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As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
June 4, 1989 changed everything in China. When People’s Liberation Army soldiers opened fire on unarmed civilians, they killed hundreds of people and destroyed the political legitimacy of the Chinese Communist Party. A quarter-century later, this event remains buried in China's modern history, successfully expunged from collective memory. In The People's Republic of Amnesia,Louisa Lim investigates how the Chinese state re-wrote its own history to absolve itself of those killings. By explaining state efforts to erase Tiananmen, and how non-state actors attempt to revive its memory, this book invites us to consider the consequences of suppressing the past.
"One of the best analyses of the impact of Tiananmen throughout China in the years since 1989." -The New York Times Book Review
On June 4, 1989, People's Liberation Army soldiers opened fire on unarmed civilians in Beijing, killing untold hundreds of people. A quarter-century later, this defining event remains buried in China's modern history, successfully expunged from collective memory. In The People's Republic of Amnesia, NPR correspondent Louisa Lim offers a much-needed response to the silence surrounding the events of June 4th, charting how deeply they affected China at the time and in the 25 years since.
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
In the 1980s, Chinese students seeking democratic reforms pushed the Communist Party to the breaking point. Why then, is this current generation of Chinese youth so fiercely nationalistic? This question motivated Zheng Wang to examine how Beijing re-structured the country’s education system beginning in the 1990s. Chinese educators began cultivating suspicion of The West by teaching a history of ‘National Humiliation,’ creating a collective memory of how China was bullied or victimized by Europe and Japan. This narrative of National Humiliation, Zheng suggests, also explains China’s disproportionate responses to perceive slights on the international stage. There is an entire industry of books claiming expertise on the Chinese worldview, but this is one of the best.
How could the Chinese Communist Party (CCP) not only survive but even thrive, regaining the support of many Chinese citizens after the Tiananmen Square crackdown of 1989?Why has popular sentiment turned toward anti-Western nationalism despite the anti-dictatorship democratic movements of the 1980s? And why has China been more assertive toward the United States and Japan in foreign policy but relatively conciliatory toward smaller countries in conflict?
Offering an explanation for these unexpected trends, Zheng Wang follows the Communist government's ideological reeducation of the public, which relentlessly portrays China as the victim of foreign imperialist bullying during "one hundred years of…
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
In 1922, protestors in the northern Indian town of Chauri Chaura set fire to a local police station, killing the twenty-two policemen trapped inside. The event prompted Ghandi to question whether Indians were ready for independence and led to a suspension of the non-cooperation campaign. In his book, Amin explores how memory of this local affair, marked by violence, became entangled in a larger national narrative that emphasized non-violence. The result is a work that deconstructs how historical narrative is produced, and how the story of Chauri Chaura differs based on whether it's told by regional or state and national parties. This book is highly original in its presentation, use of source material, and methods of analysis.
Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region…
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
What happens when a society is unwilling to acknowledge acts of barbarism in its past? In 1976, while leading a student protest at Thammasat University, Thongchai Winichakul watched in horror as government forces and rightist elements stormed the campus, killing over eighty of his fellow students and committing unspeakable acts on the living and the dead. He wrote this book to help process memories of an atrocity that took the lives of his friends and haunted his career as a Thai historian. To this day, the Thammasat massacre is marked only by silence from official sources. As a result, Thongchai observes that Thai society is trapped in a state of ‘unforgetting,’ unable to either remember or forget the trauma.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history.
Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember-or to articulate a socially meaningful memory. It is…
Linda Collison's composite career has included critical care and emergency nursing, freelance writing and novelist, and teaching skydiving. She has sailed many bluewater miles with her husband, Bob Russell, aboard their sloop Topaz, based in Hawaii. Their three-week sailing experience aboard the HM Bark Endeavour, a replica of Captain Cook's three-masted 18th century ship, inspired Linda to write Star-Crossed, an historical novel published by Knopf in 2006, and a New York Public Library pick in 2007 for Books for the Teen Age. Star-Crossed has been republished as the Patricia MacPherson Nautical Adventure Series from Fireship Press. Her sailing experiences also inspired the novel Water Ghosts, a Foreword Reviews finalist for Independent Book of the Year, 2015.
Ships and boats are good settings for conflict; physical, sociological, and psychological.
No wind to drive the ship, a sick crew, and a mentally unstable first mate beleaguered by the ghost of the previous captain are trials the young captain must deal with. As in all of Conrad's fiction, there is plenty of insight into the human condition revealed through the characters and felt in the subtext. I classify it as a coming-of-age at sea story, drawn from Conrad's own experiences. "Coming-of-age" does not mean "young adult" in my life dictionary. It may continue well beyond the teen years.
A new captain must lead his crew to safety and face his own internal struggles as he works to overcome disrespect, insanity, and coming-of-age all while sailing on an unforgiving sea.
There is an invisible line that divides life into a before and after-adolescence and adulthood. The unnamed narrator of The Shadow Line is painfully aware of this, but is unsure where the line lies in his life. He recalls a number of rash decisions he has made, some more recent than others. Soon after he impulsively quits his comfortable job as a shipmate, the narrator meets two men who…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
This is an autobiographical novel that will change your perspective on the Vietnam War. The protagonist of the story, Kien, leaves Hanoi to join the ranks of those going south to liberate the country from the Americans and their South Vietnam allies.
