Here are 100 books that Daily Life in Spain in the Golden Age fans have personally recommended if you like
Daily Life in Spain in the Golden Age.
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My favorite genre, historical fiction, inserts characters into real-life events. As a former news reporter, I enjoyed doing research when communicating factual information to readers. I love learning about different time periods and coming away with a fresh perspective on times gone by. History is subjective and always revised and revisited, but factual dates and occurrences remain the same. All the stories I chose to review reveal how fictionalized characters, in real events, deal with coming out on the other side of loss or pain with a stronger spirit. None of us escape loss. It’s inevitable. But there’s healing over time and trust in a God that loves us beyond expectations.
In the first few chapters, the book left me cold and unfeeling about the story or characters. But, years ago, I vowed to finish every book I started.
Initially, I felt no connection to Agnes, a strange, eccentric, anti-social protagonist. By mid-story, something happened—an all-in conversion. I felt the very depth of grief that pierced the body and soul of Agnes as a grieving mother. Her ravaged heart touched my own. We all know loss in some form. But the story puts words to an emptiness that, most times, words cannot express. When an author taps into emotions, it’s a remarkable, unforgettable experience.
I’m also fond of any insight into the life of William Shakespeare, and I’ve portrayed a few of The Bard’s iconic roles while in college.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I picked this book up, thinking it might have to do with witch trials in Europe during the 17th Century, and in a peripheral way, it does because it’s very loosely based on the life of Katharina Kepler, the mother of famous astronomer Johannes Kepler. (And really, how can you resist the title.) But the novel delivered so much more.
It’s a witty, searing meditation on community, gossip and envy, the strictures of society, the corruption of power, and a woman’s determination to be her own person. Add to that some of the funniest, most absurd situations I’ve read in a long while. Some sections of the novel are truly laugh-aloud.
The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances.
The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch.
Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I was introduced to Brooks’ writing by a fellow journalist because I very much wanted to read a novel by a reporter turned fiction writer.
The writing and the plot of the 1666 plague in this book didn’t disappoint. It was like sinking into a time and place so different from my own, but at the same time so familiar because Brooks is what I call a surround-sound writer. She is able to totally immerse you in a foreign world.
From the Pulitzer Prize-winning author of 'March' and 'People of the Book'.
A young woman's struggle to save her family and her soul during the extraordinary year of 1666, when plague suddenly struck a small Derbyshire village.
In 1666, plague swept through London, driving the King and his court to Oxford, and Samuel Pepys to Greenwich, in an attempt to escape contagion. The north of England remained untouched until, in a small community of leadminers and hill farmers, a bolt of cloth arrived from the capital. The tailor who cut the cloth had no way of knowing that the damp…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I recommend this book every chance I get when people ask me for a novel that knocked my socks off.
It’s based on real events that happened in Norway, and it reads like Hargrave actually lived in that era because of the rich details. I learned so much, not only about Norway but also about what it was like to live in a harsh climate in a very remote area at a time when there was very little communication between communities.
I couldn’t get the characters, namely Maren, Ursa, and Absalom, out of my head for weeks.
Historically, the mass media have marginalized women's sports by devoting more coverage to men's sports and trying to appeal to a male audience. This volume analyzes the mass media's portrayal of women's sports. The Olympic Games are highlighted because they provide one of the few sports arenas where women's participation is heavily covered, promoted, and celebrated. The author suggests the media are recognizing the significance of female spectatorship and are attempting to respond to this growing audience by adopting some of the rhetorical and textual characteristics of soap opera and melodrama.
I’m a Scientist in Residence at Lux Capital, a venture capital firm that invests in startups at the frontiers of science and technology. I have a PhD in computational biology and focused my academic research on the nature of complex systems, but I soon became fascinated by the ways in which science grows and changes over time (itself a type of complex system!): what it is that scientists do, where scientific knowledge comes from, and even how the facts in our textbooks become out-of-date. As a result of this fascination, I ended up writing two books about scientific and technological change.
