Here are 100 books that Desert of the Heart fans have personally recommended if you like
Desert of the Heart.
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As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This novel is a soul-stirring journey of resilience and self-discovery.
Reminding us that loss of connection to a loved one shares many of the same aspects as death, The Color Purple is a testament to the strength of the human spirit, particularly in the face of adversity. Along the way, you’ll come to a deeper understanding of gendered violence, the healing power of sisterhood and the enduring nature of love.
Winner of the Pulitzer Prize and the National Book Award. Alice Walker's iconic modern classic is now a Penguin Book.
A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug…
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love.
If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book.
The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.
Therese is just an ordinary sales assistant working in a New York department store when a beautiful, alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. Therese is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love; Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realizes how much they both stand to…
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
I love a first-person narrative that sucks you in, and this compelling coming-of-age story as told by Molly Bolt, is a whopper. Not since the voice of Scout narrating To Kill a Mockingbird has a voice touched generations with its telling of her own story. This was the book that made me want to be a writer. I wanted to be brave like Molly…and brave like Rita Mae.
From childhood to adolescence, and all through college, we follow our hero Molly as she comes into her own about her sexuality with uncompromising strength and flat-out hilarious storytelling. It is remarkable that Rita Mae Brown’s 1973 novel has not yet found its way to the silver screen and it is the single book that made me want to be a writer. It seems that a story with such a strong roadmap, written long before the roads were paved, deserves a film.…
Discover the classic coming of age novel that confronts prejudice and injustice with power and humanity.
WITH AN INTRODUCTION BY RITA MAE BROWN
Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to…
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
I fell absolutely in love with the world Fannie Flagg creates in this book and with her fascinating way of weaving together a complex, compelling, heartwarming story about family and small-town life.
I really admire all the women in this novel–Idgie and Ruth from the past storyline and Evelyn and Ninny from the “present-day” storyline. I also love the mysteries and secrets at the novel’s heart and the way I was kept guessing all the way to the end.
This book made me both laugh and cry, and it has been on my short list of the novels I love most ever since I first read it many years ago.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again.
I grew up in a religion and family where being gay was most definitely more than frowned upon. Now as a queer author and parent (and former academic who studied queer lit and video games!), I’m thrilled to be bringing a “book baby” into the world during Pride Month that is pure historical romantic fantasy in which two women embrace who they are and one another. When I first started reading queer fiction, much of it was gritty and realistic, sure, but also extremely grim. I think we desperately need a balance of the grim and the gleeful and that is what I hope this little list gives you! Happy endings are possible in fiction and reality. Happy Pride Month, dear readers!
A fantastic, quick-read of a novella featuring a class-difference romance between a lady's maid/thief and a prim and proper lady's companion. When the two women find themselves forced to share a room – and a bed! – things quickly become steamy. But there is more to the story than spice. Revenge upon a villain must be enacted. And of course, Alice and Molly must work to achieve their happy ever after.
I loved my first foray into Cat Sebastian because it is pure historical fantasy, yes, but it's tingly, heart-warming wish-fulfillment of the best kind. We don't need more dead Dumbledores. We need stories that show queer love is possible and can win the day. Amiright?!
Lady’s maid Molly Wilkins is done with thieving—and cheating and stabbing and all the rest of it. She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?
Finds her own heart
For the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to…
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
I read Patience and Sarah when I was coming out, and even though by then an entire lesbian community was within easy reach, it still brought me the news that I wasn’t alone. Not that I didn't already know that in an abstract sort of way, but on a gut level it was news all the same.
The book spoke to my overcharged emotions at a time when I was still isolated. It’s the only book I remember ever hugging.
Important historical novel with lesbian characters based on real women. It was originally self published as A Place for Us. Includes afterword by Isabel Miller [pseudo of Alma Routsong].
