Here are 100 books that In the Key of Us fans have personally recommended if you like
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I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.
Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.
This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.
The Sunday Times bestseller. Winner of the Kitschies Golden Tentacle award.
A stunning science fiction debut, The Space Between Worlds is both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging.
'My mother used to say I was born reaching, which is true. She also used to say it would get me killed, which it hasn't. Not yet, anyway.'
Born in the dirt of the wasteland, Cara has fought her entire life just to survive. Now she has done the impossible, and landed herself a comfortable life on the lower levels of the wealthy and walled-off Wiley…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
A Good Kind of Trouble is the beautiful story that follows the main character, Shayla, as she learns to use her voice and speak up for things that matters to her. The book has everything I love in a middle grade novel like humor and heart (Lisa is a master at describing junior high friendships and crushes!), but also engages honestly with the reader about important things like racism and social justice. This book can serve as a fantastic conversation starter for kids and parents and kids and teachers.
From debut author Lisa Moore Ramee comes this funny and big-hearted debut middle grade novel about friendship, family, and standing up for what's right, perfect for fans of Angie Thomas's The Hate U Give and the novels of Renee Watson and Jason Reynolds.
Twelve-year-old Shayla is allergic to trouble. All she wants to do is to follow the rules. (Oh, and she'd also like to make it through seventh grade with her best friendships intact, learn to run track, and have a cute boy see past her giant forehead.)
But in junior high, it's like all the rules have changed.…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
This is a beautiful and intense book! Jennifer Chan has disappeared, and our protagonist, Mallory, isn’t sure if she’s responsible for Jennifer’s disappearance…or if the aliens Jennifer is obsessed with are. It has a great high concept hook paired with Tae Keller’s gorgeous writing that incisively looks at bullying and the consequences of our actions. I also love the structure that toggles us between the present and past and builds suspense.
In her first novel since winning the Newbery Medal for When You Trap a Tiger, Tae Keller offers a gripping and emotional story about a girl who is alienated by her friends . . . for believing in aliens.
Sometimes middle school can make you feel like you're totally alone in the universe...but what if we aren't alone at all?
Thanks to her best friend, Reagan, Mallory Moss knows the rules of middle school. The most important one? You have to fit in to survive. But then Jennifer Chan moves in across the street, and that rule doesn't seem to…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
I love this book so much! It is about a small town in Louisiana, Fawn Creek (known as Yawn Creek to the residents) where the same 12 kids have been going to school forever until one day a new girl, Orchid Mason shows up and begins to mix things up. It’s about friendship, family, self-deception, and following your dreams. I absolutely loved it. Erin Entrada Kelly is such a master at showing the reader multiple perspectives, which greatly enhances the reading experience.
“A powerful and thought-provoking story.”—Shelf Awareness (starred review)
“An emotionally resonant story about authenticity and belonging.”—Kirkus Reviews (starred review)
“A raw, real exploration of belonging that’s also sweetly hopeful.”—Publishers Weekly (starred review)
Every day in Fawn Creek, Louisiana, is exactly the same—until Orchid Mason arrives. From Erin Entrada Kelly, the winner of the Newbery Medal for Hello, Universe and a Newbery Honor for We Dream of Space, this contemporary school story set in small-town Louisiana is about friendship, family, deception, and being true to yourself and your dreams.
There are twelve kids in the seventh grade at Fawn Creek Middle…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
This is one of my favorite middle grade books ever! Caterpillar Summer is about Cat who finds herself spending the summer with her estranged grandparents at their beach house. The setting in this book is so vividly rendered—it made me immediately want to take a trip to a Carolina beach—but it is also a book that heartfeltly covers topics such as grief, sibling relationships, and what it means to just get to be a kid. This book really captured my whole heart.
Cat is the glue holding her family together. When her little brother Chicken has a meltdown, she knows just how to calm him, whether it's scratching his back or reading his favourite book. They've always had a special bond. But with their mum working extra hard after their dad's death, Cat is struggling to keep everything afloat.
When Cat and Chicken unexpectedly end up spending the summer with the grandparents they've never met, Cat suddenly has the space to be a kid again. Gradually, she discovers that days on Gingerbread Island are full of fishing, fireflies and new friendships -…
When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.
I was first captivated by the stunning cover, but stayed because I love stories about groups of friends and the emotions and connections that bind them for better or worse. Deep in Providenceshowcases this beautifully through the lenses of Miliani, Inez, and Natalie, three girls whose lives are shattered when their friend Jasmine is killed by a drunk driver. The girls turn to Filipino spells and folklore in an attempt to bring Jasmine back from the dead. Desperation and yearning bleed through these pages, and by the end, I was sobbing. This book is a beautiful exploration of grief, told in the tenderest way.
