Here are 9 books that The Decipherment of Linear B fans have personally recommended if you like
The Decipherment of Linear B.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Andrew Robinson has written an excellent biography of Michael Ventris and also of Champollion, the man who deciphered Egyptian hieroglyphs. In this book he gives overviews of three decipherments and surveys of as undeciphered languages and languages that we can read but not necessarily understand (one of my favourite languages, Etruscan, falls into this category). This book is a great jumping-off point if you want to plunge into the waters of decipherment, and has excellent illustrations.
Beginning with the stories of three great decipherments - Egyptian hieroglyphs, Minoan Linear B and Mayan glyphs - Lost Languages moves on to dissect the most well-known and enigmatic undeciphered scripts from around the world.
These include the Etruscan alphabet of Italy, the Indus Valley seal script, Rongorongo from remote Easter Island, the Zapotec script of Mexico (probably the first writing system in the Americas), and the unique Phaistos disc of Crete. Lost Languages reports from the front lines of scholarship where obsessions, genius, occasional delusion and sometimes bitter rivalry are de rigueur among those currently competing for the rare…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
I remember reading this when it first came out and being unable to put it down. The Mayan decipherment is still ongoing, and Michael Coe wrote with the knowledge and expertise of someone on the front line of researchers. The decipherments of Hieroglyphic Egyptian and Linear B are usually told as ‘hero-narratives’, in which one individual’s genius was able to make the breakthrough. This book reminds us that all decipherments are made incrementally, and gives due space to the many different contributions made to a decipherment.
The Third Edition of this classic account of the inside story of one of the major intellectual breakthroughs of our time - the last great decipherment of an ancient script - revised and brought right up to date with the latest developments. 113 illustrations bring to life the people and texts that have enabled us to read the Maya script. The original edition, which sold over 40,000 copies in English, was hailed as 'a masterpiece that transcends the boundaries between academic and popular writing'. 'Coe's thrilling account of the cracking of Mayan is like a detective story ... great stuff'…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Not all adventures in lost languages involve undeciphered scripts. I know nothing about the native language of Australia, but was immediately hooked by this book’s vivid account of a specialist as he attempts to locate the last speaker or speakers of a language—and then get them to speak to him. It was great for me to see how the techniques I use to reconstruct ancient languages can also reveal the structures of modern languages where there is scarcely any evidence remaining.
In the early 1960s, R. M. W. (Bob) Dixon was one of the first linguists to study the Aboriginal languages of northeast Queensland, Australia. He found that some languages of the coastal rainforest were still in daily use, but others were only half-remembered by a single elder. This autobiographical account of fourteen years of research, first published in 1984, paints a fascinating picture of the frontier society that existed in the region nearly fifty years ago. It reveals the difficulties and the excitement of linguistic fieldwork, but most of all it focuses on the people who agreed to work with…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a…
I am Jeff Clarke, author and graphic designer. I have always been interested in origins and beginnings, whether it be the universe, life on Earth, military aviation and ancient societies. I possess a valuable private library of my own and generally prefer to use this rather than on-line sources as the authors’ qualifications are more easily ascertainable. I design the covers for all my novels.
This large and sumptuous volume, published in 1962, is the oldest of my references for ancient history.
Although over sixty years old its text, compiled by numerous specialists in their day, is still largely authoritative.
Where it excels, however, is in a cover to cover wealth of detailed pictures showing people, activities, situations, and places from ancient times in numerous parts of the world.
I have found this book an invaluable source, particularly regarding fashion and dress, for the book featured here as well as for Mycenaean period novels I’ve also published.
Oversized coffee-table book based on a series of articles entitled The Epic of Man which appeared in LIFE magazine from 1955 to 1957. They were prepared under the direction of Senior Editor Kenneth MacLeish and Art Director Charles Tudor and were written by Lincoln Barnett. Much new material has been added, and many of the illustrations and photographs are published here for the first time.
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Bettany Hughes follows the infamous beauty Helen of Troy through 3,000 years of world myth, history, archaeology, and culture.
I first read this book as an undergraduate and I’ve returned to it many times over the years as a first class example of how to make use of every possible scrap of evidence when attempting to bring the past to life in three dimensions and vivid technicolor.
