Here are 97 books that Cravings fans have personally recommended if you like
Cravings.
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I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Vera
and Daniel are expecting their first child. To help supplement their income,
Vera decides she can sell vacuum cleaners door-to-door. She’s very good at it,
too. She plans to stop...after just one more house. Unfortunately, this
particular house belongs to The Slob and things are about to get very,
very ugly.
Beauregard
puts the “gross” in “engrossing!” This may be the most disturbing book that I
have ever read. What sets Beauregard apart from many other writers of extreme
horror is his immense talent for creating well-developed, relatable characters
within an actual horror story. I grew to care for Vera and Daniel. When you
sympathize with and connect so well with the characters, the horrors become
magnified and the tension grows palpable. This book is absolutely horrid—chock
full of the worst atrocities. Yet, you will find yourself loving it
nonetheless. It is truly unforgettable.
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Sarah
Temple has ended her relationship with an abusive boyfriend and is now stuck in
a dingy apartment living next to some very peculiar people. When her ex is
unsuccessful in his attempt at reconciliation, he hooks up with her neighbor.
Several days later he emerges as a strange new man. Sarah decides to
investigate. And so the adventure begins.
Sometimes
extreme horror stories fall short because the authors just want to shock and
disgust readers. That’s fine for some, I suppose. But when an author can create
a truly good, horrific story and make it disturbing, to boot, It’s a truly
winning combination. Harvey Click does just that in The Bad Box. This
story is creepy, suspenseful, mysterious, full of action, gory, imaginative, and
masterfully written with rich, descriptive language and great imagery:
"A
stench of damp dirt and worms and fungus and rotting animals belched up from…
Sarah Temple hopes to find a bit of peace and quiet when she leaves her abusive boyfriend, but instead she finds a world of horror. It’s bad enough that a sadistic serial killer and another maniac are both trying to murder her, but what’s worse is the mysterious Solitary One who controls both of them, a malevolent entity that the serial killer describes as a living darkness, a man and yet not a man, something that’s alive and yet not alive, something that wants to appall the world. Trying to flee from the two killers, Sarah finds herself running deeper…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Who
wouldn’t want to be granted wishes? Then again, it’s best to heed the old
idiom, “Be careful what you wish for.”
Pam
Wilkins lives a miserable life. When she encounters a Djinn who promises her
happiness, beauty, wealth, and anything she can hope for, she is desperate
enough to give in to temptation. The Djinn does, in fact, grant her wishes, but
they come at a hefty cost.
Calling
this book sick and twisted would be an understatement. West exceeds the
boundaries of human decency. The scenes are downright vile and will surely make
you gag. The story is engrossing, wildly imaginative, and has a great twist at
the end.
Pam Wilkins hates her life. She doesn't have much going for her. Her boyfriend beats her, she looks like the back end of a bus and she's skint. To top it all off, she cleans up other people's sh*t for a living. While she's at work scrubbing a toilet, a Djinn appears in a puff of smoke and grants her six wishes. All she has to do to make her dreams come true, is commit the most heinous, atrocious acts imaginable. Six wishes for six atrocities. It's a no-brainer. Pam will do ANYTHING to get what she wants. But she…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Suzey
suffered physical and psychological abuse at the hands of her deplorable
grandmother, who used the Stork fairytale to convince her that she was a
worthless, evil creature without a soul. Years later, Suzey is still battling
the stork, convinced that it is responsible for her inability to have a baby.
McKenzie
is another great author who can weave elements of gore and depravity into an
engrossing story full of great, well-developed characters. This one was
especially superb and will keep you on the edge of your seat as you witness
Suzey’s downward spiral.
It's said that storks bring the souls of children to good, loving parents. Suzey was sent to live with her grandma after her mother, a prostitute, was murdered. Grandma tells Suzey that storks would never bring a child's soul to a whore, and convinces Suzey that she is soulless and evil. Now Suzey is grown, is married to a nice and successful man. She wants to have a normal life, wants a family of her own, but every attempt to become pregnant has ended in miscarriage. Was Grandma right? Is Suzey unable to bear children because the stork refuses to…
I’m a lecturer in medical humanities at the University of Leeds in England and I’m currently writing a book about the portrayal of traumatic pregnancy in fantastic literature (science fiction, horror, fantasy…). ‘Medical humanities’ is a field of study that looks at medical issues using the tools of the humanities, so it encompasses things like history of medicine, bioethics, and (my specialty) literature and medicine. Thinking about literature through the lens of traumatic pregnancy has led me to some fascinating, gory, and philosophical books, some of which I’m including on this list.
