Here are 100 books that Lost Languages fans have personally recommended if you like
Lost Languages.
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I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
I read this book while still at school and it was my first introduction to one of the most famous decipherments in history, the cracking of Linear B by the architect and amateur enthusiast Michael Ventris. Unlike most other decipherments, there is no Rosetta Stone to Linear B, which was deciphered by techniques similar to those used in code-breaking. I was later lucky enough to be taught by the author, the great John Chadwick, who writes with beautiful clarity and precision.
The languages of the ancient world and the mysterious scripts, long undeciphered, in which they were encoded have represented one of the most intriguing problems of classical archaeology in modern times. This celebrated account of the decipherment of Linear B in the 1950s by Michael Ventris was written by his close collaborator in the momentous discovery. In revealing the secrets of Linear B it offers a valuable survey of late Minoan and Mycenaean archaeology, uncovering fascinating details of the religion and economic history of an ancient civilisation.
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.
The Third Edition of this classic account of the inside story of one of the major intellectual breakthroughs of our time - the last great decipherment of an ancient script - revised and brought right up to date with the latest developments. 113 illustrations bring to life the people and texts that have enabled us to read the Maya script. The original edition, which sold over 40,000 copies in English, was hailed as 'a masterpiece that transcends the boundaries between academic and popular writing'. 'Coe's thrilling account of the cracking of Mayan is like a detective story ... great stuff'…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Not all adventures in lost languages involve undeciphered scripts. I know nothing about the native language of Australia, but was immediately hooked by this book’s vivid account of a specialist as he attempts to locate the last speaker or speakers of a language—and then get them to speak to him. It was great for me to see how the techniques I use to reconstruct ancient languages can also reveal the structures of modern languages where there is scarcely any evidence remaining.
In the early 1960s, R. M. W. (Bob) Dixon was one of the first linguists to study the Aboriginal languages of northeast Queensland, Australia. He found that some languages of the coastal rainforest were still in daily use, but others were only half-remembered by a single elder. This autobiographical account of fourteen years of research, first published in 1984, paints a fascinating picture of the frontier society that existed in the region nearly fifty years ago. It reveals the difficulties and the excitement of linguistic fieldwork, but most of all it focuses on the people who agreed to work with…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a…
As a writer, I love words and am continuously fascinated by the way they work. In terms of writing manuals, I particularly value the work of writers who combine knowledge and understanding of writing techniques while also providing inspiration and keys to freeing the imagination. I’ve found these books brilliantly complement my professional interest in story structure and how story works, and match my own approach to combining theory with practice; craft with art in my work on story. I hope you find they inspire creativity in you, too.
Whatever genre you’re drawn to, this book is well worth investing in. It delivers exactly what its subtitle describes:a hands-on guideto writing picture books from story creation to publication.Although not primarily a picture book writer, I’ve found the book incredibly useful in developing general writing skills. I’ve used the exercises on language to improve the aural and rhythmic qualities of my writing. It’s also given me new ways to think about approaching layout and composition. It has the potential to enhance writing quality almost effortlessly. Although the revised expanded edition published in 2018 contains information specific to the publishing market then, the practical information in the book is unlikely to date as quickly. Who knows? You could end up writing picture books as well!
Master the Art of Writing Enthralling Tales for the Youngest pre-and emerging readers!
Fully updated and thoroughly revised, Writing Picture Books Revised and Expanded Edition is the go-to resource for writers crafting stories for children ages two to eight. You'll learn the unique set of skills it takes to bring your story to life by using tightly focused text and leaving room for the illustrator to be creative.
Award-winning author Ann Whitford Paul helps you develop the skills you need by walking you through techniques and exercises specifically for picture book writers. You'll find:
I’ve been fascinated by (and in love with) language for as long as I can remember; how and why it works, and how slight alterations in phrasing and framing can produce vastly different results in practice. I love looking out for metaphors and phrases that function as tools, directing how we understand and engage with the world. While my research applies these insights to both law and economics, the key takeaways are widely applicable and relevant to all areas of life. I hope you enjoy these books as much as I have.
Shariatmadari writes beautifully, and this book will make you think differently about how we use language and how that language uses and shapes us, both as individual actors and as a society. Our language – those everyday vocabularies and grammars that we deploy without a second thought – is neither original nor value-free; instead, “to speak is ‘to swim in an inherited stream of images and words’”, crafted by generations before us. For small talk, this may not matter so much. But for the bigger, weightier things in life, for the things that really matter, the way we talk can have real consequences on what we are able to understand, and how we are able to respond.
