Here are 45 books that How To Recognize A Demon Has Become Your Friend fans have personally recommended if you like
How To Recognize A Demon Has Become Your Friend.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I absolutely loved this creative take on the whole final girl slasher trope! I really enjoy a strong female character in horror where they’re “just like us.” Reading these poems where the females can be outspoken and confident but also quiet or slutty was powerful.
I enjoyed how they’re inspired or based on different movies. When I finished the book, I had a whole list of movies I needed to watch or re-watch. This collection was on my mind for days after.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
While I will read anything written by Lee Murray, I loved this anthology of horror poetry! The variety of voices that Murray and Ryan have pulled together is powerful when read cover to cover. I love how the real-life horrors that women can face are illustrated by the poets through these creative, powerful, and well written pieces.
A showcase of poetry from some of the darkest and most lyrical voices of women in horror.
A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes.
Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I loved the way Christina Sng’s language and descriptions kept me in a daydream-like state while reading. I felt as though I was fully immersed in a different world. It was easy to continue flipping pages and reading the whole collection in one sitting.
The creepy and unsettling bits haunted me a little afterward, bleeding their way into my dreams, but I think that’s something powerful about well-written poetry. I’d happily suffer through a few sleeps with nightmares to read more from this poet.
Hold your screams and enter a world of seasonal creatures, dreams of bones, and confessions modeled from open eyes and endless insomnia. Christina Sng's A Collection of Nightmares is a poetic feast of sleeplessness and shadows, an exquisite exhibition of fear and things better left unsaid. Here are ramblings at the end of the world and a path that leads to a thousand paper cuts at the hands of a skin carver. There are crawlspace whispers, and fresh sheets gently washed with sacrifice and poison, and if you're careful in this ghost month, these poems will call upon the succubus…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I am a sucker for a good supernatural poetry collection where female characters can be unapologetically evil. I couldn’t put it down; the book had a death grip on me. The variety of drabbles and poems flowed well with all of the different voices and authors.
I enjoyed the different sea creature tales full of macabre and grisly takes on sirens, mermaids, and others.
Dangerous waters takes us deep beneath the ocean waves and shows us once more why we need to be cautious about venturing out into the water.
Featuring stories, drabbles and poems by Sandra Ljubjanović, John Higgins, Patrick Rutigliano, Candace Robinson, Emmanuel Williams, Desirée M. Niccoli, L. Marie Wood, Samantha Lokai, Christina Henneman, Gully Novaro, Christine Lukas, Alice Austin, Dawn Vogel, Victoria Nations, Mark Towse, Kristin Cleaveland, Ben Monroe, Kurt Newton, E.M. Linden, Eva Papasoulioti, Ann Wuehler, Rachel Dib, A.R. Fredericksen, Daniel Pyle, Megan Hart, Ef…
As I child I wanted to know the information that was withheld from me. What were the adults whispering about? What were they hiding? Secrets, things that are hidden, have a way of shaping the lives around them, a dark space that exerts a presence, even though it isn’t seen. I thought if I found out the secret, maybe my family, and the world, would make sense. Breaking Out of Bedlam is my version of my grandmother’s story, based on the whispers I heard and a few faint clues—a newspaper clipping, a Bible, and a baby’s sock. More than that, it’s an explanation for the silence in my family, for my grandmother’s bitterness, her drug abuse, and depression.
Sherman Alexie gives it everything he’s got in this sprawling, messy, brilliant memoir. Using his mother’s funeral as a jumping-off point, he investigates her chaotic life in an effort to understand the enigma of her personality and the nature of his complicated relationship with her. The contradictions he uncovers, the bits and pieces of information he’s able to glean, and the incongruities in the stories he discovers are stitched together in a narrative he likens to a patchwork quilt: disparate parts brought together that somehow make a whole.
I love the rawness of this memoir, the humor, the mixed genres, and especially the way that Alexie doesn’t spare himself in his examination of how things turned out as they did. He emerges as a not altogether likable player in the vast tragic comedy of his family. In unraveling his relationship with his mother, he uncovers his own demons, the secrets…
A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian.
Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the…
A child of the 50s and 60s, I grew up on Saturday matinee monsters and prime-time sitcoms; the race for space and the cold war; on flower power and power to the people. With a fertile, if not warped imagination, and a fascination for space and time travel, the ironic short story and the contemporary fantasy novel come naturally to me. There’s irony in everything and a story in everyone. I try to convey this in my books and stories without taking myself, or the world too seriously.
