Here are 93 books that Manhattan Transfer fans have personally recommended if you like
Manhattan Transfer.
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I come from a family of eaters. Food was often at the center of family stories and celebrations. I first became fascinated with apples while I was working on my Ph.D. in history, and my interest has since expanded to include all things related to food history. I’ve taught classes on food history, and a few years ago, I started collecting cookbooks. I blog about my cookbook collection and other historical food oddities on my website.
The family stories in this book bring history to life on a personal level. The five families are connected by their immigrant experience, but they approached food in different ways, from family-oriented German biergartens to kosher delis to imported olive oil. Each new wave of immigrants brought their own unique traditions to America, and the neighborhood evolved as each successive group brought something new to the metaphorical table.
I find the tension between maintaining food traditions and adapting them to a new nation fascinating. It also made me think about how much each group contributed to the American diet.
“Social history is, most elementally, food history. Jane Ziegelman had the great idea to zero in on one Lower East Side tenement building, and through it she has crafted a unique and aromatic narrative of New York’s immigrant culture: with bread in the oven, steam rising from pots, and the family gathering round.” — Russell Shorto, author of The Island at the Center of the World
97 Orchard is a richly detailed investigation of the lives and culinary habits—shopping, cooking, and eating—of five families of various ethnicities living at the turn of the twentieth century in one tenement on the…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
The book is an engaging memoir about what it was like in the 1950s for a single woman just out of college to balance life and relationships while starting a career in magazine publishing in the Big Apple and follows her career and family relationships through to the 1970s.
Though things like finding an apartment in a trendy neighborhood back then were significantly easier than they are in modern day, the hilarious accounts about the challenges of adapting to small living conditions still ring true.
It’s an entertaining glimpse into the golden age of the print magazine industry, but it’s also a brutally honest account of women’s mental health issues, and what it’s like to seemingly have it all but still feel the constraints imposed by choosing to live in NYC. Any aspiring writer should read this book.
Mary Cantwell arrived in Manhattan one summer in the early 1950s with $80, a portable typewriter, a wardrobe of unsuitable clothes, a copy of The Poems of Gerard Manley Hopkins, a boyfriend she was worried might be involved with the Communists and no idea how to live on her own. She moved to the Village because she had heard of it and worked at Mademoiselle because that was where the employment agency sent her.
In this evocative unflinching book Cantwell recalls the city she knew then by revisiting five apartments in which she lived. Her memoir vividly recreates both a…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
As perfectly tragic as one of his Jazz Age characters, Fitzgerald drank himself to death before finishing this novel which in my opinion, could have been his best. Like Gatsby, Monroe Stahr is an eloquent, rich, and isolated character, pining for a mysterious woman. He is a hugely successful movie mogul in the golden age of Hollywood, and Fitzgerald’s contempt for the studio system’s treatment of writers is here on full satirical display. The sparse prose sparkles with diamond-like harshness and clarity as the doomed love affair plays out. I’m sure it's his least known novel since it is technically “unfinished,” but most editions publish Fitzgerald’s unfinished future chapters, his pass at the ending as well as his notes and outlines, making this a master class in novel writing.
F. Scott Fitzgerald died in 1940 before he finished this novel. This text purges the printers' errors and editorial interventions that have appeared in previous editions. The tragic centre of the book is film producer Monroe Stahr, who sees film as art, rather than a money-making device.
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
John O’Hara’s name should be spoken in the same breath as Fitzgerald, Steinbeck, and Hemingway. Maybe it isn’t, because he never had that one homerun book that stood out in the canon, like a Gatsbyor a Grapes of Wrath. Though I think Butterfield 8 and Appointment in Samarastand up to either of the above, I have chosen this collection of short stories. He wrote more short stories for the New Yorker than anyone ever did and is credited with inventing that particular style that the periodical became known for. Each of these stories – all short and fast as an uppercut – shows the flawed humanity striving in the city from the 30s to the 60s – from ad men to secretaries, to bums and soda jerks. With his trademark crackling dialogue, this collection of gritty Americana will leave you feeling like you are standing in an…
'Superb... These thirty-two stories inhabit the Technicolor vernaculars of taxi drivers, barbers, paper pushers and society matrons... O'Hara was American fiction's greatest eavesdropper, recording the everyday speech and tone of all strata of mid-century society' Wall Street Journal
John O'Hara remains the great chronicler of American society, and nowhere are his powers more evident than in his portraits of New York's so-called Golden Age. Unsparingly observed, brilliantly cutting and always on the tragic edge of epiphany, the stories collected here are among O'Hara's finest work, and show why he still stands as the most-published short story writer in the history…
I'm a New Yorker with a background in the performing arts. Though a lifelong reader and bookstore loiterer, my early writing career was focused on the stage as well as the pursuit of a career in screenwriting. This led to many years writing and producing theatre as well as working in film and TV both as a writer and in production. The books I've chosen, I feel influenced the American language in the last century, an influence reflected in the tone of the novels and films from that period described by scholars as “Between the Wars.” It's a period that fascinates me for it exists now only in books and movies and is therein preserved.
