Here are 100 books that My Italian Bulldozer fans have personally recommended if you like
My Italian Bulldozer.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
In today’s tech-obsessed world, social media may well be the perfect platform to showcase the world’s beauty to armchair travelers across the globe, but travel is so much more than just getting that perfect Instagram shot. Travel should be meaningful. It should excite and inspire you, rejuvenate and ground you, educate and challenge you, and most importantly, humble you. Travel gives us our most wondrous stories, our most cherished memories, and countless irreplaceable learnings that we can choose to pay forward to others. It teaches us about ourselves and each other, it broadens our horizons, and, just like a reset button, it forces us to refocus on what matters.
Would you dare to follow your dream and move or retire to Italy? Stef & Nico did, although their dog Sara had her doubts. Now from your comfortable armchair, you can share in the hilarious & horrendous adventures they experienced when they moved to Italy to start a bed and breakfast. For lovers of amusing travelogue memoirs who like a good laugh. Moreover, for those interested in practical advice on buying a house in Italy there is valuable information along the way, pleasantly presented within the short stories. Glossary of Italian words and expressions included!
A Dutch bestseller, finally available in translation!
Would you dare to follow your dream and move or retire to Italy to live La Dolce Vita? Have a Reality Check first!
Stef & Nico did take the leap, although their dog Sara had her doubts. Now from your comfortable armchair you can share in the hilarious & horrendous adventures they experienced when they moved to Italy to start a bed and breakfast.
For lovers of amusing travelogue memoirs who like a good laugh. And for those interested in practical advice on how to buy a house in Italy there is useful…
I craved attention as a child, and often used humor to get it. I also loved to read. As I aged, I was increasingly struck by the absurdity of the human condition and was drawn to stories that dealt with the ridiculous, nonsensical, and incongruous sides of life. Prone to depression and fascinated by Freud, I became a clinical psychologist, only to discover that my colleagues were as emotionally disturbed as I was! I even wrote a book about it, titledA Curious Calling: Unconscious Motivations for Practicing Psychotherapy. So, when I turned to writing fiction—Otto Grows Down, Duckworth: The Difficult Child, and Incognolio—I reveled in the absurd.
Calvino’s Cosmicomicsis perhaps the funniest and most outlandish collections of short stories I’ve ever come across. Think Stephen Hawking’s A Brief History of Time meets Alice in Wonderland. Starting with the Big Bang and charting the entire evolution of the universe and of life on Earth, Calvino’s narrator shape-shifts from a man, to a dinosaur, to a mollusk, a single-cell organism, a subatomic particle, and even a disembodied being. In this linked collection of modern fairy tales, the author displays wild flights of imagination, combining scientific rigor with an uproarious repudiation of logic. Oh, and the narrator’s name is Qfwfq.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
In the acknowledgments in my novel I mention my late mother “who might have wanted to flee, but didn’t.” My pregnant mother driving eight hours down the Fraser Canyon. Baby me “in a cardboard box” in the front seat, my brothers, armed with pop guns, in the back. My dad, having finally found work, gone ahead alone. We didn’t tell this as a story of her courage and strength. It was considered funny. But after I became a mother, I had a clearer vision of the stress and poverty of my mother’s life. My novel, and the ones I’m recommending, show compassion for women as mothers, and for their children, who are sometimes left behind.
In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.
WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015 WINNER OF THE GOLDSMITHS PRIZE 2014 WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless,…
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
Doing the research forThe Italian Partymeant submerging myself in the Cold War Italy of the 1950s. But I found I couldn't understand that period without a better understanding of World War II and Italian Fascism. Cue an avalanche of books from which this list is culled, and the new novel I have just finished. I am drawn to first-hand accounts of women’s lives in wartime because I wonder how I would react and survive such challenges. Recent events in Europe have revived the nightmare of life under an occupying army. These stories are back at my bedside right now because I need their humor and wisdom.
I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.
'Moorehead paints a wonderfully vivid and moving portrait of the women of the Italian Resistance...an excellent book... She depicts a tragic fate that is timeless, of dreams forged in adversity, shattered by collisions with practical politics' MAX HASTINGS, SUNDAY TIMES
A Spectator Book of the Year
The extraordinary story of the courageous women who spearheaded the Italian Resistance during the Second World War
In the late summer of 1943, when Italy changed sides in the War and the Germans - now their enemies - occupied the north of the country, an Italian Resistance was born. Ada, Frida, Silvia and Bianca…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
In many ways, this sort of book has gone out of style since it was published in the 1960s.
It’s an opinionated and ambitious portrayal of the Italian psyche and culture. Barzini looks at his fellow Italians with a dispassionate eye and a healthy sense of irreverence, uncovering their foibles, hidden beliefs, superstitions, and great strengths as a culture.
For me, Italy is an eternal paradox. Just when you think you’ve worked it out, something happens that makes you do a double-take. This book helps you understand that paradox has been part of Italy’s identity since the very beginning.
In this consummate portrait of the Italian people, bestselling author, publisher, journalist, and politician Luigi Barzini delves deeply into the Italian national character, discovering both its great qualities and its imperfections.