Growing up I often found myself looking at the world through a question mark, often finding irony all around me. An irony that most adults either didn’t recognize or didn’t care to recognize. When my junior high English teacher turned me on to the works of O. Henry, I found a kindred spirit. O. Henry’s slightly askew, often humorous stories mirrored my own often warped view of the world. And I delighted in the brevity with which he told his tales. The short story genre became a favorite of mine. In the fast-paced, no time to spare world we’ve created, O. Henry’s delightful quick reads are an oasis of enjoyment.
Features: * annotated introductions to the works, giving contextual information * illustrated with many images relating to O. Henry’s life, works, places and film adaptations * ALL the short story collections and each with their own contents table * overall contents tables for the short stories – both alphabetical and chronological – find that special story quickly and easily! * rare short story collections like O HENRYANA and THE TWO WOMEN – often missed out of collections * includes O. Henry’s poetry and letters * EVEN includes the enigmatic LETTERS TO LITHOPOLIS FROM O. HENRY TO MABEL WAGNALLS, available in…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
I had always known that Oklahoma was home to the “Five Civilized Tribes,” but I had not known much about the enslaved people they brought West with them. Alaina Roberts weaves her own family’s history into the history of Indian Territory and the state of Oklahoma, and made me rethink what I knew about African Americans in the West.
Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"-the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from.
In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and…
I’ve loved learning about the Old West for as long as I can remember. Is this because I was born a few miles from the spot where Jesse James robbed his first train? Or is it because my family watched so many classic western movies and TV shows when I was a kid? Either way, writing books set in the Old West is a natural fit for me. I love researching the real history of that era just as much as I love making up stories set there. In fact, I write a column about the real history of the Wild West for a Colorado-based newspaper, The Prairie Times.
Thanks to Hollywood, we tend to think of the Old West as being populated primarily by white people and Native Americans. This book helps dispel that mistaken concept by highlighting the role of African-Americans in the American West during the 1800s. Showcasing the true diversity of that era is something I am passionate about learning more about and including in my own books.
This book brings to life the biographies of ten African American women who bravely tackled life on the frontier. Among them are teachers, businesswomen, civil rights crusaders, and a stagecoach driver! Each story is very different, but they all serve to show how important African American women were to the settling of the West.
The brave pioneers who made a life on the frontier were not only male-and they were not only white. The story of African-American women in the Old West is one that has largely gone untold until now. The stories of ten African-American women are reconstructed from historic documents found in century-old archives. Some of these women slaves, some were free, and some were born into slavery and found freedom in the old west. They were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists. These hidden historical figures include…
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
Slavery and its legacy is a northern problem too. Detroiters were slaveholders, but that is a fact that we’ve collectively spent decades, if not centuries, denying and neglecting. Tiya Miles’ gripping history of slavery and freedom reveals the stories of the enslaved Native and African American people who were present in Detroit since the city’s initial decades of European colonization. Her historical narratives, crafted from meticulous archival research, reintroduce readers to the long-forgotten people whose coerced labor laid the foundation for the city’s physical infrastructure and scaffolded the livelihoods of its free residents. The Dawn of Detroit is a stark reminder of how the roots of contemporary inequities run deep through the city’s history.
In this paradigm-shifting book, celebrated historian Tiya Miles reveals that slavery was at the heart of the Midwest's iconic city: Detroit. Miles has pieced together the experience of the unfree - both native and African American - in the frontier outpost of Detroit, a place wildly remote yet at the centre of national and international conflict. The result is fascinating history, little-explored and eloquently told, of the limits of freedom in early America, one that adds new layers of complexity that completely change our understanding of slavery's American legacy.
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Photographer Andrew Lichtenstein and historian Alex Lichtenstein offer readers compelling visual expression of the instability of public memory. The authors ask who and what gets remembered and forgotten, and where and how? What is consigned to oblivion and why? What do such choices reveal about what national stories we prize and those we find uncomfortable, even indigestible? The powerful photographs suggest how volatile historic sites can be marked by absence as well as presence.
From Wounded Knee to the Edmund Pettus Bridge, and from the Upper Big Branch mine disaster to the Trail of Tears, Marked, Unmarked, Remembered presents photographs of significant sites from US history, posing unsettling questions about the contested memory of traumatic episodes from the nation's past. Focusing especially on landscapes related to African American, Native American, and labor history, Marked, Unmarked, Remembered reveals new vistas of officially commemorated sites, sites that are neglected or obscured, and sites that serve as a gathering place for active rituals of organized memory.
These powerful photographs by award-winning photojournalist Andrew Lichtenstein are interspersed with…
