Here are 100 books that Every Secret Thing fans have personally recommended if you like
Every Secret Thing.
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Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.
Lisa’s husband dies as he is being treated for cancer. She writes about the first year after in which grief, madness, confusion, isolation, and fury coincide with Britain’s beginning Brexit madness. Nothing can be made sense of and yet we need words to express what’s happening. And then words provide for consoling and managing.
After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. Then, too, the cultural and political moment seemed to collude with her condition: everywhere people were dislocated and angry.
In this electrifying and brave examination of an ordinary enough death and its aftermath, Everyday Madness uses all Lisa Appignanesi's evocative and analytic powers to scrutinize her own and our society's experience of grieving. With searing honesty, lashed by humour, she navigates us onto the…
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This list wouldn’t be complete without a first-person memoir, a woman’s lived experience in a woman’s voice. And what better memoir to choose than Winterson's searingly honest account of how she reclaimed her childhood through the power of language.
In writing that is naked and brave, Winterson reveals a childhood that was ghastly, even Dickensian, but that was the crucible for Winterson’s incendiary talent.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.
Jackie and her brother were adopted by a loving working-class family in Glasgow. They were communists and thoughtful about the adoption process. Jackie becomes a beloved poet and a wonderful public performer. She was recently made the Poet Laureate of Scotland – The Scots Makar. In this book, she traces her childhood and her quest to meet her father in Lagos and to discover her biological parentage and story. It’s a story of belonging and of not belonging. Of finding, fitting, and not fitting. It moves and uplifts us.
Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is a heart-stopping memoir, a story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny.
With an introduction by the First Minister of Scotland, Nicola Sturgeon.
From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, Jackie Kay's journey in Red Dust Road is one of unexpected twists, turns and deep emotions. In a…
Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.
Afua’s father is from a Jewish refugee family, her mother is Ghanian. She grows up in an affluent middle-class suburb of London. As she explores her Black and Ghanian identity she looks at what it means to be British; the political heritage, race, and identity from the inside of a loving mix raced family. It is an important commentary on her experience of being in more than one place at the same time.
From Afua Hirsch - co-presenter of Samuel L. Jackson's major BBC TV series Enslaved - the Sunday Times bestseller that reveals the uncomfortable truth about race and identity in Britain today.
You're British.
Your parents are British.
Your partner, your children and most of your friends are British.
So why do people keep asking where you're from?
We are a nation in denial about our imperial past and the racism that plagues our present. Brit(ish) is Afua Hirsch's personal and provocative exploration of how this came to be - and an urgent call for change.
I am a writer with multiple cultures and heritage. I believe stories are magical, they touch our hearts and change the way we think and behave. Having lived in different continents around the world, my book list reflects stories with diversity of cultures and story settings around the world, and how the impact of these stories reverberated with me for a long time after reading them.
I studied this great work of literature in the 1960s in Secondary School in Mombasa and the injustice of humanity in this tragic story is still indelibly etched in my heart. The story is set in Ndotsheni, a poor, agricultural village in South Africa but with a strong sense of community and in the city of Johannesburg a corrupt, big city where it's every man for himself. It is about a Zulu pastor, Stephen Kumalo, who receives a letter that his sister in Johannesburg has fallen sick. Kumalo undertakes the difficult journey travelling from his village to the city in the hopes of aiding his sister and of finding his son, Absalom, who left to go to the city and never returned. What really moved me is the estranged relationship of two fathers and their sons that evoke anguish in the fathers. Upon reading this book the message that resonated…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
A great journey through how and why corporate South Africa is responding to the green transition.
It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.
From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green.
This book addresses hot issues pertaining to the manner in which corporate South Africa has engaged the emerging green global economy. Firstly, the book profiles the green and low carbon economy landscape in South Africa and interfaces it with global trends. This way, the book aligns very well in terms of the Rio+20 outcomes on 'The Future We Want' that fully embraces the green global economy in the context of sustainable development and poverty eradication. The rest of the chapters in the book profile breakthroughs from selected companies. The book also comes as the second in a series that is…
I'm an Australian writer who wrestled with the idea of being a novelist for years before finally surrendering to the joy of crafting beloved characters–then dropping them in the most awful situations for the sake of a compelling story. I was a newspaper journalist for a decade, covering crime, politics, and shark attacks. I moved into youth work and wrote The Deep Enders series while also producing How To Cook That, a large YouTube channel hosted by my wife, Ann.
I found myself swept up in the story of Peekay, a young boy who experienced great adversity in WWII South Africa before eventually rising to prominence. Funny, engrossing, and tragic, the author takes readers on a wonderful journey of love and friendship in the face of hatred.
This is a beautifully written debut novel by Courtenay and instantly became one of my literary inspirations.
“The Power of One has everything: suspense, the exotic, violence; mysticism, psychology and magic; schoolboy adventures, drama.” –The New York Times
“Unabashedly uplifting . . . asserts forcefully what all of us would like to believe: that the individual, armed with the spirit of independence–‘the power of one’–can prevail.” –Cleveland Plain Dealer
In 1939, as Hitler casts his enormous, cruel shadow across the world, the seeds of apartheid take root in South Africa. There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams–which are nothing compared…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This is a foundational book if you’re interested in understanding the green economy discourse in South Africa.
It tackles the challenges facing the country in addressing poverty, inequality, and unemployment and how a green transition must deliver both social and environmental outcomes.
Contributors are drawn from leading thinkers on sustainability issues in South Africa.
The depletion of South Africa's (and in some cases the world's) natural resources and the degradation of environmental sinks (including the atmosphere, lakes and rivers, and land) are continuing at such a rate that natural resource prices are climbing and many critical ecosystem services that underpin human welfare are increasingly threatened.
The concept of the `green economy' has gained increasing traction in South African policy discourses over the past few years. However, in much of this discourse it is viewed in a piecemeal way as one part or sector of the economy (e.g. an industrial sector dealing with manufacture and…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Two Asian women living in South Africa in the 1950s meet and take hold of a beautiful opportunity to care for each other, despite both personal struggles and the broader challenges of trying to build a life during Apartheid.
There is tragedy and loss, and also hope and defiance; the two of them have little victories, both personal and political, that build toward a promising future, even if they haven’t quite made it there yet.
In 1950's South Africa, a free-spirited café owner falls for a young wife and mother. Their unexpected attraction pushes them to question the cruel rules of a world that divides white from black and women from men, but a world that might just allow an unexpected love to survive.
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
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