100 books like Death from the Skies!

I grew up on a diet of dystopian fiction, and when I first began taking craft more seriously and diving into short stories, that was the genre I found myself writing most. I suppose what draws me to the genre is how dystopian fiction has the ability to illuminate society’s faults and injustices and humanity as a whole, the bleak futures that it could create if certain ideologies were allowed to persist, the way individual behaviours and actions can well shape the future and dictate whether it becomes one filled with hope or one that falls into disaster. 

From a young age, I've been captivated by evolution and its implications for the future. I immersed myself in classical works of philosophy and literature that explored human emotions and our relentless drive to succeed against all odds, advancing human knowledge and shaping society. This fascination with understanding the future led me to write op-ed pieces on foreign policy and geopolitics for prominent newspapers in South Asia. My desire to contribute to a better future inspired me to author three nonfiction books covering topics such as the Islamic Social Contract, Lessons from the Quran, and Reflections on God,  Science, and Human Nature. 

I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines. 

Tom spent the first 30 years of his professional life at the cutting edge of the broadcast industry. He has always been fascinated by new technology and more specifically how it allows humans to evolve and work smarter and better. He is also a sci-fi fan and has a keen interest in both cosmology and metaphysics. He says that today's metaphysics is tomorrow’s physics. So his book choices mirror his fascinations which are in what lies in the future for humanity, bearing in mind that science fiction especially has a tendency to become science fact at some time or other. If we humans are capable of imagining something, then we seem to develop the ability to make it happen.

With a PhD in astrophysics, cosmology is my day job. My research focuses upon the dark-side, the dark matter and energy that have shaped the evolution of the universe. My scientific journey began long ago with “How and Why Wonder Books”, from dinosaurs and evolution to astronomy and space exploration. I have always devoured tales about the fundamental universe, not only the immensity of the cosmos around us, but also the lives of the tiny bits-and-pieces from which matter is made. I still read a lot of popular science, especially on the history of life on Earth, and the future impact of Artificial Intelligence. 

Like many SF nerds, I watched a lot of Star Trek when I was a kid. I liked the adventures. I liked the ethos. I did not like the transporter. Everybody seemed to believe that they were being… well… transported, but it seemed obvious to me that actually they were just getting dissolved, and then somebody else who looked like them was getting created at the other end. This question (transported or replaced?) is the essence of the teletransport paradox, a puzzler that’s bedeviled philosophers since at least 1775. All of these books (including mine) are at their hearts an exploration of this problem. I know my answer. Do you?

I’ve been fascinated by the universe since childhood – ever since my parents took me to the countryside in rural Nova Scotia, where the stars shone with wondrous intensity. At first, I borrowed books about space and the universe from our local library for fun; now, as a full-time science writer, I read these books to stay informed about the latest ideas shaping our understanding of the cosmos. (I also read them in order to review them on BookLab, a podcast I host together with science writer Amanda Gefter.) I hope you enjoy the books on this list as much as I have!

Simon is obsessed with picture books: reading them, writing them, buying them, smelling them. His own have been published in more than 20 languages. You Must Bring a Hat won the Sainsbury’s Children’s Book of the Year, and I Really Wany the Cake was shortlisted for the Waterstones Children’s Book Prize. He particularly enjoys funny, deadpan picture books. After gaining a 1st class degree in History, he put his skills to use as a barman at a local pub, grew tired of the owner calling him Andy, left to fail a teaching degree, then turned to writing. He lives in England, although occasionally leaves to buy milk.

I'm best known for the Amelia's Notebook series which are based on the notebooks I kept as a kid. I started using the notebook format because that's how I thought—sometimes in words, sometimes in pictures. But this was a long time ago, in the 90s when graphic novels weren't a common format. When I submitted Amelia to publishers, they rejected it, saying it wasn't a picture book, it wasn't a novel, so how would librarians know where to shelve it? A small press that didn't know any better took a chance and published Amelia's Notebook. It became a big bestseller, with more than 20 books to follow and started a new trend in kid's books.

Is there any genre so purely escapist as a portal fantasy adventure? I grew up on stories like these, devouring any book I could find that had a portal in it, from Alice in Wonderland to The Chronicles of Narnia to Tunnel in the Sky. Books, in a way, are portals to other places and times, and as a child I wandered through the stacks of the local library, plumbing the depths of every strange world I could get my hands on. If you want to experience the long-lost thrill of falling into a story, few do it like those that take their characters through portals to other worlds.