Here are 100 books that Mr Breakfast fans have personally recommended if you like
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I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
It is laugh-out-loud funny in places, but the humor also sees the pettiness, pride, and obstinance that can affect human behavior.
Pearson’s narrator is cloaked in childhood innocence that makes his incisive observations not cruel, but simply honest. After I first read this book many years ago, I decided that I would never again make my readers feel wretched nor would I cheat them. Like Pearson, I will, however, trick them.
Marvelously funny, bittersweet, and beautifully evocative, the original publication of A Short History of a Small Place announced the arrival of one of our great Southern voices. Although T. R. Pearson's Neely, North Carolina, doesn't appear on any map of the state, it has already earned a secure place on the literary landscape of the South. In this introduction to Neely, the young narrator, Louis Benfield, recounts the tragic last days of Miss Myra Angelique Pettigrew, a local spinster and former town belle who, after years of total seclusion, returns flamboyantly to public view-with her pet monkey, Mr. Britches. Here…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.
Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
I found this book hysterically funny, and the dialogue more imaginative than any book I’ve ever read. The characters are without equal in terms of their originality, including the children of Jack and Babette Gladney.
The sheer number of meaningful topics this story covers is also without equal. The author’s observations are extremely keen. At its core, it is about the fear of death, though it is not a depressing story in any sense. It’s no wonder why it won the 1985 National Book Award.
The National Book Award-winning classic from the author of Underworld and Libra-an "eerie, brilliant, and touching" (New York Times) family drama about mass culture and the numbing effects of technology-soon to be a major motion picture starring Adam Driver and Greta Gerwig
White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent…
I’m a lifelong fantasy reader, but all too often, I find myself grousing at the characters: “Listen! You could solve all your problems with a really confident lie!” Or: “...by revealing the truth in a public campaign before the villain gets you!” Or: “May I suggest a well-placed arrow?” Or: “Is he really the villain? The infrastructure seems pretty sound, and you have no expertise in governance!” Every now and then, I’m delighted to find characters as pragmatic as I am (or as I would be if I were a fantasy hero). These are my favorites.
I’m not much of a re-reader, yet after I finished the five books in this series, I turned straight back to page one and started over, cackling all the while.
Although Johannes Cabal would be far from charming if you met him, following his adventures is a delight due to Jonathan Howard’s delicious, dry wit. Whether it’s coming out on top in a deal with the Devil, solving a murder on an airship, or surviving a time loop in a Lovecraftian universe, I have confidence that Cabal’s clever mind–and giant revolver–will see him triumph with black humor and grumpiness intact. (The only thing that may be his undoing is his annoyingly charming vampire brother.)
These are some of the funniest fantasies around, and it’s a crying shame how little-known they are.
The page-turning first novel in the charmingly gothic, fiendishly funny Faustian series about a brilliant scientist who makes a deal with the Devil, twice. • "The spot-on work of a talented writer." —The Denver Post
Johannes Cabal sold his soul years ago in order to learn the laws of necromancy. Now he wants it back. Amused and slightly bored, Satan proposes a little wager: Johannes has to persuade one hundred people to sign over their souls or he will be damned forever. This time for real. Accepting the bargain, Jonathan is given one calendar year and a traveling carnival to…
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Faulkner has great names: Lucius Priest, Boon Hogganbeck, Miss Carrie.
He uses humor to make us like them, heart to make us love them, and a crime they must commit for true justice to prevail. My most recent book follows the same humor, heart, dash of crime roadmap. Faulkner also likes long, complex sentences. I’m no Faulkner, but it’s an affection we share.
One of Faulkner’s comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family’s retainers, to steal his grandfather’s car and make a trip to Memphis. The Priests’ black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba’s bordello in Memphis. From there a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs’ deputies, and jail.
I’ve loved animals for as long as I can remember. When I was young, girls my age were seeking out babies to admire. I was around the corner looking for puppies, frogs, or any other animal I could get my hands on. I’ve spent decades seeking out animals, and the more I learn about them, the more I realize how much they can teach us, point out what we otherwise might have missed, or offer a startlingly different (and often more helpful) perspective on things. The following books are some of my favorites that bring to light the unique and profound truths animals reveal to us.
In most stories, animals don’t exist for their own reasons—their purpose is simply to serve the needs of the main characters or the machinations of the plot. In Barn 8, however, chickens not only have agency and their own raison d’etre, but they catalyze every single major turn of events.
I love the premise—a group of unlikely activists decides to free the million-plus chickens suffering on an egg farm—and its quirky, clever style. But the best part is the chickens at the heart of the tale. Unferth gets inside their heads, showing their loyalty and love, their distinctive personalities, and their undeniable, fierce intelligence.
It's a captivating glimpse into the inner world of extraordinary animals who deserve to be the heroes of their own stories.
One disaffected administrator, one disenchanted teenager, four hundred and twenty-one vegan extremists, sixty trucks, and nine hundred thousand grumpy layer hens awaiting liberation. In barns. Six barns. No, wait, seven. No, wait ...