Dawn Powell is one of the most overlooked literary figures in America from this time. Her acid wit (and gender) immediately begs comparison to Dorothy Parker. A New Yorker transplanted from Ohio, she wrote many plays and novels from the 30s to the 60s. Wicked Pavilion was published in 1954 and is a delicious satire of a group of artists who frequent a small bistro near Washington Square Park – hard-drinking writers, poets, and painters. It features a hilarious subplot of a painter who stages his own death so the value of his paintings will increase. The antidote to Henry James, Dawn Powell writes like Edith Wharton on laughing gas.
The “Wicked Pavilion” of the title is the Café Julien, where everybody who is anybody goes to recover from failed love affairs and to pursue new ones, to cadge money, to hatch plots, and to puncture one another’s reputation. Dennis Orphen, the writer from Dawn Powell’s Turn, Magic Wheel, makes an appearance here, as does Andy Callingham, Powell’s thinly disguised Ernest Hemingway. The climax of this mercilessly funny novel comes with a party which, remarked Gore Vidal, “resembles Proust’s last roundup,” and where one of the partygoers observes, “There are some people here who have been dead twenty years.”
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets.
To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
New York City includes all five boroughs. When it was first published in the early 1990s, this creative book that weaves the stories of four Dominican sisters through the decades backwards from the 1980s to the 1960s was a real gamechanger.
It’s about a family that’s been taken down a few notches—having once lived as upper-class citizens with house servants in the Dominican Republic—as they adjust to New York City culture, and specifically, life in the 1960s and 1970s Bronx, and unpack the truth about their father’s reasons for relocating the family in the first place.
Part of the narrative also serves as a relatable coming-of-age story about teenage girls, their sisterhoods, and friendships. Think Judy Blume, but Dominican, with more house parties, food, and drinking.
From the international bestselling author of In the Time of the Butterflies and Afterlife, How the Garcia Girls Lost Their Accents is "poignant...powerful... Beautifully captures the threshold experience of the new immigrant, where the past is not yet a memory." (The New York Times Book Review)
Julia Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now!
Acclaimed writer Julia Alvarez’s beloved first novel gives voice to four sisters as they grow up in two cultures. The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after their…
Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.
Like Cheever, Shaw was a fellow New Yorker contributor but his work is grittier than Cheever’s and was best summed up in The New York Times: “[Shaw] has a primitive skill possessed by very few sophisticated men.” Winner of two O. Henry awards, I would say he is the “meat and potatoes” short story master - but it’s Prime USDA.
Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.
I'm a memoir writer whose latest book, Drunk-ish, chronicles my experience getting sober. Before quitting drinking and after, I devoured all the "quit lit" books I could get my hands on despite not being entirely convinced I had an issue. I read to bond and identify with the authors, and the books I'm recommending are a few of my very favorites on the topic of addiction. On my podcast, "For Crying Out Loud," I often share about quitting drinking and addiction in general, and when I do, I find those are some of the most popular episodes. If you're sober, thinking about quitting, or even just like reading books about messed-up boozers, these books are for you.
This is one of my all-time favorite books about alcoholism because it’s hilarious. The title has a double meaning because the book is about the author’s attempt to stop drinking but also because Augusten’s humor is incredibly dry.
I found this book before I ever even entertained the notion that I, too, might have an issue with alcohol, and yet, I loved it. I’ve probably read this book at least 10 times, and it still makes me laugh despite the fact that it’s become all too real for me.
From the New York Times Bestselling author of Running With Scissors comes the story of one man trying to out-drink his memories, outlast his demons, and outrun his past.
“I was addicted to “Bewitched” as a kid. I worshipped Darren Stevens the First. When he’d come home from work and Samantha would say, ‘Darren, would you like me to fix you a drink?’ He’d always rest his briefcase on the table below the mirror in the foyer, wipe his forehead with a monogrammed handkerchief and say, ‘Better make it a double.’” (from Chapter Two)