This is a trilogy of historical fiction about, among many other things, the invention of the modern monetary system and the Scientific Revolution. Yes, it’s a heavy lift, as it’s nearly three thousand pages long, but it’s an incredible read. And if you want to get a sense of the sheer weirdness of the early days of science—both the people involved in it, as well as the ideas that they were playing with—these books are absolutely fantastic.
Get all three novels in Neal Stephenson's New York Times bestselling "Baroque Cycle" in one e-book, including: Quicksilver, The Confusion, and The System of the World. This three-volume historical epic delivers intrigue, adventure, and excitement set against the political upheaval of the early 18th century.
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This is a complex and overwhelming book. It covers the detailed contents and history of the rooms and characters in a large apartment block in Paris. Some of the rooms and characters interact in a complex, sometimes dark way. It is a long book, but I found it enthralling all the way through. If you like a detailed, complex, baroque book where you have to read carefully and make connections, this is for you.
In this ingenious book Perec creates an entire microcosm in a Paris apartment block. Serge Valene wants to make an elaborate painting of the building he has made his home for the last sixty years. As he plans his picture, he contemplates the lives of all the people he has ever known there. Chapter by chapter, the narrative moves around the building revealing a marvellously diverse cast of characters in a series of every more unlikely tales, which range from an avenging murderer to an eccentric English millionaire who has devised the ultimate pastime...
I first started art when I was nine years old, but my art journey really started after seeing the Sistine Chapel and Michelangelo’s work at age 14. This experience changed my life and from there, I continued on with fourteen years of formal art education. The book details my experience and journey as a student, instructor, and professional artist over a thirty-year time period across three continents. I wroteAn Artist’s Odyssey to help young artists or artists transitioning into art as a profession to help them avoid the pitfalls of the art world and supplement the necessary business acumen required to make a sustainable career in the art world.
Bernini shows the culmination of the Baroque era in which the artist himself played a significant part in forming and exposing how art can be an intersection between painting, sculpture, and architecture. The level of detail and expression that he can imbue his sculptures with is an experience in itself. The book also gives insight into his process, internal rules, and definitions of art as well as the historical context behind many of his works. His larger works, along with his smaller, far more personal portrait busts, are all detailed with rich photography showcasing the incredible detail of his work.
Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains.
Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition.…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.
The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier.
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Quicksilver, Volume One of the Baroque Cycle is an amazing novel and not for those who like quick reads. At nearly 1,000 erudite pages it depicts the lives and confusions of natural philosophers between the years 1660 and 1713 at the dawn of the scientific revolution. Robert Hooke, Isaac Newton, King Charles II, and many others fill the pages with wit, history, avarice, sex, political duplicity, religious prejudice, and wars that seem to pop up by whim.
The sheer volume of historical research evident in Quicksilvereclipses all other works of the genre. The number of “throw away” lines that reveal deeper research and add but a thought or two to the current narrative is awesome.This is rapture for a bibliophile.Mr. Stephenson is a genius.
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe -- London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds -- risking life and limb for fortune and love while slowly maddening from the pox.
I have been writing fantasy professionally for more than twenty-five years, and have published novels of epic fantasy, contemporary urban fantasy, supernatural thriller, and (as D.B. Jackson) historical fantasy. I have devoted my professional life to the genre because I love writing about magic and the people who wield it. I believe fantasy novels should thrill and intrigue, but also touch our emotions, and carry us through narratives with beautiful writing. That is what I try to do with my books, and that is what draws me to the novels I have listed here. I hope you enjoy them as much as I have.
Ellen Kushner’s Swordspointis a sort of Renaissance-era, alternate-world, urban fantasy.
Intriguing, right? Our hero, Richard St. Vier, is a skilled and successful sword-for-hire, who plies his trade in the city of Riverside, where nobles often settle their feuds with duels.
In the course of the novel, he kills the wrong man and for the first time in his professional life, finds himself reviled rather than revered. The intrigue that follows draws Richard and his lover, Alec, into the court politics of the city as never before.
The story is riveting, and, of course, the writing is gorgeous.
On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St Vier is the undisputed master, as skilled as he is ruthless- until a death by the sword is met with outrage instead a of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye . . .
