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My first memories are of sitting in the garden munching strawberries off the vine as my grandfather picked vegetables. Dad’s days off meant a trip to the nature reserve or sledding the town slopes. Vacations were for jumping in waves and exploring tidepools. Mom collected antique children’s books and instilled a passion for reading. When not exploring the woods across the railroad tracks with friends, I was reading. Childhood and my passion for nature intersect in my writing in two of my other books, A Beach Tail and Circles of Hope. Nowadays, my routine includes writing in my woodland cabin and daily hikes with my flat-coated retriever, Lowani.
This simple story offers an intimate view into the life of a hermit crab who has outgrown his shell. He travels along the shore, by the sea in the sand…scritch-scratch, scritch-scratch looking, looking. The lyric repetition I strive for in my own writing helps build tension. The hermit crab needs a place to hide from the prickle pine fish.
I can feel that sandy beach in the illustrations and I have walked there where Hermit Crab encounters a rock, a rusty tin can, driftwood, and an old bucket. None of these make a house for Hermit Crab. I can relate to the satisfaction of a journey’s end. In a new home that is not too heavy or too noisy, not too dark, not too crowded. A safe new home that fits just right. Something we all look for.
Follow a hermit crab on the perilous journey to replace his outgrown shell in this classic picture book by the author of the popular Judy Moody and Stink series.
Hermit Crab has outgrown his shell, and it’s time for a new home to keep him safe from predators. The beach is strewn with possible choices, but none are quite right. A rock is too heavy; a tin can is too noisy; a fishing net has too many holes.
He stepped along the shore, by the sea, in the sand . . . scritch-scratch, scritch-scratch
I was born in the Bronx, New York City, and my earliest memories involve going to the beach in the Bronx, where crabs ran among my toes, and especially going to City Island to try to see the great yachts that were being built to win the America's Cup. But I think my love of marine biology was really cemented at the age of ten when my father took me to the Paris movie theater in New York City to see The Silent World made by Jacques Cousteau and Louis Malle.
Great children's books about the ocean are very rare. Pagoo is a hermit crab, and Holling brings the shore and Pagoo to life. As a marine biologist and parent, I was overjoyed to see how an author and illustrator could produce such a wonderful and literate book that reached out to children so well.
Holling is at the very peak of children’s adventure writing, and he filled his books with magnificent illustrations.
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities-to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds…
A retired English teacher has come home to Appalachia, a land of industrial disaster and natural beauty. He has been enticed with stories of Wildcat’s transformation: of the collective action embodied in Hotel Wildcat as well as the artisanal pursuits springing to life in the old iron mill. But in returning, he must confront his dark memories: the lost love of his hippie chic girlfriend not to mention the lost trust between his middle-class family and working-class Wildcat.
Written in the lyrical grit so characteristic of America’s Rust Belt, Wildcat: An Appalachian Romance is a testament to the redemptive potential…
Journey into Appalachia's Heart: Love, Loss, and the Resilience of a Forgotten Land
Discover the captivating allure of the Appalachian region as Jeffrey Dunn skillfully weaves a tale of love, loss, and redemption in his exquisitely crafted literary fiction masterpiece, Wildcat: An Appalachian Romance. Immerse yourself in the depths of the rust belt's rugged landscapes, where the echoes of industrial disaster intertwine with the sublime beauty of nature, all while the characters navigate the delicate dance between past and future.
In this poignant narrative, our protagonist, a retired English teacher, returns to his roots, lured back to the once-shuttered Hotel…
The heroes and heroines in the Seven Kingdoms Fairy Tales face challenges inspired by my own fears, like giving a presentation in the front of the class, getting lost in an unfamiliar place, finding my place in a new school, or working out how to be fair to my friends when we disagree about the rules. Fears tell us a boring life is “safe.” They hide our extraordinary life behind their backs. I write books for and about kids attempting things that are absolutely positively “not for them”. Because kids are the bravest people around. That’s why they’re so magical.
