100 books like The People's Republic of Amnesia

The United States may have lost the war against North Vietnam; but it has since defeated the Vietnamese in the war for memory. Nothing Ever Dies is an examination of what Nguyen calls, “The Industry of Memory,” the production and distribution of collective memory in the service of powerful interests. He explains how the United States utilizes memorials, film, and print journalism to promote its own stories of the war while marginalizing Vietnamese narratives. Meanwhile, the post-1975 Vietnamese regime works to erase the memory of South Vietnam. Our goal, he suggests, should be the realization of an ‘ethical memory,’ one that creates space for the remembrance of both ‘us’ and ‘them’. This is a beautifully written, deeply personal, thoughtful discussion of the legacy of a conflict that continues to define both countries.  

In the 1980s, Chinese students seeking democratic reforms pushed the Communist Party to the breaking point. Why then, is this current generation of Chinese youth so fiercely nationalistic? This question motivated Zheng Wang to examine how Beijing re-structured the country’s education system beginning in the 1990s. Chinese educators began cultivating suspicion of The West by teaching a history of ‘National Humiliation,’ creating a collective memory of how China was bullied or victimized by Europe and Japan. This narrative of National Humiliation, Zheng suggests, also explains China’s disproportionate responses to perceive slights on the international stage. There is an entire industry of books claiming expertise on the Chinese worldview, but this is one of the best. 

In 1922, protestors in the northern Indian town of Chauri Chaura set fire to a local police station, killing the twenty-two policemen trapped inside. The event prompted Ghandi to question whether Indians were ready for independence and led to a suspension of the non-cooperation campaign. In his book, Amin explores how memory of this local affair, marked by violence, became entangled in a larger national narrative that emphasized non-violence. The result is a work that deconstructs how historical narrative is produced, and how the story of Chauri Chaura differs based on whether it's told by regional or state and national parties. This book is highly original in its presentation, use of source material, and methods of analysis. 

What happens when a society is unwilling to acknowledge acts of barbarism in its past? In 1976, while leading a student protest at Thammasat University, Thongchai Winichakul watched in horror as government forces and rightist elements stormed the campus, killing over eighty of his fellow students and committing unspeakable acts on the living and the dead. He wrote this book to help process memories of an atrocity that took the lives of his friends and haunted his career as a Thai historian. To this day, the Thammasat massacre is marked only by silence from official sources. As a result, Thongchai observes that Thai society is trapped in a state of ‘unforgetting,’ unable to either remember or forget the trauma.

This newly published book is the definitive account of the Tiananmen protest movement of 1989 and its suppression, which has turned out to be the pivotal political event in the post-Mao era. Weaving a range of personal stories and new documentation into a highly readable analysis, it lays bare its unpredictable course and tragic but avoidable outcome. There is nothing else in print that manages to describe the drama while providing a shrewd and cool-headed critical scrutiny of a range of competing scholarly interpretations and official misrepresentations.

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

The ascent to power of Xi Jinxing in China in 2013 heralded a new era in China’s overseas engagements and in its domestic politics and economic policy; what Elizabeth Economy has called the “third revolution.” This fascinating book by Large brings the story of China’s engagements in Africa up to date. It is packed with fascinating details and analysis and shows how China’s interests on the continent are shifting from being primarily economic to being more geopolitical. It is a detailed and nuanced analysis of the changed nature of relations. 

This novelized biography of a poet some consider China’s greatest pleases me over and over again. Rendering Li Po (sometimes Li Bai) as a libertine living on a barge, drinking too much and partaking with gusto in the pleasures of the flesh at the red-candle district near which he moors, really helps bring alive the great man’s life and work. There’s also a bit about his relationship with Du Fu, more of a straight arrow. Those two, along with Wang Wei really offer a picture of the Daoist life I so adore and the feeling of watching the world spin out of control in war but also the peace and solitude of a mountain retreat.

I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.

The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.

It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.… show more.

Having interviewed hundreds of Chinese Canadians, I knew that many of Canada’s earliest Chinese migrants met and gave money to Sun Yat-sen, the father of modern China, though most were less enthusiastic about Chiang Kai-shek. This book presented a complicated narrative of US-Chinese relations from the perspective of the Soong sisters, who straddled the boundaries of west and east and lived in a world where most Chinese were excluded because of their race. Similar to many of the bachelors in my book, the sisters were also influenced by KMT politics and religion. Both the Soong sisters and the bachelors knew that religion trumped race and that Christian identities and faith helped them open doors to dominant society that remained closed to most Chinese of the era.