Here are 100 books that Noir fans have personally recommended if you like
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I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
This book blew me away. It looks deceptively simple with short poems and regular language, but the emotion of the poems is intense, direct, powerful, and breathtaking. Poem after poem just made me think “Wow!” I don’t usually read poetry for fun, but the pretty pink cover and the title of this book grabbed me at the bookstore and I bought it on a whim. It was definitely one of those cases where the right book gets you at the right time. I love this book!
International best-selling author of Love & Misadventure, Lullabies (Goodreads Readers Choice Award), and Memories, Lang Leav presents a completely new collection of poetry with a celestial theme in The Universe of Us.
Planets, stars, and constellations feature prominently in this beautiful, original poetry collection from Lang Leav. Inspired by the wonders of the universe, the best-selling poetess writes about love and loss, hope and hurt, being lost and found. Lang's poetry encompasses the breadth of emotions we all experience and evokes universal feelings with her skillfully crafted words.
* International Bestseller: Over 26K copies sold in the UK of Love…
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
I love this book because it’s like a collection of very short stories, in poem form. It reads like slices of real life, captured in verbal snapshots.
Again, one of my favorite things is poetry which uses everyday language and captures the beauty, sorrow, struggle, and joy of normal life. This book is excellent to dip in and out of for a quick little glimpse of life to enjoy and inspire. There’s something in this book for everyone.
I have published a great many novels and stories and been translated into more than 20 languages, but long before I began to publish fiction I wrote poems, a number of which were published in poetry magazines, newspapers and suchlike – until the day I decided that, while continuing to write poems, I no longer wanted to see them in print. NUDES & VICTIMS contains a hundred of the poems written from 1967 to 2001, plus 30 song lyrics written between 1975 and 2012.
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
I met this author at a local author fair and picked up a copy of his book because he (as well as me!) is a Beatles fan. He said it included poems about the Beatles so I hoped I’d enjoy the book as much as I enjoyed chatting with Ryan. Turned out, I did. Ryan approaches poetry with a powerful mix of wordplay and rhythm. Every poem has a driving beat and becomes a sort of immersive experience. Although this also deals with themes of mental illness, it’s a book that just made me smile to read because it’s so unique. The illustrations make it visually stunning as well.
Open your heart to a compilation of musical poetry and surreal expression drawn from madness and mania.
Artfully weaving a rhythmic tapestry of touching poetry that flows like music, this deeply personal memoir invites readers on a fascinating deep dive into the author’s raw and heartfelt world of living rhythms and authentic feelings. As a deft amalgamation of spoken word, truth to power, clever wordplay, and thoughtful reflections, Euphoric Wonderland illuminates a mad spark of creativity as it draws uplifting inspiration from even the darkest of times.
Stimulate your imagination and open your mind to a psychedelic and enigmatic assemblage…
I never thought I’d be a poetry lover. I got my Bachelor’s Degree in English Literature. During that time, I took quite a few poetry classes, even though I didn’t consider myself a huge poetry fan. Over the course of those classes, I learned that poetry isn’t all about abstract, obscure themes, and academic language. It’s also a way for humans to communicate the feelings and experiences in one heart to another. Once I learned that poetry doesn’t have to be difficult and confusing, I found that I really enjoyed it, and I’d like to help other people discover that poetry can be more accessible and satisfying than what they may have studied in school.
Yes, it’s a book for kids, but this book has remained with me my whole life. I received this book as a gift when I was a child and I didn’t think I’d like it because I wasn’t into poetry. However, I can’t tell you how many hours I spent perusing the pages of this book. There are so many different poems, by different authors, covering a wide range of topics and themes.
I still own this book and look through it from time to time. It’s a treasured book that can be appreciated by adults as well as children.
Amazon.com Review: The Random House Book of Poetry for Children was recognized upon its publication in 1983 as an invaluable collection--a modern classic--and it has not since been surpassed. Five hundred poems, selected by poet and anthologist Jack Prelutsky, are divided into broad subject areas such as nature, seasons, living things, children, and home. The poems of Emily Dickinson, Robert Louis Stevenson, Robert Frost, Langston Hughes, Nikki Giovanni, and Gwendolyn Brooks populate the book's pages, while Lewis Carroll, Edward Lear, Ogden Nash, and Shel Silverstein ensure that the collection delights even the most reluctant readers of rhyme. Playground chants, anonymous…
Lost audio reels, archived poetry drafts, personal interviews, and undeveloped photograph negatives spark my compulsive curiosity to tell stories about language that people have never heard. Uncovering what is hidden has led to a digital project dedicated to Martin Luther King’s first “I Have a Dream” speech, a museum exhibit based on never-before-seen images of an 1,800 person KKK march staged in opposition to a King appearance in 1966, and an intimate interview with Dorothy Cotton about her memories of Dr. King. Of my three books, I have written a recent biography, Langston Hughes: Critical Lives. Part of my current research details the poet’s collaborative relationship with jazz singer Nina Simone.
This groundbreaking study is an insider’s guide to how a whole era of black southern preachers spoke to their congregations. Ever-curious about the artistry it takes to riff, remix, and sample earlier sources, this book illuminates the added depth that comes with language once the various trajectories of its previous uses are named, contextualized, and dated. Every new voice has an older one behind it. Seeing where they merge is a fascinating journey when someone this informed is driving.