"Haunting, intimate, and beautifully told: a magical debut novel from a writer to watch.” —Emily M. Danforth, national bestselling and award-winning author of The Miseducation of Cameron Post
A spellbinding young adult fantasy debut following three best friends who turn to magic when they're haunted by a friend's death...and perhaps her spirit, combining the atmospheric thrills of The Hazel Wood with the nuanced realism of Erika L. Sanchez.
For best friends Miliani, Inez, Natalie and Jasmine, Providence, Rhode Island has a magic of its own. From the bodegas and late-night food trucks on Broad Street to The Hill that watches…
When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.
I try to limit the amount of physical books I purchase because my apartment is already overflowing with them. But there are some books so good, I needa copy of my own—The Weight of the Starsis one of those. Told in short, micro-fiction style chapters is the story of Ryann, a girl who dreams of traveling to space but doesn’t see a way out her trailer park on the “wrong” side of town. But then she meets Alexandria, a mysterious loner who is angry at the world because her own mother is an astronaut who volunteered for a one-way trip to the edge of the solar system. Lush and heartbreaking, this queer, big-hearted book cemented Ancrum as one of my must-read authors.
Ryann Bird dreams of travelling across the stars. But she settles for acting out and skipping school.
Until she meets Alexandria, a furious loner. After a horrific accident leaves Alexandria with a broken arm, the girls are brought together despite themselves - and Ryann learns Alexandria's secret: Her mother is an astronaut on a one-way trip past the edge of the solar system.
Every night, Alexandria waits for radio signals from her mother. And now Ryann lifts Alexandria onto the roof day after day, until the silence between them grows into friendship . . . . and eventually something more.
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I love exploring the idea of how life might be completely different if… if I had made different choices, if my parents had made different choices, if something seemingly inconsequential had or hadn’t happened.
Shannon’s book took me on a fantastical journey into her own imaginings of the alternate lives she could have had as an adoptee, and by extension, it made me think about the possibilities for my own life differently. As adoptees, sometimes we don’t allow ourselves the luxury of even imagining these possibilities; Shannon’s book offered a safe space to do just that.
Dream Country author Shannon Gibney returns with The Girl I Am, Was, and Never Will Be, a book woven from her true story of growing up as a mixed-Black transracial adoptee and fictional story of Erin Powers, the name Shannon was given at birth, a child raised by a white, closeted lesbian.
At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical…
I have been writing and teaching about African American poetry and poetics for more than two decades. My passion began when I kept discovering long-lost poems that were published once, in Black newspapers, and then forgotten. I wondered why I had never learned about Gwendolyn Brooks in school, though I’d read about e.e. cummings and Robert Frost. Once I stumbled on the fact that Claude McKay discovered cummings, I realized how much the questions of influence and power aren’t really central topics in thinking about the genealogy of Black poets and their influence on each other and on poetry in general.
Kevin Young’s anthology is the latest in a long line of Black poetry anthologies; the first was James Weldon Johnson’s Book of American Negro Poetry (1922), which Young duly acknowledges. Most of Young’s choices I agree with; some I don’t (at least one of Paul Laurence Dunbar’s great sonnets should have been included); but in the main it is a terrific anthology of poets historical up to the present day. I counted almost 40 sonnets among the poems included. Readers who are interested in the dates the poems were published can turn to an extensive set of notes in the back, which are really helpful.
A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present
Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture.
I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.
I’ve always been an avid reader despite not having peer-aged characters who resembled or represented me when I was a child. Fast forward to when my children were little: suddenly, there existed a plethora of African-American children’s literature. With pure delight, I indulged my little ones in magnificent books featuring characters that reflected them. Want to know a secret? I read those books for myself as well as for them. Recently, when finding a young African American girl at the center of Looking for Hope, I felt a delightful connection with my inner child. Make no mistakes. The young protagonist, Hannah “Mouse” Maynard, endures a horrific life event that alters her existence, interrupts her innocence, and thrusts her into a perilous, mature journey that fails to diminish her abiding sweetness.
“Grief has a way of cementing our feet to the ground wherever we’re standing when it hits us. It takes hard work to get unstuck from that place, but we have to be willing to dig in.”
In this coming of age tale, Mbinguni weaves a narrative about Hannah “Mouse” Maynard and her transformation from a shy, quiet, girl into a strong and assertive woman.
At 7-years-old, Mouse encounters a tragedy that forces her to face the evils of the world and leave behind everything she’s ever known. With their home destroyed, Mouse and her father travel from Maplewood, Georgia…
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