100 books like Searching for Aboriginal Languages

I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge. 

I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge. 

I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge. 

I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge. 

I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.

As a full-time travel writer for 30 years, I’ve travelled all over Australia and am still constantly surprised and thrilled by new places. Ask me what my favourite place is, and it’s impossible to choose! From the grandeur of Western Australia’s Kimberley and the red ochre colours of the Outback to the deep blue of the oceans and lush rainforests...I love it all and I love sharing my discoveries – both in cities and on the long and winding roads – with readers. When I’m not travelling or writing about it, I’m usually planning the next trip!

I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…

I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction and I’m excited when my favourite genres and setting come together. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (urban fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic). With The Rephaim series, I wanted to put angels, half-angels, and demons in a sunny coastal Australia setting, rather than the gloomy European forests we’re mostly used to for those types of stories. It was a lot of fun.

I started reading crime fiction as a teenager, so maybe it was inevitable that one day I would start writing it. I began with short stories, but then found an idea for a novel that wouldn’t let me go. One small paragraph about a tape recording left by a dead man. The books I love reading now are often set in small towns and communities, like the one I grew up in, where normal people tend to hide the worst secrets! Hidden motivations and seeing how the past plays out in the present are two elements I love in crime fiction—they help to work out who the killer is.

As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.