As soon as men began to write, they made Helen of Troy their subject; for nearly three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for both the Trojan War and enduring enmity between East and West. For millennia she has been viewed as an exquisite agent of extermination. But who was she?
Helen exists in many guises: a matriarch from the Age of Heroes who…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
This book was a Rosetta Stone to my own life and, ultimately, my book. In it, Blackie describes what I had been engaged in doing ever since my parents died, without having the "lingo" to talk about it. In other words, Blackie didn't show me what to do here so much as alert me to what I was doing. And once I understood what I was doing, everything clicked into place about why it mattered.
My own book then came into clear focus. This is a lyrical prescription for moving more beautifully in the world that many of us may have come to see as ugly and well-lost.
Taking as her starting point the inspiration and wisdom that can be derived from myth, fairy tales, and folk culture, Dr. Sharon Blackie offers a set of practical and grounded tools for enchanting our lives and the places we live, so leading to a greater sense of meaning and of belonging to the world.
Enchantment. By Dr. Blackie’s definition, a vivid sense of belongingness to a rich and many-layered world, a profound and whole-hearted participation in the adventure of life. Enchantment is a natural, spontaneous human tendency ― one we possess as children, but lose, through social and cultural pressures,…
Pop culture is my life, and I like my characters to be well-versed in it. There's no reason to pretend otherwise, as what we consume informs who we are as people. Plus, there’s something beautiful in something everybody collectively knows. I’ve worked hard to make pop culture not just an interest but a career path. I currently program films for the Seattle International Film Festival, work as a playwright and performer, cover film, theatre, and burlesque for The Ticket at the Seattle Times, am a frequent guest on podcasts such asFilm at Fifty,and assist at various arts organizations all over the greater Seattle area.
To quoteNew York Timescritic Sam Anderson,“the sitcom is arguably the defining commercial art form of the American 20th century,” and this book gives that hypothesis weight. Over 24 chapters (starting in 1951 withI Love Lucy, the Rosetta Stone of the genre, and ending in 2014 with Dan Harmon’s cult hit Community),Austerlitz uses the television comedy format to discuss joke structure, technological advancements in the arts, and the evolution of American social and political consciousness over the previous half-century. Sitcoms are by their nature the tension between two opposing forces, centering on characters who strive to change their lot in life only to have everything reset by episode’s end, just in time to do it all again next week. There’s something both beautiful and menacing about that.
The form is so elemental, so basic, that we have difficulty imagining a time before it existed: a single set, fixed cameras, canned laughter, zany sidekicks, quirky family antics. Obsessively watched and critically ignored, sitcoms were a distraction, a gentle lullaby of a kinder, gentler America—until suddenly the artificial boundary between the world and television entertainment collapsed.
In this book we can watch the growth of the sitcom, following the path that leads from Lucy to The Phil Silvers Show; from The Dick Van Dyke Show to The Mary Tyler Moore Show; from M*A*S*H to Taxi; from Cheers to Roseanne;…
I’m a serial adventurer and entrepreneur who loves to read, teach, and encounter our world in as many different ways as I can. I am an innately curious programmer and a goal-oriented completionist at heart. I’ve cruised around America’s Great Loop, run a marathon, written more than fifteen books, and been involved with many small businesses. I also love to work with new programming languages. I was around for the early days of the Java, Ruby, and Elixir programming languages. I built teams to build products using each one of them. My passion is to help programmers break through their blockers with fresh insights.
I love adoption, but sometimes I don’t have the energy to read a whole treatise on the subject.
This book is about 100 historical objects, from the Rosetta Stone that helped linguists unlock Egyptian scripts to a throne built out of weapons arising in Mozambique from an African civil war. They span millions of years and six continents, and each object has its own significance.
I love this book because it felt like 100 smaller adoption and conflict stories wrapped into one small package, and I could read one at a time. One of my fondest memories of my daughter was reading her paper copy as we flew from one continent to another.
In 2010, the BBC and the British Museum embarked on an ambitious project: to tell the story of two million years of human history using one hundred objects selected from the Museum's vast and renowned collection. Presented by the British Museum's Director Neil MacGregor, each episode focuses on a single object - from a Stone Age tool to a solar-powered lamp - and explains its significance in human history. Music, interviews with specialists and quotations from written texts enrich the listener's experience. On each CD, objects from a similar period of history are grouped together to explore a common theme…
