100 books like Forget Burial

Many books that tackle the AIDS crisis tend to focus on queer meccas like New York City and San Francisco, but Makkai’s The Great Believers illustrate just how hard the virus hit Chicago.

Jumping back and forth between 1985 and 2005, the book follows a close group of gay men and their straight allies as their communities begin to come under attack. In 1985, Yale Tishman is on the verge of great professional success just as his dreams begin to slip through his fingers.

Meanwhile in 2005, Yale’s friend Fiona Marcus finds herself looking for her runaway daughter in the streets of Paris, while also coming to terms with what she had to give up to care for these men. A masterful book. 

One of the best academic books written at convergence of the HIV/AIDS and COVID-19 pandemics is The Virus Touch.

Here, Bishnupriya Ghosh showcases how “epidemic media” inform how epidemics are understood and experienced—making this text so relevant right now. She looks at how media—images, numbers, and digital models—whether generated by scientists, artists, or activists enable us to see and understand viruses and bear witness to their effects in new ways.

What is unique about Ghosh’s scholarship is how looks to the environment to study health which illustrates the complex and tangled relationships between epidemics, humans, animals, and media. Ghosh’s rich examples, ranging from modelling viruses to reading test results to tracking infection rates and mortality numbers, ensure that Virus Touch speaks to diverse readers.

In We Are Having This Conversation Now, Alexandra Juhasz and Theodore Kerr blow up the conventions of academic work on epidemics.

In a series of thirteen short dialogues they reflect as activists, media-makers, and scholars on the history, present, and future of AIDS. The reflections on AIDS-related culture and conversation they share, will spark for readers critical questions about how personal experiences, community, cultural production, and interpersonal relations come together.

Doing this kind of reflective work is particularly important now, as we need to begin to understand not only HIV/AIDS, but how it impacts the experience of living amidst other viral pandemics including COVID-19. 

It takes a great writer to make the complex structure and mechanics of viruses legible, and moreover, deeply compelling.

Osmundson draws together his personal experiences, expertise in microbiology, and a queer politics and studies in eleven essays that reflect critically on how viruses like HIV and COVID-19 (and their intersections) have redefined each of our daily lives.

The book offers powerful insights into illness politics, sex and pleasure amidst pandemics, and our collective responsibility for one another through a very personal narrative in ways that promise crucial insights. We need such personal and critical work as we continue to figure out new ways to live alongside viruses and viral pandemics.

What list of nineteenth-century feminists would be complete without the movement’s grand dames, Susan B. Anthony and Elizabeth Cady Stanton? This book, the first of a six-volume series, takes us to the early days of their friendship and alliance. Not only is this collection a testimony to the enormous amount of energy and organization expended by these two reformers, but it also reminds us of their human side.

Some of my favorite moments include Stanton bragging about the birth of her first daughter (and fifth child): “I laid on a lounge about 15 minutes, and alone with my nurse & one female friend, brought forth this noble girl,” and Anthony grumbling about her decision to give up the “Bloomer” outfit adopted by a number of women reformers, “I have let down some of my dresses and am dragging around with long skirts.”

Part of what I love the most about The Lord of the Rings is the way that J.R.R. Tolkien made Middle Earth feel like it could be real. I have to remind myself it’s not history, but fiction. Reading Recorder gives me the same feeling. Sure, technically, it’s science fiction. It’s set in space. But there is a depth and honesty to the world that Cathy McCrumb has created that is rare and worth exploring. It is both a prescient warning about the future of humanity and a powerful story about found family and finding hope when up against impossible odds. Also, the romantic subplot of this book will absolutely shatter you.

This book brings the format of a graphic novel to the subject of women's resistance during enslavement and the trans-Altantic slave trade—and the result is fresh and compelling. As a historian myself, I appreciated the interwtined narratives of Hall's own research quest as a historian following the documentary record—and her reconstruction of the extraordinary revolt of the women held captive in 1772 on the slave-ship Unity. Both the search for truth and the dramatic uprising are conveyed with great skill and emotional power. The account of the Unity revolt calls attention to what we know, how we know it, and what we don't know. But Hall refuses to stop there. Instead, carefully marking speculation as such, Hall offers a fascinating, well-informed, effort to imagine a fuller account of what might have actually happened. We are left with a powerful sense of why this history matters two and a half… show more.

How do we decide what is kept? Every librarian will spend some part of their lives ‘weeding’ items from their collections: a necessary and important task. In this book, Nicholson Baker chronicles, with increasing agitation, what happens when de-accessioning gets out of control, and little foresight is given to weeding. Written from the perspective of a journalist uncovering a major hushed-up conspiracy, Double Fold demonstrates how (mostly American) libraries destroyed much of their historic newspaper stock during the twentieth century, throwing them out in favor of a new and fancy (but now largely obsolete) technology, the microfilm. The book made major waves, and is one of the finest clarion calls for the careful preservation of rare items, such as newspapers, which are often poorly catalogued and stored, but are priceless historical and cultural artefacts.

Jill Nalder is one of the great heroes of the AIDS crisis in eighties Britain. Her story features in the TV series It’s A Sin. This is her memoir and it’s an uplifting and heartbreaking read. Jill is one of those miraculous allies for gay men who fought to get more information about AIDS distributed more widely. It’s thanks to people like her that AIDS is no longer a death sentence.

I loved this book because it’s tough, hard, and very, very real. I think it is a timeless reminder that AIDS has no cure and that in the 1990s, HIV was a death sentence. I love this author’s gritty writing; he’s a gay survivor of that era who never pulls his punches.