Fans pick 88 books like In That Time

This is the only insider, in-depth analysis of the North Vietnamese Politburo and its effective leader, Le Duan, from 1960 to 1975. Because the author is a native Vietnamese speaker, an academic historian,  and opposes the U.S. role in the war she was allowed by the Communist government to spend years in North Vietnam researching in previously closed archives. Her book, published in the U.S. free of censorship, is not Communist propaganda. It is a unique, objectively critical, revisionist analysis of the men who started and controlled the “war for peace” from beginning to end. 

Matterhorn is one of the most memorable works of realistic fiction written about The Vietnam War. The author and a Marine infantry officer, decorated for valor during combat several times in duty tours in Vietnam, presents a striking story about the true nature of warfare. The Marines of Bravo Company with whom his protagonist serves present the sheer toil, strength of character, the cost of lost and wounded brothers, unique personalities, moments of weakness and courage, laughter and sadness, brothers-in-arms’ trust, and the will to literally survive until the battle ends and the next one begins. Matterhorn inspired me while I wrote my debut military novel.

I read this collection of loosely connected short stories about Tim O’Brien’s service in the Vietnam War when I was in high school, only a little younger than O’Brien was when he was drafted into the Army. The hazy line between memory and fiction in the book leaves you feeling like you’re strolling through someone else’s dream.

“Sweetheart of the Song Tra Bong” in particular has stuck with me throughout my life, the seemingly impossible yet terrifying realistic narrative of how a young girl who has no business being in a war zone falls in love with combat then with the primordial earth itself and eventually disappears into the heart of darkness. Did it really happen? Was it a tall tale? Memory is such a slippery thing.

Want to understand today’s America? Noam Chomsky, Dan Ellsberg, Jane Anne Phillips, Kim Stanley Robinson, John Dower all recommend Crash Course, Bruce Franklin’s 20th book. Bruce went from working on tugboats during the bloody war for control of New York Harbor to flying as Air Force intelligence officer and Arctic navigator. Then he became a major figure in "revolutionary" movements of the sixties and seventies, getting fired from his tenured job. FBI documents reveal efforts “neutralize” him, including framing him for various crimes. This book discloses some of his actual underground activities, including helping to set up a Vietnam deserter network in France. As exciting as a thriller novel, Crash Course rewards readers with its deep analysis of modern American history. 

Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.

Nelson DeMille has written one of the finest fictional works about America’s military justice system operating sometimes fairly, sometimes not to address crimes during war. A riveting present-day story where former U.S. Army lieutenant Ben Tyson is charged with allowing soldiers under his command, years ago in Vietnam, to commit alleged murderous atrocities against innocent civilians. The plot’s general court-martial and backstories are compelling. Lieutenant Tyson and his men’s conduct reveal complex decisions made during combat when taking an individual’s life is either justified or it’s cold-blooded murder. DeMille, a decorated Army officer who deployed for combat tours in Vietnam, knows this firsthand. His book inspired my own military novel presenting questions of moral and ethical courage.

One of my all time favorites and not very well known, this remarkable book deals with a very grown-up topic, war, in such an innocent and simple way that it is somehow a perfect children’s book.

How does one conquering group get taken over by the people they are trying to conquer? Read it and find out! Created by the man who created Elmer the Patchwork Elephant.  

The United States may have lost the war against North Vietnam; but it has since defeated the Vietnamese in the war for memory. Nothing Ever Dies is an examination of what Nguyen calls, “The Industry of Memory,” the production and distribution of collective memory in the service of powerful interests. He explains how the United States utilizes memorials, film, and print journalism to promote its own stories of the war while marginalizing Vietnamese narratives. Meanwhile, the post-1975 Vietnamese regime works to erase the memory of South Vietnam. Our goal, he suggests, should be the realization of an ‘ethical memory,’ one that creates space for the remembrance of both ‘us’ and ‘them’. This is a beautifully written, deeply personal, thoughtful discussion of the legacy of a conflict that continues to define both countries.  

I’ve never read anything quite like this novel centering on a female photographer, Helen Adams, covering the Vietnam War. Years after reading it, I can still picture scenes and, I swear, feel the heaviness of the air and hear the fruit falling from the trees. Soli has talked about how she got tired of reading wonderful novels where the men went off and had wartime adventures and the women just dropped off the page. So she wrote her own wartime saga.

Helen Adams never drops off the page—she leaps off them. The writing is as lush as the landscape, and you’ll fall entirely into the world of the book. There’s war and treachery and duty and passion, and nothing is ever simple.

This book was a lifesaver for me as I began to explore media-military relations about a decade ago.

Briefly but authoritatively Sweeney charts the relationship between the American military and the media from the Revolutionary War to the early twenty-first century. Sweeney, a former journalist himself, also writes well and this is a joy to read.

The subtitle suggests Sweeney’s take on the subject, and Sweeney’s work generally has been invaluable to me and this book would be the place to start for anyone interested in the subject.