Here are 12 books that Nart Sagas from the Caucasus fans have personally recommended if you like
Nart Sagas from the Caucasus.
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At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I was trained in literary criticism and spent years reading the “Classics,” considered the greatest books of all time, so the fact that Jean Auel’s Clan of the Cave Bear, first published in 1980, to derisive and condescending reception is my absolute favorite read comes as a surprise, even to myself.
I’ve been so enthralled with this story of a little girl named Ayla who’s found and raised by Neanderthals following the massive earthquake that destroys the Cro-Magnon tribe into which she was born—that I’ve read Clan, along with its five sequels three times, all the way through. It’s probably not a coincidence that Ayla, who’s exiled from her adoptive tribe and finds ingenious ways to survive on her own—reminds me of Karana from Island of the Blue Dolphins.
I love the way Auel’s saga imagines our anthropological origins in scrupulously researched detail and dramatically displays the…
This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love.
Nominated as one of America’s best-loved novels by PBS’s The Great American Read
Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves the Clan of the Cave Bear.
A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by…
I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.
At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.
That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.
But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
I’ve been an explorer since I was young. My first short trip was to Cahokia Mounds, a site so little is known about that researchers have yet to discover the name of the people who built the famous city of mounds. As I grew into an adult, I was drawn to visit the Pyramid of Chichen Itza in Mexico and Stonehenge in England. As a writer, I decided the one thing missing from the mysterious places field was a fun way to learn about them. So I wrote a mysterious places book in a trivia game format, as learning something new is always more fun when presented as a game.
Graham Hancock's book has inspired me to learn more about mysterious places like Stonehenge and Machu Pichu.
Graham is a former newspaper reporter, which is evident when reading his works. He goes to the site and gives you a report on what he saw and learned about the place. He includes history, native beliefs, and mainstream archaeological theory to help the reader develop a clear understanding of the mystery and the differing viewpoints about the mystery.
I highly recommend this book to anyone interested in mysterious places.
Could the story of mankind be far older than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Graham Hancock presents a compelling case to suggest that it is.
“A fancy piece of historical sleuthing . . . intriguing and entertaining and sturdy enough to give a long pause for thought.”—Kirkus Reviews
In Fingerprints of the Gods, Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind’s hidden past. In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean…
Years ago, a young helicopter pilot struggled through thick fog to fly to his base in Southern Turkey. Through the mist, he briefly glimpsed a strange, Stonehenge-like ruin beneath his helicopter. The pilot would one day learn it was the excavation of Göbekli Tepe, a megalithic complex over 12,000 years old. These ruins were already ancient before the Great Pyramids were even built. I was that helicopter pilot, and this event inspired me to imagine the world that birthed Göbekli Tepe. That experience, and my five book recommendations, propelled me to write Black Sea Gods, the first novel in the epic fantasy series The Chronicles of Fu Xi.
Before there was Don Quixote, Huckleberry Finn, or Bilbo Baggins, there was brave Odysseus. It was Homer who first taught us what it means to desperately desire “to make it there and back again.” For me, The Odyssey struck a personal cord. As a warrior who once answered his nation’s call, it often wasn’t the battles in far distant lands, but the journey home, that was most difficult. Home, that beautiful, powerful word, holds great magic for Odysseus, and for me, too. Many ideas can send a hero on an adventure, but only love of home can bring him back again. These are the greatest adventures of all, and why The Odyssey is foundational for my own novel.
'Muse, tell me of a man: a man of much resource, who was made to wander far and long, after he had sacked the sacred city of Troy. Many were the men whose lands he saw and came to know their thinking: many too the miseries at sea which he suffered in his heart, as he sought to win his own life and the safe return of his companions.'
Recounting the epic journey home of Odysseus from the Trojan War, The Odyssey - alongside its sister poem The Iliad - stands as the well-spring of Western Civilisation and culture, an…
I'm a novelist, born and raised in New York City. To train myself to write realistic fiction, I started working in journalism first. I worked for New York magazine for a decade, writing about crime, politics, and other forms of anti-social behavior. Later, I wrote for television shows like Law & Order and Blue Bloods. But writing novels is what it's all about for me. I have nine of them so far. The audience is obviously quite small compared to the number of people who watch TV shows. But that doesn't matter. Nothing else allows you to communicate so directly from the studio in your mind to the theater in someone's else mind.
My first job in journalism was as an assistant to the great New York newspaperman Pete Hamill. He told me to always read people who were better than you and to back up his point he had a shelf of Russian literature in his bathroom. For years, I was too intimidated to read Tolstoy. When I finally did, I was shocked to discover that much of his writing is as accessible as the New York Post. War and Peace is his most famous work, but for me he’s most alive and urgent in his shorter fiction. The title story is among the most harrowing descriptions of death ever, “Kreutzer Sonata” reveals an understanding of the psychopath’s mind that would have Hitchcock and Kubrick whimpering the covers, and “Haji Murad” is a tale of terrorism and betrayal that could come straight from the current Russian war. Some of Tolstoy’s work…
A vibrant translation of Tolstoy’s most important short fiction by the award-winning translators of War and Peace.