So many of the books that spoke to both me and other lesbian and feminist activists in the 1970s–the books that helped us make sense of our lives and of the world–aren’t read much anymore. Times change. Interests change. So that’s natural enough. But damn, I don’t want them to be lost. I’d like to call us back to the passion and the ambition of those ground-breaking times. I want LGBTQ+ writers to work as if our words could change the world, because we never know in advance which ones will.
Again, I’ll admit to being biased. Ida’s my partner and we’ve been together for well over 40 years, so I’ve known this book from its earliest stages. But biased or not, I haven’t lost my critical abilities: it’s good.
Kate Porter's father is the head of a right-wing militia. She's just been released from prison after her father pushed her to participate in a bank robbery and it led to a teller's death.. Now that she’s free, all she wants to do is bring down her father’s militia, reunite with the woman she loves, and get a decent meal. But a lot has changed while she was behind bars.
Kate Porter emerges from prison after serving a 12-year reduced sentence, having turned state's evidence against her right-wing militia father. But if she thinks she has found freedom to start over in a changed world, she is mistaken. Almost immediately she is recruited as an informant. Her job? To track down her father who is still at large and living underground. She knows that as soon as she makes a move, she will set off an alarm, and her father's minions will begin tracking her. Equally well-trained as a soldier, she hopes they will lead her to her father, and…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
If you’re not familiar with Pat Parker yet, you’re in for a treat.
This collection gathers the published and unpublished writing of a badass literary powerhouse who has yet to get her full due. Written from the 1960s-1980s, Parker’s poems, stories, essays, and plays give a foundation of black queer and feminist thinking.
With striking language and irresistible humor, Parker and her irreverent characters shed light on the complexities of gender identity, state violence, nonmonogamy, pleasure, and belonging. Parker’s work is both ahead of its time and right on time, reminding us that history—and our power to shape it—are less distant than we think.
Poetry. Drama. California Interest. African & African American Studies. Women's Studies. "Parker stayed woke to black suffering, violence against black bodies—especially those of black women—to the suffering engendered by multiple, egregious oppressions. With THE COMPLETE WORKS OF PAT PARKER, we are allowed an opportunity to historicize Pat Parker's significance to black women's literary traditions, lesbian erotics, to black queer struggles and black feminism, and to global social justice movements. She was in her time. Now, with this important text, she will be in all time to come." —Alexis De Veaux
"As the Black Lives Matter movement calls attention to the…
Thirteen years ago, when my partner and I started our family, we didn’t know any other LGBTQ+ parents. We decided to learn all we could about the experiences of LGBTQ+ families. Our interviews with more than 70 families grew into an LGBTQ+ parenting guide called Pride and Joy. These real-life stories blew us away with their diversity; made us laugh, cry and gasp as we saw how families thrived, often against the odds. Yet we rarely saw families like these in the books our children read, so I started writing stories of my own. Thankfully, there are now many more - you’ll find some of my favourites on this list.
I wasn’t sure whether to include this book at first. It’s over twenty years old now - probably one of the first middle-grade titles where a character has same-sex parents. But while some attitudes feel dated, the story is still gripping and relevant. There are still many kids, like Holly, who love their families but feel like they have to keep them hidden to fit in with their friends. Holly learns that keeping secrets leads to bigger problems than the ones she was trying to avoid. Nancy Garden is a pioneer in writing for young adults about LGBTQ+ themes. She is one of my inspirations in becoming a writer. I hope each generation will continue to discover and be inspired by her work, just like I was.
A new town and new classmates, but the same family -- with two moms
Dear Diary, ...Until today I was Holly Lawrence-Jones. But starting tomorrow I'm going to be Yvette Lawrence-Jones. My family doesn't know that yet, but I'll tell them tomorrow, and that's the name I'll tell the people at school, too. Yvette's going to be sophisticated and grownup-feminine enough to have white ruffled curtains, and maybe even a boyfriend. She's also going to have a NORMAL family. Kids are not going to make jokes about her and say mean things, because there won't be any reason for them…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
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What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