Doesn’t every kid want a pet? Most kids think of a dog, a cat, a hamster, or a hermit crab, but this story is about trying a new kind of pet: A skunk.
Bixby Alexander Tam, a.k.a. Bat, has his work cut out for him. His mom is a veterinarian. That’s how the skunk got into the house. (At our house, it was Stretchy the Leech. We have a zoologist in the family.) Watching Bat convince his mom that a skunk could be his pet, instead of a ticking time-bomb, was lots of fun. (I love the author’s note about the skunk scientist. Science magic.)
The first book in a funny, heartfelt, and irresistible young middle grade series starring an unforgettable young boy on the autism spectrum.
For Bixby Alexander Tam (nicknamed Bat), life tends to be full of surprises-some of them good, some not so good. Today, though, is a good-surprise day. Bat's mom, a veterinarian, has brought home a baby skunk, which she needs to take care of until she can hand him over to a wild-animal shelter.
But the minute Bat meets the kit, he knows they belong together. And he's got one month to show his mom that a baby skunk…
It’s not an exaggeration to say that finding a path toward a spiritual belief that accepted me for who I am was a lifelong pursuit for me. As someone who felt pushed out by the Catholic Church for my transness, I wanted to find something that kept some of those traditions but built on them in a way that made sense to me and included me. Italian-American folk magic had room for people like me in a way that organized religion never did. The magical memoirs of contemporary writers inspired me to synthesize what I’d learned into my own grimoire/memoir.
I love this meditation on magic, parenting a child with a medical condition, and intimate partner violence for its honesty and bravery.
Hillary Leftwich doesn’t shy away from discussing traumatic events and her own decisions that left her life feeling unmoored and the magical pathways that helped her come back to herself. Fearless and insightful, this was one of my favorite memoirs in recent years.
AURA is more than a memoir-- it's a spell book for survival, a powerful promise from mother to son, and an intimate examination of power, spirituality, and the abuse of both.
"AURA is more than a memoir-- it's a spell book for survival, a powerful promise from mother to son, and an intimate examination of power, spirituality, and the abuse of both. Hillary Leftwich weaves together the stories of her life to create startlingly raw memories that are both personal and profoundly universal. She explores the devastating impact of patriarchy in her own life while searching for answers in witchcraft,…
I’m fascinated by singular women who have found ways to express themselves and to flourish in the face of doubt. My experience of moving country as a child, family breakdown, losing a parent as a teenager, and dropping out has left me intrigued by other women with the drive to survive on their own terms. Of course, the social constraints a woman must overcome will vary according to when she lived, but common characteristics will be bravery and obstinacy. I’ve now written three novels about women who have succeeded against the odds. I hope the books I’ve recommended captivate you as much as they do me.
American settler Cy Bellman leaves his daughter Bess to search for giant monsters in a Kentucky swamp.
It’s a brilliant story of a man’s obsession. But it’s Bess who fascinates. While others doubt Bellman’s sanity, Bess believes in him. Young and vulnerable, when danger strikes, she’s as fierce as the wilderness her father faces.
She’s left to grow up in the care of an indifferent aunt. When Bess is touched inappropriately by the librarian, the girl takes evasive action. When the yard hand almost rapes her, she fights back, then with a snap, regains her composure to deal with a shocking death.
Davies uses words economically and poetically: they leave me breathless. Though short, the book’s an epic.
Named a Best Book of the Year by The Sunday Times (UK) * The Guardian (UK) * The Washington Independent Review of Books * Sydney Morning Herald * The Los Angeles Public Library * The Irish Independent * Real Simple *
Finalist for the Rathbones Folio Prize
“Carys Davies is a deft, audacious visionary.” —Téa Obreht
When widowed mule breeder Cy Bellman reads in the newspaper that colossal ancient bones have been discovered in the salty Kentucky mud, he sets out from his small Pennsylvania farm to see for himself if the rumors are true: that the giant monsters are…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
A great portrayal of how the impact of war becomes part of our DNA whoever we are.