There are languages that change when your mother-in-law is present.
The language you speak could make you more prone to accidents.
Swear words are produced in a special part of your brain.
Over the past few decades, we have reached new frontiers of linguistic knowledge. Linguists can now explain how and why language changes, describe its structures, and map its activity in the brain. But despite these advances, much of what people believe about language is based on folklore, instinct, or hearsay. We imagine a word's origin is it's "true" meaning, that foreign languages…
As a clinical psychologist, I listen to thoughts all the time. I’m also having my own, constantly. We rely on our thoughts to help us navigate the world. However, our thoughts can also be a source of suffering. At times, they're not such reliable guides or helpers. Acceptance and Commitment Therapy (ACT) is a way of thinking about thinking. ACT captured my imagination early in my clinical career. I trained with ACT’s originator, Steven Hayes, in the early 1990’s. I’ve come to believe that being more aware of our own thoughts, and our relationship to them is key to creating positive change and living a life grounded in our values.
In this witty and provocative book, psycholinguistics researcher Steven Pinker explores the role of language in shaping our experience of reality.
Human-style thinking would not be possible without our capacity for language. Thoughts are basically internal language. Among the basic experiences shaped by linguistics is our experience of time.
We use language to construct a spatial metaphor for time, thinking in terms of “moving” “forward” or “backward” in time. Pinker takes us for a walk around the metaphorical space of consciousness, examining how language shapes our experience of the world.
The Pulitzer Prize finalist author of The Blank Slate presents an accessible study of the relationship between language and human nature, explaining how everything from swearing and innuendo to prepositions and baby names reveal facts about key human concepts, emotions, and relationships.
I'm a Communication professor at Fresno Pacific University and former Fulbright grantee to Jordan. Growing up in west Texas I was always fascinated with other countries. I encountered Arabic in college, and I quickly fell in love with a language and society that reminded me so much of my home—in fact, the word “haboob” is used by Texas farmers and Bedouin herders alike to describe a violent dust storm. While I was teaching English in Amman, I realized how much I enjoy learning how different cultures come to understand one another. My driving passion is to explore the centuries-long rhetorical history tying Americans and Middle Easterners together in mutual webs of (mis)representation, and this topic has never been more relevant than today.
While not a book about the Middle East per se, Winkler’s In the Name of Terrorism traces the rise of terrorism as a concern in U.S. politics and charts the narratives, frames, metaphors, and rhetoric used by presidents to make sense of terrorism to the American people. Focusing specifically on the evolution of “terrorism” as a concept in the leadup to the 9/11 attacks, this book provides vital background for those who wish to understand, as George W. Bush put it, why “they” hate “us.” A wide-ranging volume that effectively bridges the Cold War and the War on Terror, readers will better appreciate the importance of the president’s language choices after finishing this captivating book.
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
I love this book because it’s like a collection of very short stories, in poem form. It reads like slices of real life, captured in verbal snapshots.
Again, one of my favorite things is poetry which uses everyday language and captures the beauty, sorrow, struggle, and joy of normal life. This book is excellent to dip in and out of for a quick little glimpse of life to enjoy and inspire. There’s something in this book for everyone.
I have published a great many novels and stories and been translated into more than 20 languages, but long before I began to publish fiction I wrote poems, a number of which were published in poetry magazines, newspapers and suchlike – until the day I decided that, while continuing to write poems, I no longer wanted to see them in print. NUDES & VICTIMS contains a hundred of the poems written from 1967 to 2001, plus 30 song lyrics written between 1975 and 2012.
I’ve been fascinated by languages since my teenage years, when, in addition to my native Russian, I learned English, French, Spanish, Latin, Hebrew, and Esperanto to varying degrees of fluency. But it was in college that I decided to pursue linguistics as a profession, in part influenced by one of the books on my list! After 20 years of doing scientific research and teaching linguistics at different universities, I switched gears and now focus on bringing linguistic science to the general audience of lifelong learners. Even if you don’t change your career, like I did, I hope you enjoy reading the books on my list as much as I have!
I couldn’t put down this book from the very first pages that tell the story of Monsieur Leborgne and how Doctor Broca, who treated him, made the vital linguistic discovery that immortalized his name.
I learned that some groundbreaking linguistic discoveries are still made in hospitals, but one no longer needs to have a brain injury to be of interest to neurolinguistic science.
I also loved discovering how clever experiments are designed and how MRI gives us a window into how language works in the brain in real-time.