Barzini is startlingly frank as he examines “the two Italies”: the one that created and nurtured such luminaries as Dante Alighieri, St. Thomas of Aquino, and Leonardo da Vinci; the other, feeble and prone to catastrophe, backward in political action if not in thought, “invaded, ravaged, sacked, and humiliated in every century.” Deeply ambivalent, Barzini approaches his task with a combination of love, hate, disillusion, and affectionate paternalism, resulting…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I was fortunate to be on sabbatical in Italy in 2005, not long after thesalva calcio (save football) decree was passed by Silvio Berlusconi, then Italian Prime Minister and owner of AC Milan.
The legislation was essentially a form of legalised creative accounting which sought to legitimize clubs’ poor financial positions and performance by inflating player asset values on balance sheets.
Jones’ book is not just about football.
But within a fascinating critique of Berlusconi’s Italy, there is brilliant insight into calcio in all its forms – the beauty and joy of what happens on the field, the poetic and intelligent language with which frequently it is discussed in stadiums, cafes, and TV stations, its cultural significance, and, of course, its myriad of political, financial and governance scandals. Andiamo.
An essential guide to the strange, sometimes sinister culture of contemporary Italy.
When Tobias Jones first travelled to Italy, he expected to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment.
Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.
This is a three-volume anthology of Italian American writers recalling family dinners, holidays, funerals, weddings, Italian customs, and Italian relatives. These volumes depict Italians in their everyday life far removed from any mafioso dramas. Reading these stories helps Italians verify the meanings and pronunciations of Italian words and gestures, those things called “Italian” used long ago but since forgotten with the passing of our elders.
This collection of short stories, published by "Idea Press" is aimed at presenting the richness of styles and creativity of Italian American writers. It consists of two sections for a total of twenty-three short stories, eight of them nonfiction and fifteen of them fiction, and eighteen authors. The writers chosen by the editor to be included in this anthology are from a wide range of professional backgrounds, but ultimately most of them are published authors with an extensive experience on their curricula, as the reader may infer from their biographies.Altogether, the stories that appear in this anthology explore different topics,…
I’m a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one you’ve been given.
This is a dazzling mix of theory, sociology, and history. Falasca-Zamponi is attentive to the myths, rituals, festivals and ceremonies, symbols, and recurring images of Italian fascism—and she is attentive, too, to the political power that Mussolini relentlessly drew from such cultural forms.
With tremendous analytical imagination, Falasca-Zamponi unpacks the significance of the fascist salute, Mussolini’s balcony poses, all the axe-and-bundle imagery, those omnipresent black shirts, and the fascists’ distinctive “passo romano” marching style. For me, the heart of the book is its intense analysis of fascist violence as spectacle. Not just spectacle, though. Falasca-Zamponi also makes the case that for the early fascists violence—“great, beautiful, inexorable violence,” in Mussolini’s words—was sublime, regenerative, glorious, salvific.
The early fascists made violence, Falasca-Zamponi suggests, as if it were art.
A cultural history of Italian fascism, this work traces the narrative path that accompanied the making of a regime and the construction of Mussolini's power. The author reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi aregues that an aesthetically founded notion of politics guided fascist power's historical unfounding…
Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!
This is a different story about a different kind of woman. And no, it's not about the Mafia; that's only a peripheral theme.
The typical novels written in English about Sicily by women are built around themes like a foreign girl going to Italy to find love. This one breaks that mould into a thousand pieces, dealing with familial history and tradition in the context of Sicilian and American society. It actually held my interest.
Leigh Esposito's complex story eclipses most of what came before.
I am an anthropologist and professor at Cornell University, where I taught 20-year-olds for thirty years. It was my job to explore the world, learn about it, and then educate others, underscoring the notion that all peoples and cultures are equally interesting and valuable. I started out, as a graduate student, watching macaque monkeys for my research, testing if their behavior might give us clues to the evolution of human behavior. But then I switched to science journalism for the popular audience and have, for decades, written for magazines, newspapers, and many books about the intersection of biology and culture on human thought and behavior.
As a Venetian, diRobilant knows everything about the city and its history, and his writing is historically accurate and pulls the reader into unsolvable Venetian conundrums from long ago. This new book is about a series of old volumes that contain reprinted stories of exploration and travel (such as Marco Polo’s travels) that initiated travel writing as we know it.
I had written briefly about this little-known Venetian editor and publisher myself in Inveting the World, but diRobilant delves much deeper and wider into that history. A Master Class in engaging and informative nonfiction writing.
From the author of the best-selling A Venetian Affair (“A narrative of novelistic resonance . . . Astonishing” —The Washington Post), the story of an Italian Renaissance book editor who introduced European minds to the wider world through his passion for geography
In the autumn of 1550, a thick volume containing a wealth of geographical information new to Europeans, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi et Viaggi (Journeys and Navigations). The editor of this remarkable collection of travelogues, journals and classified government reports remained anonymous. Two additional volumes delivered…