Martin Luther King Jr's words defined, mobilized and embodied much of the American civil rights movement, crystallizing the hope and demand for racial justice in America. His powerful sermons and speeches were unique in their ability to unite blacks and whites in the quest for reform. Yet, disclosures about King's unattributed appropriations in his PhD dissertation have raised the broader question of whether King's persuasive voice was truly his own. In this study of the language of King, Keith D. Miller explores his words to find the intellectual roots, spiritual resonances and actual sources of those speeches and essays that…
As a clinical psychologist, I listen to thoughts all the time. I’m also having my own, constantly. We rely on our thoughts to help us navigate the world. However, our thoughts can also be a source of suffering. At times, they're not such reliable guides or helpers. Acceptance and Commitment Therapy (ACT) is a way of thinking about thinking. ACT captured my imagination early in my clinical career. I trained with ACT’s originator, Steven Hayes, in the early 1990’s. I’ve come to believe that being more aware of our own thoughts, and our relationship to them is key to creating positive change and living a life grounded in our values.
In this witty and provocative book, psycholinguistics researcher Steven Pinker explores the role of language in shaping our experience of reality.
Human-style thinking would not be possible without our capacity for language. Thoughts are basically internal language. Among the basic experiences shaped by linguistics is our experience of time.
We use language to construct a spatial metaphor for time, thinking in terms of “moving” “forward” or “backward” in time. Pinker takes us for a walk around the metaphorical space of consciousness, examining how language shapes our experience of the world.
The Pulitzer Prize finalist author of The Blank Slate presents an accessible study of the relationship between language and human nature, explaining how everything from swearing and innuendo to prepositions and baby names reveal facts about key human concepts, emotions, and relationships.
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
“Pillow talk of the highest order” ends one review this book. Out of context that would seem to indicate this is a book about romance. There is romance, I suppose, but it is for the English language itself. Open the book at any point and you are likely to be knocked over by the sheer sounds and textures of words bumping into each other—literally and metaphorically. The greatest trick Mullen performs—and there are innumerable tricks here, including anagrams, puns, parodies, borrowed forms—is that she makes poems that are fun to read aloud but also serious in their fun.
Harryette Mullen's fifth poetry collection, "Sleeping with the Dictionary", is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, "Roget's Thesaurus" and "The American Heritage Dictionary". In her menage a trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the…
I grew up in a bilingual environment (Welsh and English) and have been fascinated by languages ever since, and the way they reflect thought, culture, and history. An English degree course at University College London gave me an academic grounding in language and literature, and I've been exploring and writing on those subjects ever since, eventually as a professor of linguistics, and these days as an independent scholar. My website provides a complete list of my publications, along with links to other materials. And the most fascinating thing about language? Its diversity and change. Whatever a language was like yesterday, it's different today, and will be different again tomorrow.
The important word in the title is "social." The author brings together words that belong to a particular theme, such as journalism, economics, and politics. An example? A 'historical menu' from Anglo-Saxon times (bread, butter, cucumber) through Shakespearean times (tomato, potato, banana) to the present-day (pizza, tacos, hamburger). And not forgetting drinks, from beer to Coca-Cola. It's a fascinating exercise in the linguistic archaeology of social transformation.
The word "blurb" derives from a "pulchritudinous young lady" of that fictional name who appeared on a book-cover at the turn of the century. Quarrying the "Oxford English Dictionary" for its evidence, this book traces the extraordinary way in which English words have changed their meanings over the past millennium. These shifts both reflect Britain's rich history and reveal the social determinants of the language. In English vocabulary is stored the "archaeological" evidence of such great social transformations as the Norman Conquest, the growth of capitalism, the coming of the Reformation and the evolution of feudal hierarchy into democracy. The…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
I first read this book at age twenty-one and have never stopped returning to it. It gets better and deeper each time.
Ludwig teaches that language and reality are bound up in so many ways. It also contains some famous themes and head-scratchers, such as language games, family resemblance, private language, and rule-following, discussed, as always, in a non-technical way.
Incorporating significant editorial changes from earlier editions, the fourth edition of Ludwig Wittgenstein's Philosophical Investigations is the definitive en face German-English version of the most important work of 20th-century philosophy The extensively revised English translation incorporates many hundreds of changes to Anscombe's original translation Footnoted remarks in the earlier editions have now been relocated in the text What was previously referred to as 'Part 2' is now republished as Philosophy of Psychology - A Fragment , and all the remarks in it are numbered for ease of reference New detailed editorial endnotes explain decisions of translators and identify references and…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
I found this book's scientific rigor, systematicity, depth, and wisdom unmatchable. I liked "the passion for desert landscapes" together with the wit.
It’s not easy, at first, to see the philosophical significance of the discussion until you do, and you’re attracted to the idea that philosophy is too often a mere verbal tangle. Quine agrees, and he tries to explain why.
Willard Van Orman Quine begins this influential work by declaring, "Language is a social art. In acquiring it we have to depend entirely on intersubjectively available cues as to what to say and when." As Patricia Smith Churchland notes in her foreword to this new edition, with Word and Object Quine challenged the tradition of conceptual analysis as a way of advancing knowledge. The book signaled twentieth-century philosophy's turn away from metaphysics and what Churchland calls the "phony precision" of conceptual analysis.
In the course of his discussion of meaning and the…
