergraduate college as he works on an advanced degree, has a relationship with another young male with whom he plans to cohabit—interesting that two men could openly set up housekeeping together, even back then. Meanwhile an older matron, an aging homosexual man, and various young women hope to attract Cope’s attention. Though seen by some as a trivial social satire, Fuller’s light touch and subtle wit mask an undertone of eroticism and homosexual associations. His anonymous, authorial, third-person narrative voice is humorous and incisive, revealing his penetrating observations of social niceties and the layers of his characters’ maneuverings. Clever and understated, the book implies much that is never declared.
As a retired family therapist, I find that writing and reading stories about emotional journeys no matter our sexual identity, ethnicity, or class has the potential to transform us. A protagonist under threat of persecution who finds healing in the power of love, of family, of community can help us fix ourselves where we are broken. I believe stories can help us sever unhealthy ties to the patterns of past generations. My mother was a closeted lesbian with no family who died when I was nine. Writing how I wished her life could have been helped me heal from childhood trauma. Our ancestors passed the talking stick. We have books.
I chose this book for its honest look at the fragility of love when the push and pull of church doctrine clashes in a family with twins.
One twin at 17 knows she is lesbian, and the other is a member of BOCK (Brides of Christ’s Kingdom). The story weaves lessons about the effects of homophobia and heartbreak with loss and love, forgiveness and acceptance in a small bible-belt town in Minnesota. It’s a serious subject told with wit, humor, and honesty.
A baby born helps to heal family rifts, but it’s the pull of loss and the power of love from everyone that brings a homophobic mother to acceptance that allows a young woman to follow her heart.
Lorraine Tyler is the only queer person in Bend, Minnesota. Or at least that’s what it feels like when the local church preaches so sternly against homosexuality. Which is why she’s fighting so hard to win the McGerber scholarship—her ticket out of Bend—even though her biggest competition is her twin sister, Becky. And even though she’s got no real hope—not with the scholarship’s morality clause and that one time she kissed the preacher’s daughter.
Everything changes when a new girl comes to town. Charity is mysterious, passionate, and—to Lorraine’s delighted surprise—queer too. Now Lorraine may have a chance at freedom…
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist.
Jean Genet's masterpiece, composed entirely in the solitude of his prison cell. With an introduction by Jean-Paul Sartre.
Jean Genet's first, and arguably greatest, novel was written while he was in prison. As Sartre recounts in his introduction, Genet penned this work on the brown paper which inmates were supposed to use to fold bags as a form of occupational therapy. The masterpiece he managed to produce under those difficult conditions is a lyrical portrait of the criminal underground of Paris and the thieves, murderers and pimps who occupied it. Genet approached this world through his protagonist, Divine, a male…
I’m a novelist and the editor and publisher of Blind Eye Books—a small press focused on producing LGBT genre fiction as well as a lifelong aficionado of queer media, especially BL, yaoi, and danmei.
When we first meet our protagonist, You Miao is a smug, lazy scholar hanging around studying for the Imperial examination, but when he saves the life of an enslaved warrior Li Zhifeng his life changes forever. Together the two of them revitalize a rundown estate, navigate court intrigue, and weather an invasion. A big, sweeping epic from a leader in the genre. I’d been writing in the mystery genre for quite some time and this book made me want to write fantasy novels again.