Two auditors for the US egg industry conceive a plot to liberate an entire egg farm's worth of animals, with catastrophic results. This wildly inventive but utterly plausible novel about a heist of a very unusual kind swirls with a rich array of voices: a farmer's daughter, hundreds of activists, a forest ranger who stumbles upon forty thousand hens, and a security guard abandoned for years on…
My new book, I Saw Satan at the 7-Eleven, is among other things, a love letter to heavy metal. I am a lifelong music obsessive: a record collector, concertgoer, maker of mixtapes, sewer of patch jackets. When I’m not writing or reading I’m playing guitar with the amp turned all the way up. And I have the tinnitus to prove it. Some of the books on this list are about metal, others are simply imbued with its rebellious dionysian spirit. But every damn one of them goes to 11, I can assure you of that. Enjoy!
If Hunter S. Thompson’s work is writing as rock ’n roll, early Mark Leyner is writing as thrash metal.
And like most practitioners of thrash, he mellowed out and slowed down as he got older. But his early shit? Look out! Faster than a bullet and harder than algebra. Whopping great gobs of language, slanguage, lexicon, and terminology gush up off the page.
Not only are there no brakes, there are seemingly no limits at all, his mind doesn’t wander, it careens and chugs and screeches and free falls… and if you follow you’ll be rewarded: with laughter, shock, awe, poignancy, and something akin to a deep, ecstatic numbness. Leyner’s words sharpen the senses and push the brain into the red, just like thrash metal does.
Welcome to Mark Leyner’s America, where you can order gallium arsenide sushi at a roadside diner, get loaded on a cocktail of growth hormones and anabolic steroids, and support your habit by appearing on TV game shows. Welcome to a wildly post-Einsteinian fictional universe where the locals include a speech pathologist with a waterbug fetish, a kamikaze airline pilot, and the lead singer for Brazil’s most notoriously nihilistic samba band.
I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.
I adore Jennifer Weiner’s witty, conversational writing style and relatable, three-dimensional characters. With In Her Shoes, Weiner captures the essence of two completely different sisters who are barely on speaking terms. She does it deftly, her characters nuanced and believable, exposing their many flaws and frailties.
I love this book because it helped me see my own sister in a new light. In the book, the sisters’ actions are so realistic (verbal brutality, sniping, home truths) that I felt guilty about how I’d treated my sister over the years. And yes, I rang her several times whilst reading it, and I bought her a copy the following week. Highly recommended.
Rose Feller is thirty years old, a high-powered attorney, with a secret passion for romance novels, an exercise regime she's going to start next week, and dreams of a man who will slide off her glasses, gaze into her eyes, and tell her that she's beautiful.
Meet Rose's sister Maggie. Twenty-eight years old, drop-dead gorgeous and only occasionally employed, Maggie is a backing singer in a band called. She dreams of fame and fortune -- and of getting her dowdy big sister to stick to a skin-care regime.
These two women with nothing in common but a childhood tragedy, shared…
Books and movies offer unique advantages and challenges when it comes to storytelling. They each appeal to different preferences and engage audiences in different ways. Novels, for instance, leave more room for imagination as readers visualize characters and scenes at their own pace and from their own perspectives. Movies, on the other hand, provide specific visual interpretations that unfold in real-time, producing emotional engagement that is often immediate and visceral. When novels are adapted into movies, significant changes inevitably occur, leading many to conclude that "the book was better." While this is often the case, there are many fine examples where the original source material inspired not only good movies but all-time classics.
Paris pulses with intrigue as a young mail courier becomes entangled with a mysterious opera singer and a series of dangerous encounters. Featuring outstanding descriptions, this stylish thriller weaves together music, romance, and underworld secrets against the backdrop of a vividly depicted cityscape.
The 1981 film adaptation of the same name, directed by Jean-Jacques Beineix, is celebrated for its stylish cinematography and influential soundtrack, which includes opera performances and an electronic score by Vladimir Cosma. Its lush romanticism became a significant cultural phenomenon in the early 1980s and helped popularize France's cinema du look movement.
I am a picture book author/illustrator who writes humorous stories. One of my favorite techniques for instilling humor in my writing is for the illustrations to show the reader more than the characters’ know. It’s so much fun for kids to realize and be in on the joke before the characters in the book. I love a storytime where the kids get engaged and start pointing out what’s really happening and start talking to the characters to try to change their actions. I also love a good twist ending that makes the reader say, “How did I not see that coming?!” and these are the perfect kind of books for it.
In this book, three thieves make a plan to dig a tunnel to rob a bank, and I just love a mischievous picture book topic.
The art is so clever because we can see where the thieves are digging and the hilarious mistakes they have made as they end up in places that are definitely not the bank. The art is so charming and the digging teacher is perfection.
Sometimes the real treasures are the people you meet along the way.
Fans of Mac Barnett, Jory John, and Chris Haughton will adore this hilarious story of a bank robbery that doesn't go according to plan. Loosely inspired by the most famous bank heist in Argentina, Joaquin Camp decided to explore what would happen if the thieves had not been successful and had instead been content with what they already have. If instead of arriving at the bank, our thieves had landed in all sorts of other surprising places. The result is a story of upending expectations, teamwork, acceptance, and…