It’s 1965. The Americans are invading. Scores of young men and women like Kien march off in a great patriotic wave from the North to save the South. The patriotic groundswell doesn’t last long though, as Bao Ninh plunges us into the brutality of the Vietnam War.
Through Kien, we discover for the first time what the experience of war was for the other side without the patriotic glitz. It’s not pretty, and yet Bao Ninh succeeds in humanizing the North Vietnamese soldier before our eyes.
It makes for a very powerful read. And like so many other soldiers making it home alive, the return to civilian life…
This is the semi-autobiographical account of a soldier's experiences. The hero of the story, Kien, is a captain. After 10 years of war and months as a MIA body-collector, Kien suffers a nervous breakdown in Hanoi as he tries to re-establish a relationship with his former sweetheart.
In 1965, I voluntarily enlisted in the Army as a draft exempt, 26-year-old high school teacher. After completing the infantry officer, airborne, ranger, jumpmaster, special forces, and jungle warfare courses, in 1967 I was assigned to a Special Forces A-team in I Corps, Vietnam. In 1968, I volunteered for SOG, a top-secret recon-commando unit at a small, remote SF jungle camp that was later attacked by 3,000 to 4,000 North Vietnamese Army troops. With a master’s degree in history, I have since studied all aspects of the Vietnam War. Gregory Sanders, also a Vietnam veteran, and I researched, wrote, and in 2019 publisheda unique tactical, operational, and strategic narrative and analysis of that battle titled BAIT: the Battle of Kham Duc.
This is the only insider, in-depth analysis of the North Vietnamese Politburo and its effective leader, Le Duan, from 1960 to 1975. Because the author is a native Vietnamese speaker, an academic historian, and opposes the U.S. role in the war she was allowed by the Communist government to spend years in North Vietnam researching in previously closed archives. Her book, published in the U.S. free of censorship, is not Communist propaganda. It is a unique, objectively critical, revisionist analysis of the men who started and controlled the “war for peace” from beginning to end.
While most historians of the Vietnam War focus on the origins of U.S. involvement and the Americanization of the conflict, Lien-Hang T. Nguyen examines the international context in which North Vietnamese leaders pursued the war and American intervention ended. This riveting narrative takes the reader from the marshy swamps of the Mekong Delta to the bomb-saturated Red River Delta, from the corridors of power in Hanoi and Saigon to the Nixon White House, and from the peace negotiations in Paris to high-level meetings in Beijing and Moscow, all to reveal that peace never had a chance in Vietnam.
I have been fortunate to write and publish three books on America’s service academies: two on the U.S. Naval Academy, and one on the U.S. Military Academy at West Point. The two nonfiction books were appealing photographic and narrative presentations of academy life at Navy and West Point. The third, my debut novel happening at the Naval Academy, is an inspiring tale of moral courage and dedication to duty with war and peacetime conflicts. Each book was a rewarding creative project.
Matterhornis one of the most memorable works of realistic fiction written about The Vietnam War.The author and a Marine infantry officer, decorated for valor during combat several times in duty tours in Vietnam, presents a striking story about the true nature of warfare. The Marines of Bravo Company with whom his protagonist serves present the sheer toil, strength of character, the cost of lost and wounded brothers, unique personalities, moments of weakness and courage, laughter and sadness, brothers-in-arms’ trust, and the will to literally survive until the battle ends and the next one begins. Matterhorn inspired me while I wrote my debut military novel.
Fire Support Base Matterhorn: a fortress carved out of the grey-green mountain jungle. Cold monsoon clouds wreath its mile-high summit, concealing a battery of 105-mm howitzers surrounded by deep bunkers, carefully constructed fields of fire and the 180 marines of Bravo Company. Just three kilometres from Laos and two from North Vietnam, there is no more isolated outpost of America's increasingly desperate war in Vietnam.
Second Lieutenant Waino Mellas, 21 years old and just a few days into his 13-month tour, has barely arrived at Matterhorn before Bravo Company is ordered to abandon their mountain and sent deep in-country in…
I have been fortunate to write and publish three books on America’s service academies: two on the U.S. Naval Academy, and one on the U.S. Military Academy at West Point. The two nonfiction books were appealing photographic and narrative presentations of academy life at Navy and West Point. The third, my debut novel happening at the Naval Academy, is an inspiring tale of moral courage and dedication to duty with war and peacetime conflicts. Each book was a rewarding creative project.
Nelson DeMille has written one of the finest fictional works about America’s military justice system operating sometimes fairly, sometimes not to address crimes during war. A riveting present-day story where former U.S. Army lieutenant Ben Tyson is charged with allowing soldiers under his command, years ago in Vietnam, to commit alleged murderous atrocities against innocent civilians. The plot’s general court-martial and backstories are compelling. Lieutenant Tyson and his men’s conduct reveal complex decisions made during combat when taking an individual’s life is either justified or it’s cold-blooded murder. DeMille, a decorated Army officer who deployed for combat tours in Vietnam, knows this firsthand. His book inspired my own military novel presenting questions of moral and ethical courage.
Read the gripping story of a Vietnam vet whose secret past threatens his family, career, and honor, from the #1 New York Times bestselling author whose books have sold over 50 million copies worldwide, and is "a true master" (Dan Brown).
He is a good man, a brilliant corporate executive, an honest, handsome family man admired by men and desired by women. But sixteen years ago Ben Tyson was a lieutenant in Vietnam.
There, in 1968, the men under his command committed a murderous atrocity-and together swore never to tell the world what they had done. Not the press, army…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated…
