100 books like Like Family

There’s nothing better than sitting down at the pool to read a fun, engaging story that transports you into another world and keeps you entertained. I’ve always loved reading to escape, and when I started writing and posting my stories for free online at 17 years old, I discovered my true calling. My first story amassed 140 million reads with millions of comments, where people shared how much fun they had reading the story and how it helped them escape from their lives. Since then, I’ve continued writing stories I’m passionate about and sharing them with people who love a good, fun, romance.

I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.

As an American living and cooking in Sicily for almost sixty years, I have soaked up Sicilian cuisine and culture both through research and by osmosis, delighting in discovering how the food I was preparing reflected the island’s position in history and geography, a meeting point for almost all the civilizations of the Mediterranean. My first book, a memoir of my life here entitled On Persephone’s Island, was followed by Pomp and Sustenance. Twenty-five Centuries of Sicilian Food, the first book on Sicilian cuisine to be published in English. Six more books on different aspects of Sicilian food and culture, in English or in Italian, have followed.

The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.

I craved attention as a child, and often used humor to get it. I also loved to read. As I aged, I was increasingly struck by the absurdity of the human condition and was drawn to stories that dealt with the ridiculous, nonsensical, and incongruous sides of life. Prone to depression and fascinated by Freud, I became a clinical psychologist, only to discover that my colleagues were as emotionally disturbed as I was! I even wrote a book about it, titled A Curious Calling: Unconscious Motivations for Practicing Psychotherapy. So, when I turned to writing fiction—Otto Grows Down, Duckworth: The Difficult Child, and Incognolio—I reveled in the absurd.

I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.

I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.

I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.

Dostoevsky wrote that the opposite of love is not hatred, it is indifference. That’s why I have always been fascinated by the topic of love hate. They are not opposed, they are somehow connected, and when I started writing romance I spent an insane amount of time trying to understand how people cross the bridge from hate to love. It makes for incredible stories of seduction, corruption, resilience, and ultimately happiness. As a ‘villain writer’ who enjoys writing about passionate characters going the extra mile, burning the world down to keep their love warm, I am familiar with the tropes and my imagination knows no bounds.

I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.