38 books like Needlework

The premise of a fussy angel and a fast-living demon positions the book with humor, which I absolutely loved. As the plot unfolds, we discover that these two figures have been living on Earth for thousands of years and enjoying it. So when the demon receives word that the Apocalypse is upon them, they conspire together to subvert the ancient prophecy that predicts the world's end. LOL

The ingenuity and cleverness of these authors are top-notch, starting with the character names: The demon character is Crawley. If you recall, Satan was made a snake in the Garden of Eden after tempting Adam and Eve. But it doesn’t stop there. Crawley creates a motorway that emanates evil, with all of the issues associated with that. LOL.

Being someone who often ponders life's "what ifs," I was quick to snap this novel up. The plot revolves around a suicidal woman, Nora Seed, who finds herself in a mysterious library between life and death, where each book serves as a portal to a different version of her life had she made alternative choices.

Though the story shares thematic elements with traditional time travel narratives—such as the exploration of alternate realities—it’s not time travel in the strictest sense. Instead, it has a dreamlike quality that offers a clever means to explore the deeply personal and relatable concept of self-discovery.

As Nora samples all the different lives she could’ve lived, I couldn’t help but reflect on my own life choices and the paths I didn't take…and be grateful for the ones I did.

Have you ever felt out of place? Like you don’t belong in this world? 

That’s how Lily Monroe used to feel—until she discovered she was right. 

When Lily is thrown into a parallel world filled with magic, mythological creatures, and people with amazing superpowers, she embarks on a rollercoaster of a journey and takes you along. 

She finds family. She finds loyal friends. And maybe even love.

I highly recommend all three books of the Realm Saga. In fact, after you read the first one, you’ll definitely want to read the rest, and you won’t regret it.

Set in a small English village by an ancient forest, this book is unlike any story I have ever read. 

And after reading it, you’ll probably never look at forests the same way again. 

Masterfully written, filled with intricate immersive descriptions, The Forest takes you on a wild ride, dark and rather spooky at times. The ancient forests reveals its old tales and legends to the main characters, and we get to watch the story of an old curse unfold along with them. The curse that affected generations. The story that is full of secrets, betrayal, countless, heartbreaking moments; yet at the same time, the light of hope and faith shines through, all the way to the beautiful tear-jerking ending.

In 1992, the legendary Leslea came to my college and spoke in a splendid historical chapel about her work. I’ve never belonged to a house of worship. I am a children’s book author who writes about Queer people, so I kinda think this makes Lesléa Newman my minister. In this wonderful book, Mama Rose makes the sign “Gay Mechanic Healing the Planet.” Mama Grace’s sign reads “Gay Nurse Healing the Earth” and she has a tambourine in her backpack. It makes perfect sense that Andrea the mail carrier, the music teacher with the mustache, and nurse Richard are all in attendance at Gay Pride. They chant “2-4-6-8. Being gay is really great” at the parade while all the sidewalk people cheer.

This is a brilliantly researched book which allowed me to accompany Sofi Thanhauser as she travelled across continents to unearth the origin and the fate of fabric production.  It made me realise the terrible damage done to our environment and to communities through colonialisation, exploitation, industrialisation, and our throw-away economy. Tracking how craft is being replaced with slave labour, how traditions are being eroded, and local economies destroyed in the pursuit of cheaper and greater textile production, Worn is not a comfortable read, but it is, for me, a reminder of the human cost involved in most of what I wear. 

This is a surprisingly gentle memoir by the curator of fashion at the V & A Museum in London. She uses her own wardrobe to unfold the story of her own life. In exquisite prose she traces how, whether homemade or haute couture, what we wear catches significant moments in our lives and archives personal memories. It made me think of my own clothes in a different way and understand why I couldn’t throw out those that remind me of people I love and my own joyful or sad events.        

This is a rare and poignant insight into a man’s needlecraft and it was a delight to read. Julia Blackburn sets out on a mission to rediscover the neglected embroideries and forgotten story of the Norfolk fisherman, John Craske, (1881-1943). Her research leads her to many dead ends and unexpected encounters and, along the way, she experiences and shares her own story of loss. I love this book because it takes me into the world of the sea captured in the fishing folk Blackburn meets and introduces me to Craske’s mesmerising embroideries made under tragic circumstances.

A recurring theme in my life is the feeling of not fitting in. I loved this author's take on that theme. Sybil gets left at the altar by her fiance, who takes off with her twin sister. To escape her woes, she visits a friend in a faraway village where she's embraced by the locals. I love to knit, so the knitting angle also attracted me. Sybil is asked to make some knit goods for a display window and ends up organizing a knit-off to help save the shop. I loved the eccentric characters and the Hallmark feel of the story.

I am a very poor knitter and admire those who can knit up a jumper that is not embarrassing to wear. Esther Rutter is an expert and enthusiastic knitter and, in this book, she travels through Britain setting up her own challenges to knit something that echoes the traditions of the places she visits. There is a jumper from Fife in Scotland and a crocheted bikini its borders, Viking socks, and a Welsh cap: each one requiring hours of toil, each one accompanied by frustration and setbacks as stitches are dropped, the yarn snags and patterns are misread. As she journeys and knits, Rutter reveals the history of knitting, wool, and patterns place by place. I loved her perseverance, I relished her discoveries and I learnt enough about the knitter’s craft through time and today to make me want to get out my own knitting needs.