Here are 100 books that Hellfire fans have personally recommended if you like
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When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
A multi-level work of genius. On the surface, this book is about someone trying to solve a murder. But Ilustrado is so much more than just your usual murder mystery. The book does more than use Philippine colonial and contemporary history as the backdrop; it weaves this history into the fabric of the narrative itself. As the protagonist uncovers buried facts about his late mentor and as well as his own past, he also discovers just how inseparable Art is from the political intrigue and social violence in which it is birthed. And the twist at the end explodes the whole book.
'A dazzling and virtuosic adventure' Joseph O'Connor, author of Star of the Sea
Internationally Bestselling Winner of the Man Asian Literary Prize 2008
'With Ilustrado, Miguel Syjuco obliges us to remake the canons of our great classics of contemporary literature. Ilustrado is, literally, a masterpiece' Alberto Manguel
It begins with a body. One anonymous winter day, the corpse of Crispin Salvador is pulled from the Hudson River. Gone is the controversial giant of Asian literature. And missing is the only manuscript of his final book, an expose of the corrupt roots of the ruling Filipino families, meant to restore his…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
This haunting collection of short stories left a faint chill in my bones for weeks—very aptly, given its name. None of the seven tales are conclusive, or wrapped up neatly. It feels as if there is always a kernel inside each one that remains tucked out of sight, no matter how many outer layers are peeled off—or in the case of one of the stories, no matter how much hide is flayed away.
Visual and performance artist, and winner of the inaugural Kill Your Darlings Manuscript Award, SJ Norman turns their hand to fiction with spectacular results. Permafrost explores the shifting spaces of desire, loss and longing. Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations – from small-town Australia to Hokkaido to rural England – this collection is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger. Whether recounting the confusion of a child…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung.
Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
Anton Hur's translation skilfully captures the way Chung's prose effortlessly glides from being terrifying to wryly humorous.
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I picked up Transmutationwhen it was very difficult for any book to hold my interest—during the constant low-level depression that colored the seemingly endless extended lockdown in Sydney in 2021. It held me spellbound. I had an inkling it would: I adored DiFrancesco’s earlier work, Psychopomps, which I read in 2019.The stories of Transmutation are electric and warm and sad. Like the other stories and novels on this list, they never fully answered my questions, never wrapped anything up in a neat bow. They left me immensely satisfied.
Transgressive, transformative short stories that explore the margins of trans lives.
Building on the success of All City, here is a wry, and at the same time dark and risk-taking, story collection from author (and baker) Alex DiFrancesco that pushes the boundaries of transgender awareness and filial bonds. Here is the hate between 16-year-old Junie, who is transitioning, and their mom's boyfriend Chad when the family moves into Chad's house on Lake Erie. And here is the love being tested between Sawyer and his dad, who named his boat after his child and resists changing it from Sara to Sawyer…
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
For those who don’t want to read a novel length but want to experience worlds beyond worlds, this book I would recommend, a neat short story where the protagonist uses the multiverse as a form of self-discovery, experiences he would never have in his own life and considers to a change of character.
Might not be a full-blown adventure, but a calmer mundane life experience, relatable while simplifying the multiverse without any complexities.
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
The Secret of the Stolen Idols is Vivek’s debut novel, and it unravels as quite a surprise package. Lucid language, sharp characterization, and a pacy plot make it a story that lingers in your mind long after you are done reading the book. With his descriptions, Vivek brings to life a Goa that lies beyond the prying eyes of tourists, and one that is just as enchanting as its overt persona.
Since an early age, I loved getting lost in a good story and knew I wanted to be a writer one day. As an adult, I tried writing in many genres but it was when I had my children that I knew I wanted to write children’s bedtime stories. I loved that special time at the end of a busy day when I could snuggle down with my children and get lost in a story with them. I now write children's bedtime stories for a podcast called Koko Sleep. The stories are written in a soothing way and are designed to help the listeners drift easily to sleep.
I worked as a classroom assistant for ten years and read a lot of books to the younger children, and this one was always a favourite for them. The children loved the funny rhymes and there would be lots of giggles because they knew what was going to happen next. The illustrations are amazing and they inspired the children to draw their own aliens. This book was read so many times that the pages started to fall out, but they were lovingly put back by the children.
Experience comic close encounters of the alien kind in this innovative picture book.
Dad's new book has just arrived and his children are sitting down to read his latest adventure... Blasting off into space, Dad's on the hunt for aliens. He meets lots of them - cute, hairy, bug-eyed and scary - and, strangest of all, he falls in love. But what will his family think of his far-fetched tale? A hilarious and innovative picture book from award-winning author and illustrator Colin McNaughton.
I’m a law professor who, among other things, writes about the culture and law of secrecy. I’ve written two books: Conspiracy Theories: Secrecy and Power in American Culture, the second edition of which was published in 2008, and The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (2017). I hold a J.D. from Yale Law School and a Ph.D. from the Institute of Communications Research at the University of Illinois at Urbana-Champaign, and I teach at the University of Florida.
Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.
The United States of Paranoia is a history of America's demons. Conspiracy theories, Walker explains, aren't just a feature of the fringe: They've been a potent force across the political spectrum, in the center as well as the extremes, from the colonial era to the present. Walker argues that conspiracy stories need to be read not just as claims to be either believed or debunked but as folklore. When a tale takes hold, it says something true about the anxieties and experiences of the people who believe and repeat it, even if it says nothing true about the objects of…
I’m an October baby born during a full moon, into a small New England town notorious for their connection to the Salem Witch Trials. My house was for sure haunted growing up, I’ve had a lot of nightmares over the years, and I found solace in the horror genre. Though my true background is in comedy having studied with Second City Chicago, the experience afforded me the opportunity to explore the more pained and shadowed sides of myself as a tool to write relevant material. I learned to focus those explorations into narratives and create stories with a lot of heart that highlight my own quest to uncover inner peace.
A fellow New Englander, Tremblay took me by complete surprise with this novel. In the past, I saw horror defined by slashers, gore, and jump scares. This novel helped me understand that modern horror is a bit savvier and more nuanced, with a stronger focus on emotional suffering.
I really connected with the struggling working-class family and sympathized with their decision to let a documentary film crew create a series about their clearly struggling daughter. The film crew intended to market the girl as possessed by a demon, which the family signs off on in order to collect a desperately needed financial boost.
It expertly explores the hardships of the middle class, sibling love, and the societal hush-hush of mental illness. Plus, it’s got some twists and turns to that made my blood run absolutely cold.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.
The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.
Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."
Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.
The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American…
