100 books like Girl on a Motorcycle

I love this subversive, touching, and weird picture book biography about the author of Goodnight, Moon (and more than 100 other books). In 42 pages, Mac has managed to question the whole concept of biography and traditional notions about what children’s books (and all books) should be like—both sentiments reflected in Margaret life and work—while at the same time providing a perfect portrait of the aspects of the author’s life most relevant to her writing, and probing questions of censorship and tastemaking. Among other things, Mac shows young creators how to live in a celebratory manner even if the world seems to have turned its back on their work. He does all this while keeping the reader curious (there’s tension!), engaged (there’s storytelling!), and happy (it’s funny!)—but not too happy (the ending is tragic and philosophical!). This might be my favorite picture book biography of all time.

I loved reading this book to my kids, who were immediately drawn into the heartbreaking story of Judith, a girl with Down Syndrome, who was separated from her twin sister, Joyce, and institutionalized for many years. This separation led to great pain for both sisters, until decades later, when Joyce brought Judith home, and enrolled her in an art program for differently-abled people. Slowly, Judith flourished, going on to become an artist of renown, with work displayed in museums and galleries around the world. 

This tremendous story, of the bond between sisters, the therapeutic value of the creative process, and the potential for creating meaning and joy through artistic expression, helped my very young children develop empathy for and a deeper understanding of differently-abled people.

This book inspired my family to start reading poetry together, to create playlists of poets of the Harlem Renaissance, and even to have a Calico Critters poetry reading with tiny dollhouse books (the elephants and hedgehogs are especially good poets). 

Exquisite’s extraordinary illustrations and playful prose, which honors Gwendolyn’s rhythms, take us through the poet’s childhood love of poetry—she begins writing as early as 7. Poetry is Gwendolyn’s world. Eventually, her poems are published—first in her neighborhood, then in her city and beyond—but they don’t pay the bills. Then one day a phone call delivers the news: She is the first Black writer to win the Pulitzer Prize! I adored this book, about how art can elevate and bring joy to everyday life—with all its limitations—and gifted it to several families this year.

Kyo Maclear is one of my favorite authors—someone who can gracefully transition from biography to graphic novel to memoir without losing her signature style, which is lyrical without being heavy-handed and playful without being cute. Like another book on my list, this one is brilliantly illustrated by the incredible Julie Morstad, who similarly manages to perfectly capture the unique spirit of each subject while remaining singularly herself. 

This story of Gyo Fujikawa, the artist who created the first book featuring babies of all races tumbling and playing happily together, weaves together myriad themes—the women’s suffrage movement, the internment of Japanese citizens during WWII, the sexism in academia, and the racism that first plagued young Gyo at school, and later made it so difficult for the adult Gyo to get her first book published. It manages all this while being effortlessly readable and entertaining. Brava, Kyo!

This was the book that started my lifelong interest in history, and that led to my present career as an author of historical fiction and nonfiction for children and adults. I received it as a Christmas present when I was ten or eleven, and I can still remember poring over the varied characters this book presented—albeit all British—and being transported in both time and place away from my bunk bed. This book ignited not only a love for history by showing me that history was made up of human stories, not just dates and battles; it also ignited a love for reading and writing because of the warmth, cadence, and accessibility of its prose.

Closely related to my love for history is my love of mythology—the boundary between the two is porous. This book started that love. There have been many books published that present the Greek myths to children, and this book is not considered one of the classics, but because it was my favorite book when I was six, I have never found another version better. I love the illustrations and how stylized they are. They capture the myths’ mystique, yet you can always see the human. I was clutching this book in the back seat of my family’s car when my mom announced that we would be getting a baby brother. As I was reading about Jason and the Golden Fleece, I suggested Jason as a name. It stuck!

This book presents mythology from my own Chinese culture—specifically, a legend from Hong Kong, where I lived from the age of seven to sixteen. We used to go on drives into the countryside on the weekends—Hong Kong still had some semblance of countryside then—and we’d often see the Amah Rock looming above us in the distance. This book tells the sad and poignant legend behind that rock. I love how it takes a tale specific to one geographical spot—one small pile of stones—and turns it into a universal story about love and loyalty. What also makes it special is that the author used to be beside me in the backseat of the car. Natasha Yim, a very well-respected children’s author, is my sister.

Back to pure history! At one point, I was the founder and publisher—the Head Goose—of Goosebottom Books. Of all the books we published, this title is my favorite. Gretchen Maurer, the author, did a great job of presenting a very complex and nuanced story in a way that makes it human and understandable to young readers, without side-stepping the facts. The book design and illustration are remarkable and evoke the rich Tudor aesthetic. But what I love most about this book is that it presents the antihero to my childhood hero, Elizabeth I of England, and raises the question: just how fair was history? One of these two sisters became known as Bloody Mary, the other as Good Queen Bess. Did they fully deserve those reputations?

Eighty Days takes readers behind the scenes of the lives of Bly and Bisland, two successful women who made a name for themselves during the late 1800s. It reveals the private women behind the public personas during an era when women were expected to mind house and home.

Before I read this book, all I knew of Magellan was that he led the first expedition to circumnavigate the globe by sea and that he did it by finding the strait at the tip of South America that links the Atlantic and Pacific oceans and that still bears his name.

I imagined the Strait of Magellan as a marine superhighway, easily found if sailing down the continent’s eastern seaboard. Bergreen made me realize how painstakingly slow was the process of finding and navigating the Strait, full of dead-end channels and submerged glacial moraine.

Before the book reaches the Strait, I was struck by Bergreen’s account of the mutinous tensions between the Portuguese Magellan and Spanish officers and crew. I finished the book, marveling that anyone made it back to tell the tale.