95 books like Duck and Moose

I've been an editorial cartoonist and author of children's books for years, and I've always wanted to try my hand at a graphic novel. I'd want to explore this art form even if I didn't have kids. Editorial cartoons deal with serious, heavy issues. Comic strips can get monotonous, and picture books tend to skew young. Graphic novels for kids, however, are 'Goldilocks' projects for me—just right. They allow you to imagine incredible adventures for your characters, they give you an excuse to incorporate wacky humor, and the format provides a chance to have fun with art and design. What's not to love?

I've been an editorial cartoonist and author of children's books for years, and I've always wanted to try my hand at a graphic novel. I'd want to explore this art form even if I didn't have kids. Editorial cartoons deal with serious, heavy issues. Comic strips can get monotonous, and picture books tend to skew young. Graphic novels for kids, however, are 'Goldilocks' projects for me—just right. They allow you to imagine incredible adventures for your characters, they give you an excuse to incorporate wacky humor, and the format provides a chance to have fun with art and design. What's not to love?

I've been an editorial cartoonist and author of children's books for years, and I've always wanted to try my hand at a graphic novel. I'd want to explore this art form even if I didn't have kids. Editorial cartoons deal with serious, heavy issues. Comic strips can get monotonous, and picture books tend to skew young. Graphic novels for kids, however, are 'Goldilocks' projects for me—just right. They allow you to imagine incredible adventures for your characters, they give you an excuse to incorporate wacky humor, and the format provides a chance to have fun with art and design. What's not to love?

I've been an editorial cartoonist and author of children's books for years, and I've always wanted to try my hand at a graphic novel. I'd want to explore this art form even if I didn't have kids. Editorial cartoons deal with serious, heavy issues. Comic strips can get monotonous, and picture books tend to skew young. Graphic novels for kids, however, are 'Goldilocks' projects for me—just right. They allow you to imagine incredible adventures for your characters, they give you an excuse to incorporate wacky humor, and the format provides a chance to have fun with art and design. What's not to love?

I’ve lived for over fifty years as a bashful introvert with social anxiety, which gives me a heightened appreciation for friendships, and for books about making friends. As an author and illustrator—and as a mom—my artistic mission is to create books that help all children feel cherished and appreciated. Everybody wants to be loved, everybody wants a friend. Even the loners and introverts out there. I love and collect books about friendship because they model friendly behaviors. These books give me the desire and the courage to reach out to others, and since I’m an extreme case, I imagine they must have a similar effect on most readers.

I have written poetry since I was a little boy. Rhyme came naturally to me, and I found it to be a world to escape to. This led me to songwriting and touring in bands, and it grew into my vocation as a jingle writer in Australia. Eventually, I wrote the jingle that won the World’s Best Jingle award in Hollywood, and this, in part, inspired me to move to New York City from Australia. The other driving force was getting my first book, How To Steal From Banks—an autobiography—published in America. Writing and rhyming are deeply embedded in my soul and cells. 

I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.

I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves. The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if they’d started their business in sixth grade. I’ve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreams–no matter how wacky the idea may seem.

My interest and curiosity in this topic primarily came from life experience: not fitting in as a gangly Asian girl growing up in white suburbs and picked on for how I looked, working as a teen model in the late 1990s and early aughts, becoming a mother to three girls while opening up NPR’s first-ever bureau and living in Seoul, South Korea, the plastic surgery capital of the world. Ever since graduating from The University of Missouri-Columbia’s School of Journalism, I’ve been a professional journalist. Most of my career has been as an NPR correspondent, but I’ve also worked as a reporter for VICE and appeared in The Atlantic, WIRED, Slate, and numerous other publications.

I’m a Canadian writer living in southern British Columbia. When I was young, most people thought I was too small and frail to do awesome things. It wasn’t until I got older that I began to understand that my love for wild places and adventures was at the heart of who I was, and I began to see that I was much stronger than I thought. These days, I hike, climb, kayak, cross-country ski, and snowshoe – anything that gets me outside in nature. And I've done some awesome things out there! I want to change the way people see nature, not as something to be conquered, but to be treated with affection and respect.