Fans pick 100 books like I Know This Much Is True

Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.

I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.

In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero. 

This is probably the most powerful example of literary pastiche novels I’ve read, not just because it takes on one of the most beloved novels in English literature—Jane Eyre—but because it brutally turns that novel’s premises on their gentrified heads.

I am truly awed by how vibrantly Rhys inhabits Antoinette, Rochester’s doomed wife, weaving in themes of colonialism and gendered power into Charlotte Brontë’s Gothic romance and, in the process, making it a kind of subversive and gritty feminist and anti-colonial manifesto.

Rhys’s depiction of Antoinette’s descent into madness is so visceral and believable that you are (or at least I am) all but cheering as she literally burns the patriarchy to the ground. I also love that while it’s generally considered Rhys’s masterpiece, she wrote it in her seventies. 

When Steven Lopez spotted a homeless Black violinist playing classical music on Skid Row he saw material for his column in the L.A. Times.

He succeeded in making Nathaniel Ayers, a Julliard dropout with schizophrenia, a cause célèbre—and a friend for life. Lopez was determined to find answers. Couldn’t Nathaniel be forced into a facility that would help him? From, counselors with experience on Skid Row, and from Nathaniel himself, he learned why not: coercion destroys trust and the ability to provide any assistance.  

Since Lopez’s encounter in 2005, two overlapping crises have only intensified: homelessness for those down on their luck and a lack of care for those with serious mental illness. Controversial measures to forcibly hospitalize and medicate homeless people who seem mentally ill are being adopted across the U.S..

The issues Lopez faced eighteen years ago are more relevant than ever.

Psychiatric medications are prescribed more judiciously than when my sister first took them, but still many people find them intolerable.

Bergner first encountered mental illness when his younger brother Bob was diagnosed with bipolar disorder after dancing on a ferry to the rhythm of the ocean. Sadly, his parents believed that dancing was a symptom to be eliminated with higher doses of lithium.

Bergner finds two others to share their experiences: a roller derby star turned peer counselor, who heard voices since childhood; and a lawyer who feels doomed to failure despite his achievements in important cases. All three discontinue medication, two of them successfully.

Interspersed with their stories is a short history of psychiatry with a focus on the limitations of neuroscience and serious missteps in psychopharmacology.

In many ways, my book is a prologue to Robert Kolker’s extraordinary book. When Mike left our home, he moved to the Colorado State Hospital, in 1957, just a few years before the Galvin brothers began to rotate through the same wards. My mother dealt with the guilt and shame, stigma and chaos of one child with schizophrenia. The Galvins had ten boys and two girls, and six of the boys were diagnosed with schizophrenia. Unimaginable. I feel especially close to their story because I went to college in Colorado Springs. I rode my bike near the Galvin home on Hidden Valley Road. Even the brain research ending Kolker’s book on a note of hope happens in Denver at the University of Colorado. Like mine, this is a Colorado story. 

This is the Horatio Alger story for talented young women who develop schizophrenia. Elyn Saks, a law professor at USC, tells a story of descent into a kind of madness that has a truly happy ending. Not the kind of happy ending literary novels offer us, in which contentment is laced with sadness. Elyn conquers her demons like a superhero.

A stunning biography of a brilliant mathematician, John Forbes Nash, and his descent and resurrection from madness, that became a hit movie.

Nasar makes both the mathematics and the personality of an early, unusual and important game theorist come alive for even the most math-adverse reader. This is an unusual account of recovery, of a mind apprehending the world of human competition, and a poetical love and coming-of-age story.

Kurt Vonnegut, Jr.’s son, Mark, wrote this semi-fictional exploratory piece in an autobiographical style while exploring the nature of drug-induced madness coupled with undiagnosed schizophrenia while living an alternative lifestyle in a working commune. Through it all, the nature of humanity is questioned in a humorously chaotic way. And yet he pulls it all together to somehow not only make sense of, but also be enlightened by, the madness of this counterculture lifestyle. 

Mark Vonnegut later returns to university and obtains a medical degree while exploring the use of orthomolecular medicine as a treatment to combat schizophrenia. While successfully obtaining his medical degree, he eventually disavows orthomolecular therapy as a plausible treatment.

It can be incredibly frustrating to try to talk about how broken the mental healthcare system is (especially in the United States). Most people have no frame of reference for it.

Similarly the impact mental illness can have on family and loved ones is, for many, uncharted territory. Enter No One Care About Crazy People.

Powers expertly weaves the history of mental healthcare in America together with the story of his family’s battles with schizophrenia. The result is a heartbreaking and beautiful and horrifying and eye-opening book that leaves you better equipped to have those frustrating conversations. 

I’m not going to lie to you, this is a hard one to read. It hurts. That said, it is one of my all-time favorite books.

This book is about something as disruptive to a child’s world as can be–a parent’s debilitating mental illness–and Baldwin handles it realistically and sensitively.

Twelve-year-old Della is terrified and heartbroken by her mother’s struggles with schizophrenia, and I know as a writer that Baldwin faced a huge challenge in telling this story: finding where the hope lies when, ultimately, there’s no cure for the mom.

The answer lies in acceptance and community, and Baldwin handles this in a way that feels wise, real, and satisfying to me. This book is also close to my heart because it is set in a part of the world I know and love, rural eastern North Carolina, and Baldwin describes it so beautifully.