Here are eleven masterful stories from the mature author, some autobiographical, others moral parables, and all told with the evocative power that was Tolstoy’s alone. They include “The Prisoner of the Caucasus,” inspired by Tolstoy's own experiences as a soldier in the Chechen War, “Hadji Murat,” the novella Harold Bloom called “the best story in the world,” “The Devil,” a fascinating tale of sexual obsession, and the celebrated “The Death of Ivan Ilyich,” an intense and moving examination of death and the possibilities…
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This highly readable and concise book underscores the role of the Terek Cossacks in pushing southward the boundaries of Russia into the North Caucasus from the eighteenth century. We get a sense of the economic, geographic, and socio-political factors that shaped life on a frontier where the line between “us” and “them” was not always clear.
I love the fascinating tidbits Barrett sprinkles around important analytical discussions, such as the fact that most Cossacks in the North Caucasus were armed by silversmiths and metalworkers from the very mountain communities they were supposed to be guarding against.
An innovative frontier history of one of the most contested regions of the Russian empire, this fresh approach to Cossack history is based on extensive archival research.. The Russian conquest of the North Caucasus was one of the most difficult imperial expansions in Russian history. This innovative study focuses on the local agents of Russian imperialism, the Terek Cossacks, and the difficulties they faced as state servants and frontier settlers. In the process of negotiating between the demands of the state and the needs of their communities, Terek Cossacks created a unique frontier society, more North Caucasian than Russian, neither…
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This is the go-to book to understand how the Chechens, Dagestanis, and their neighbors held off the mighty Russian armies for several decades in the 1800s.
Gammer’s military history isn’t always a page-turner, but it is chock-full of clear explanations for the long success of Shamil, the warlord who defied successive Romanovs and united the fragmented peoples of the North Caucasus into a resilient resistance movement that tarnished far and wide the image of tsarist Russia as an imperial juggernaut.
Much has been written about the Muslim Murid movement and its leader Shamil, who resisted the Tsarist Russian expansion into Chechan and Daghestan for more than quarter of a century. This study, based on research in multilingual archives, offers a fresh insight into this controversial subject.
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
This is a compilation of essays about Batuman’s experience of studying Russian literature at Stanford. Wondering about “possible methods for bringing one’s life closer to one’s favorite books,” Batuman traces the literal and figurative path of writers such as Pushkin, Tolstoy, and Babel, finding answers in their life and work while at the same time exploring their influence upon a motley group of Slavic scholars and readers.
The true story of one woman's intellectual and sentimental education and her strange encounters with others devoted - absurdly, melancholically, ecstatically - to the Russian classics
Roaming from Tashkent to San Francisco, this is the true story of one budding writer's strange encounters with the fanatics who are devoted - absurdly! melancholically! ecstatically! - to the Russian classics. Combining fresh readings of the great Russians from Gogol to Goncharov with the sad and funny stories of the lives they continue to influence, The Possessed introduces a brilliant and distinctive new voice: comic, humane, charming, poignant and completely, and unpretentiously, full…
Born in the twilight of the Soviet era on the periphery of that empire, Yerevan, I have been fascinated by the history of Russian imperialism in the Caucasus for a long time. From the first time I saw a map of the staggering expanse of the Romanov domain in the 19th century, I knew that I wanted to understand the nuts and bolts of how this behemoth was constructed. Over the years, my research has taken me to the archives and libraries throughout Eurasia that keep the dusty secrets of tsars and viceroys. Their stories are at the forefront of my writing and teaching.
This compelling book applies Edward Said’s well-known framework of Orientalism to explain the contradictions of Russia’s imperial project among diverse North Caucasians as well as Georgians. Jersild gives one of the clearest examples of the elasticity of the concept of Orientalism when applied to a Russia that wasn’t confident in its own European identity.
Just as fascinating is his explanation of how and why Georgian intellectuals, in their turn, used Orientalist discourse to contrast themselves against Muslims in Russian eyes and thus secure their own position within the empire.
I first saw a chessboard at the age of 7 and became a professional chess player at 16, achieving the grandmaster title after just 3 years. Many years later – and no longer a professional – that childhood love for a beautiful game still burns brightly. My particular passions are chess engines – which offer a glimpse into the chess of the future – and the lives and games of historical chess players. I’ve reviewed hundreds of books for New in Chess magazine and I particularly love books that challenge my understanding of chess and show me new facets to old knowledge. I hope you love these books too!
Grigory Levenfish was arguably the strongest Soviet player of the late 1930s, winning the Soviet Championship in 1934 and 1937.
However, establishment favourite and future World Champion Mikhail Botvinnik - with whom he drew a long, tense match in 1937 – secured the official support and scarce international opportunities, leading a disillusioned Levenfish to gradually withdraw from competitive chess.
Levenfish’s memoirs are a reminder that the difference between fame and obscurity lies often not only in ability, and that the winner’s narrative is not the only valid one. His personal account of the appalling suffering he faced during terrible winter of 1941 in the war-ravaged Soviet Union is particularly moving.
Levenfish describes in vivid detail the atmosphere of pre- and post-revolutionary Russia, giving first-hand impressions of some of the most famous names in early-twentieth-century chess, such as Lasker, Rubinstein, Alekhine and Capablanca – all of whom were personally known to him. Some of the stories stay long in the memory: descriptions of the hardships endured by players in the first USSR Championship that took place in the difficult years of the Civil War; of idyllic trips to the Caucasus and Crimea; of grim struggles for survival in the winter of 1941.
Soviet Outcast comprises Levenfish's annotations to 79 of his…
