Here are 100 books that I Had That Same Dream Again fans have personally recommended if you like
I Had That Same Dream Again.
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I am a professor of creative writing who knows when readers stop feeling, they stop reading. We all want to feel, to live vicariously. To experience the unimaginable. I’ve lived large. I’ve raced on the back of an ostrich, rode an elephant through the jungles of Thailand, raced catamarans in the Caribbean, and danced with the Shaka Zulu in Africa. The best books are those that feel like memories…that touch us…that make us feel.
I think every woman should read this book. In a time when we need a “movement” to be seen or heard, Dragons reminded me of our strength, of how often the world has its boot on the back of our necks.
I loved the story of 2 sisters-one who desperately wants to be a dragon and the other, who does not. It was my first audiobook and I finished it in 2 days.
A KIRKUS BEST BOOK OF 2022 • A rollicking feminist tale set in 1950s America where thousands of women have spontaneously transformed into dragons, exploding notions of a woman’s place in the world and expanding minds about accepting others for who they really are. • The first adult novel by the Newbery award-winning author of The Girl Who Drank the Moon
Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a…
I have always loved reading about individuals and the ways they behave in extraordinary or unusual circumstances. Stories that are about a person growing up and coming to an understanding that the world around them is deeply flawed, and that they themselves are patched-up, imperfect creatures, fascinate me. I find myself observing people and the words they say. Those are the kinds of stories I write, about regular people stumbling along and discovering some truths about themselves.
Bunny is an American teenager in Azerbaijan. Her father is a diplomat. She grows up in a world where oil is everything, listening to the language of the adults around her as some want their share of the profits reaped by this energy source while (a few) others point out the inequities in this industry and its potential long-term effects on the world.
What is fascinating as well is how she herself becomes part of this same world when she is an adult, almost as if she cannot help but be subsumed by the vast structure of the oil industry.
“A masterpiece of misdirection.” ―Geraldine Brooks
“Mobility is a truly gripping coming-of-age story about navigating a world of corporate greed that’s both laugh-out-loud funny and politically incisive.” ―Jon Favreau, Jon Lovett, and Tommy Vietor
Bunny Glenn believes in climate change. But she also likes to get paid.
The year is 1998. The Soviet Union is dissolved, the Cold War is over, and Bunny Glenn is a lonely American teenager in Azerbaijan with her Foreign Service family. Through Bunny’s bemused eyes, we watch global interests flock to her temporary backyard for Caspian oil and pipeline access, hearing rumbles of the expansion…
Relationships are treacherous terrain for people outside the mainstream. Whether we’re tangling with the unwelcome biases of those who do not understand us or trying to navigate situations designed without us in mind, trying to find “our people” is tricky and often exhausting. I am an autistic polyamorous sapphic trans woman and each of those adjectives adds a layer of challenge to the life I have to lead. I am also the holder of a doctorate and like to think I’m pretty clever. Between these realities, I’ve found books about relationships, neurodivergence, and what it’s like to be someone like me that I think do a pretty good job. I hope you enjoy them.
Neurodivergence, queerness, and the power of spreading love far and wide will find few more apt combinations than in Kai Cheng Thom’s magical-realist faux-memoir, Fierce Femmes and Notorious Liars.
This surreal, poignant piece of fiction hits so many notes that resonate for people like us that it is difficult to list them all.
In its violent and sometimes confusing splendor, one finds a story of someone finding the people who will love her through the pain of a world that neither understands nor respects our difference, and in the end, what more could we want than that?
Fiction. LGBTQIA Studies. Asian and Asian American Studies. Young Adult. FIERCE FEMMES AND NOTORIOUS LIARS: A DANGEROUS TRANS GIRL'S CONFABULOUS MEMOIR is the highly sensational, ultra-exciting, sort-of true coming-of-age story of a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents' abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who live in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, the protagonist blossoms into the…
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Another remarkable first novel, and the first of a trilogy, now complete. Dangarembga is a multi-talented Zimbabwean woman—filmmaker, playwright, novelist, and not least, political activist. A coming-of-age tale set in the late colonial period [when Zimbabwe was Rhodesia], the focus is on two girls, cousins. Tambu, the narrator, begins the book this way: “I was not sorry when my brother died." Now, that will get your attention [we gradually learn why]. But it is her cousin Nyasha who will grab you: brilliant, passionate, troubled, sickly. In 2018 the BBC named Nervous Conditions one of the 100 stories that have shaped the world.
FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020
'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah
Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of…
When I was a child, there was a wooded lot across from my house. All the neighborhood kids gathered there daily after school, running amongst the tall conifers, making forts, and climbing the smaller trees. I begged to be able to play there, but was never allowed. So sometimes, I’d sneak across the street and stand at the edge of the trees and desperately wonder what was within the gloriously dark shadows. There’s just something magical about kids spending time in secret places, away from the cares of the adult world. I'm a Pacific Northwest author, graphic designer, and coffee addict who lives for mysteries of any kind. I'm the author of two YA mystery fiction trilogies, two children's books, and one nonfiction history.
The eerie Claymore mansion is the secret spot of mystery in this very suspenseful—yet still lighthearted and fun—novel by Darren Sapp. Thirteen-year-old Kevin and his group of friends become entwined in a summer mystery surrounding a decades-old crime. I loved this book so much because it was a perfect balance of mystery, friendship, and classic summer teenage antics before the advent of cellphones and computers.
Devil’s Backbone dirt road weaves through tall East Texas trees. The eerie Claymore mansion sits silently along the path. Thirteen-year-old Kevin Bishop and friends plan to spend their summer swimming, playing baseball, and erecting a massive fort in the nearby woods. Their daily journey requires a bike ride down that road and by that mansion—the site of a gruesome unsolved murder near the turn-of-the-century. They stumble upon evidence to solve the mystery as unforeseen adversaries make this a summer they’ll never forget.
This coming-of-age tale will take readers down memory lane…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
The reason I chose this book is simple. It was the first one to show me the first-person way.
I read this book in high school around 1973 and it stayed with me all these years. This dark side of adolescence skillfully narrated by the introverted Gene is as real today for me as it was when I was a prep school kid reading it.
Gene remembers some fifteen years earlier as he comes back to visit, and tells this story under the guise of a quintessential American story, though as he says “a very untypical one, I guess, and unfamiliar transitional blur in the memories of most people, which is the real America for me.” Every first-person story I’ve tried to write since has had a little bit of Gene in it.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I have known that I was gay since I was in second grade and kissed a boy on the playground. But that wasn’t the only way that I knew. Coaches, bullies, religion, and family warned me by namecalling, violence, and intimidation. It wasn’t until I was in college that I heard homosexuality portrayed in a positive light. Thank you, Walt Whitman. Then I saw The Adventures of Priscilla, Queen of the Dessert, and knew that I had to go on my own adventure in search of my gay tribe. Novels can be a tribe. I hope the books on my list give you a place to find acceptance and love.
Tin Man weaves the beauty and meaning of Van Gogh’s oeuvre into a background for a story that is written like poetry. Time is a main character who is sometimes kind, but mostly cruel. Separation, loss, and longing are themes that all people can relate to but when seen through the perspective of a character who identifies as LGBTQ+ it heightens and clarifies those human experiences in a way that draws a reader from any background deeper into an exploration of what the passing of time means and the consequences of ignoring the herald of each minute that ticks by.
The beautiful and heartbreaking new novel from Sarah Winman, author of the international bestseller WHEN GOD WAS A RABBIT.
'Her best novel to date' Observer 'An exquisitely crafted tale of love and loss' Guardian 'A marvel' Sunday Express 'Astoundingly beautiful' Matt Haig
It begins with a painting won in a raffle: fifteen sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things.
And then there are two boys, Ellis and Michael, who are inseparable. And the boys become men, and then Annie walks into…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
Whenever I re-read this book, I’m gob-smacked that it’s a debut novel. Taylor Greer just wants to avoid the fate of her peers—unwanted pregnancies and dead-end lives in the small Kentucky town where she was born—when she points her Volkswagen Bug due West in search of something different. She has no idea how different her life will become when she stops at a gas station in Oklahoma and a stranger puts a small child in the passenger seat of her car. The story of how Taylor and the child become a family with the help of some unlikely friends, is one that’s stayed with me from first read. Kingsolver’s writing is quietly and deeply dazzling and paints a stunning picture of what it means to find sanctuary, family, and home in a way you never imagined.
The Bean Trees is bestselling author Barbara Kingsolver's first novel, now widely regarded as a modern classic. It is the charming, engrossing tale of rural Kentucky native Taylor Greer, who only wants to get away from her roots and avoid getting pregnant. She succeeds, but inherits a 3-year-old native-American little girl named Turtle along the way, and together, from Oklahoma to Tucson, Arizona, half-Cherokee Taylor and her charge search for a new life in the West.
Written with humour and pathos, this highly praised novel focuses on love and friendship, abandonment and belonging as Taylor, out of money and seemingly…
