100 books like #famous

First off, it’s set in the 80s. This is my generation. No smartphones. No social media. Just pure teenage angst.

Mostly, I love the back-and-forth conversation and inner thoughts of Eleanor and Park. Rowell nails the authenticity of teens. Their strange humor and insecurities. I want to throw my arms around them and shelter them from the cruel bullies haunting them.

Rowell sucks you into their lives, and it feels so real and raw that you remember the wonder and horror of your own teenage years. The dialogue is rich in its realness, and the tender little moments between Eleanor and Park are precious.

What kept me glued to this story was the touching portrayal of David. He’s on the autism spectrum. How people view him versus how he views the world captured my heart.

What To Say Next is told from dual perspectives. The other main character Kit is just as interesting even though, stereotypically, she’d be considered your average, popular, high school student. Buxbaum removes this stereotypical surface and reveals a strong, engaging character with a goal.

The characters pulled me into this story. Their genuineness is written with such honesty that you root for them in every good and bad moment, adoring even their less desirable personality traits because that’s what makes them relatable. 

The narrator of We Are Okay was like a siren for me. Jorjeana Marie’s voice holds the pain of the main character Marin like a tiny secret clutched in her fist and hidden from view. You want to see it so badly, but you only get glimpses as she unfolds one finger at a time.

I love the delicate unraveling of this tragic story and how Marin’s loneliness gets under your skin, so you really feel it and feel for her. Like in What to Say Next, a death is a catalyst, but how the death is used in the two stories is entirely different. As an author, I enjoy studying these plot points to see how each author uses them to mold their style and voice. 

This story surprised me. I didn’t expect what this book had to offer. You get a lot of the story and the main character Ingrid’s voice through letters that she writes to her mom.

What I like most is that it appears to be a typical young adult contemporary story, but you know it’s not, and when you get to the end you know why. 

Writing about the internet is notoriously difficult but Sudjic swings it, sublimely. Although ostensibly set between London and New York, Sympathy almost transcends setting with its focus on millennial Alice Hare’s online haunting of writer Mizuku Himura. After becoming infatuated with Mizuku over Instagram, Alice maneuvers an IRL friendship, which spirals into sexual obsession and possessiveness. It’s a brilliant character study and meditation on alienation, online personas, and the algorithmization of attraction. 

This title is for the upper YA crowd, I’m talking sixteen going on seventeen because while set in high school, this read is steamy. What I love about this book is the humane side of things. Ares Hidalgo is far from perfect. He messes up with our heroine Raquel quite a few times, and I love that he’s flawed and kept trying to right his wrongs. I just loved Ares’s boldness, from stealing Raquel’s WiFi, to climbing through her window to fix said WiFi when it’s down, to calling her out on her crush on him. This book is total wish fulfillment, because imagine obtaining your crush!! Do watch the Netflix movie as well!

I was dying to read this book because I'd heard it was structured after Beethoven's Kreutzer Sonata for violin and piano, and even though it's not a piece I'm intimately familiar with I could almost hear the music as I read. Even though it's billed as a love story, it's not so much a typical romance as it is an ode to following your passions, listening to your heart, and falling in love with New York City...for the first time, or all over again. As a longtime New Yorker I found myself rediscovering the city through Dominique's eyes, and I even learned some cool NYC facts I'd never heard before (not going to spoil anything, but I listen to the subway in a whole new way now)! Highly recommended for anyone who loves music, New York, or lyrical writing about flawed but shimmering characters.

Jon Allen’s coming out and growing up story in his ongoing Ohio Is For Sale series, The Lonesome Era is, so far, his most complex and affecting work, but that’s not saying much for a cartoonist who expands his abilities and repertoire with each new book. The Lonesome Era is a rites-of-passage tale that showcases Allen’s customarily bleak outlook and dry wit, and it is, by turns, hilarious and poignant. I’ve called his work “Kafkaesque situation comedies” in the past, but that description belies the mordant emotional and observational sophistication on show here. He is simply one of the best young visual storytellers around.

This is a heartwarming story about Avery, an anxious 12-year-old prone to panic attacks, with a secret crush on one of the popular girls in her school. In part to impress her, she auditions for the school musical, and to her horror, lands the lead role. She finds solace in a stray cat, Phantom, who hangs around the school theater, and slowly opens up to two new human friendships, including her crush. Avery learns how to become comfortable with asking for and receiving help while dealing with her anxiety, as well as figuring out how to face her stage fright.

The banter in this one is next-level fantastic.

Liz Buxbaum – a fellow rom-com fan – is trying to get the attention of her crush who recently moved back to town. She enlists the help of her annoying neighbor Wes Bennett to get her crush’s attention, but things don’t go according to plan.

Liz and Wes have amazing chemistry. Really enjoyed this one.