In the summer of 1969, a small town in Kentucky was famously traumatized after the decimation of the entire National Guard Unit it sent to Vietnam, a higher percentage of deaths than any other geographic region in the country. Based upon a real-life incident, this ingenious novel traces the repercussions of grief and loss through every level of the town’s society.
Cementville has a breathtaking set up: 1969. A small Kentucky town, known only for its excellent bourbon and passable cement, direct from the factory that gives the town its name. The favored local sons of Cementville’s most prominent families all joined the National Guard hoping to avoid the draft and the killing fields of Vietnam. They were sent to combat anyway, and seven boys were killed in a single, horrific ambush.
The novel opens as the coffins are making their way home, along with one remaining survivor, the now-maimed town quarterback recently rescued from a Vietnamese prison camp. Yet the…
I write historical fiction about real-life characters, some relatively obscure, some very well known. One of my main goals is to avoid the stereotypes, myths, and misconceptions that have gathered around historical figures. At the same time, I strive to remain true to known historical facts and to the mores of the times in which my characters lived. I use both primary sources—letters, newspapers, diaries, wills, and so forth—and modern historical research to bring my characters to life.
This collection of essays focuses on a variety of topics, including Mary's relationships, her siblings, her life at the only home she and her husband owned together, her travels, her fashion sense, her psyche, her depiction in photographs and illustrations, and her portrayal in fiction. Although these essays are relatively short, they're crammed full of interesting details. You can read the book straight through or (as I prefer) dip in and out of it at your leisure.
Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln's complex nature and show how she is viewed today. The authors' explanations of her personal and private image stem from a variety of backgrounds, and through these lenses-history, theater, graphic arts, and psychiatry-they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as…
I am an optimist. I jump out of bed in the morning ready to read and write. With my dog and cat by my side and a cup of coffee in hand, I lose myself in whatever I am working on. I am deeply curious about a gamut of subjects and constantly challenge myself to learn more. I am persistent and not afraid of hard work. Nature and animals are my bottomless well of inspiration and joy. I very much believe life is a journey and I try to enjoy each step.
It is a memoir where Barbara Kingsolver writes humorously about a year of living off the land. She is not a vegetarian but must raise, kill, and butcher animals if she wants to eat meat. The result is, every time she eats meat, she weighs the emotional cost.
This reckoning has been my bible. I ask myself, would I be willing to kill the chick I raised to eat? Inevitably, the answer is “no.”
The book is not a treaty encouraging people to live off the land, it’s the opposite. It makes you appreciate every bit of food you put in your mouth and the fact you did not have to grow, harvest, clean and cook it.
"We wanted to live in a place that could feed us: where rain falls, crops grow, and drinking water bubbles up right out of the ground."
Barbara Kingsolver opens her home to us, as she and her family attempt a year of eating only local food, much of it from their own garden. Inspired by the flavours and culinary arts of a local food culture, they explore many a farmers market and diversified organic farms at home and across the country. With characteristic warmth, Kingsolver shows us how to put food back at the centre of the political and family…
I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.
Not only is the small-town, rural setting of this book beautifully written, it is also so honest and real. Every community faces challenges and has shortcomings, regardless of its size, and I appreciate that Amy K. Sorrells doesn’t shy away from that.Lead Me Homealso includes a neurodivergent character, which really resonated with me because one of my children is neurodivergent as well. Small towns can be a great place for kids with special needs because of the extra safety, slower pace of life, and sense of community. But they can also be a challenging place for kids with special needs because of the lack of resources, diversity, and opportunity. This is my favorite book by Amy K. Sorrells so far.
Amid open fields and empty pews, small towns can crush big dreams. Abandoned by his no-good father and forced to grow up too soon, Noble Burden has set his dreams aside to run the family farm. Meanwhile, James Horton, the pastor of the local church, questions his own calling as he prepares to close the doors for good.
As a severe storm rolls through, threatening their community and very livelihood, both men fear losing what they care about most . . . and reconsider where they truly belong.