In this book, Doris Lessing tells the story of the Lovatts, a perfectly normal middle-class English family with four children and a seemingly idyllic life. The idyll is spoiled when the wife, Harriet, becomes pregnant with her fifth child.
The novel tells the story of the child's (Ben’s) life until he is in his teenage years, but the early scenes that describe Harriet’s difficult pregnancy and her foreboding that something is deeply wrong with her unborn child are the ones that I find particularly sinister.
Here, Lessing shows how pregnancy can be an experience that wreaks unpredictable consequences on the smooth functioning of life.
Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality.Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more…
There is a dearth of books that span the emotional journey into motherhood. An old adage directs authors to write the book they would like to read, so I kept that in mind as I began the journey myself. Throughout my pregnancy and postpartum experience, I was often surprised by perfectly ordinary occurrences that aren’t often discussed. There is a hush cast on anything that isn’t purely nurturing and romantic, which means that mothers who encounter unpleasantness are blindsided, and consider themselves aberrations. I wrote my book as honestly as possible to normalize the normal and to offer myself as a compatriot to those mothers.
This new memoir (out 2022) is about a New Yorker who marries, buys a decaying farmhouse, and shortly thereafter is diagnosed with a high-risk pregnancy, committing her to five months of bed rest. While horizontal, she confronts grief over the death of her father and struggles to hold her marriage together. Though this story is narrated in a humorous voice, Weintraub deals with tough issues, including the merits of prenatal restrictions, demanding we take better care when handling maternal mental health.
A laugh-out-loud memoir about a free-spirited, commitment-phobic Brooklyn girl who, after a whirlwind romance, finds herself living in a rickety farmhouse, pregnant, and faced with five months of doctor-prescribed bed rest because of unusually large fibroids.
Aileen Weintraub has been running away from commitment her entire life, hopping from one job and one relationship to the next. When her father suddenly dies, she flees her Jewish Brooklyn community for the wilds of the country, where she unexpectedly falls in love with a man who knows a lot about produce, tractors, and how to take a person down in one jiu-jitsu…
There is a dearth of books that span the emotional journey into motherhood. An old adage directs authors to write the book they would like to read, so I kept that in mind as I began the journey myself. Throughout my pregnancy and postpartum experience, I was often surprised by perfectly ordinary occurrences that aren’t often discussed. There is a hush cast on anything that isn’t purely nurturing and romantic, which means that mothers who encounter unpleasantness are blindsided, and consider themselves aberrations. I wrote my book as honestly as possible to normalize the normal and to offer myself as a compatriot to those mothers.
This pregnancy and postpartum guide is compassionate, inclusive, and practical. It’s broken down by stages of the journey, inviting the reader to bounce around to the chapters of pertinence, and covers Rope’s personal experience, contributions from experts, as well as anecdotes from other mothers. Apart from providing critical information, the author’s goal here is to make the reader feel more confident and comfortable with her motherhood experience and to normalize the perfectly healthy responses that are often stigmatized.
Strong as a Mother is a practical and compassionate guide to preparing for a smooth start to motherhood. Everyone knows the secret to having "the Happiest Baby on the Block." This is your guide to being the Sanest Mommy on the Block. It will prepare you with humour and grace for what lies ahead, give you the tools you need to take care of yourself, permission to struggle at times, and professional advice on how to move through it when you do. This book will become a dog-eared resource on your nightstand, offering you the same care and support that…
After life-threatening postpartum depression in the 1980s, I became a pioneer of maternal mental health in the U.S. I’ve helped moms and moms-to-be finally receive the support they deserve. Between masters’ degrees, Ph.D., teaching credentials, and becoming licensed as a clinical psychologist, I wrote four books and enjoy interviews on radio and TV. Training health professionals and my clients to develop a wellness strategy for motherhood has been my life’s passion. A few years ago I realized that during this movement, dads’ experiences had been disregarded and minimized, and my mission then shifted to parental mental health. Dad’s worries and needs are important too.
I highly recommended The Expectant Father because it’s packed with month-to-month essential emotional and even physical changes that fathers-to-be may experience. One of the most outstanding features of this book is that it incorporates the knowledge of expert OBs, parent educators, and researchers in the field. This wonderful book also covers all issues regarding infertility and various birthing methods.
The Expectant Father is the best-selling pregnancy guide for men, with more than 1.5 million copies sold. This reassuring month-by-month overview gives you the tools you need to support your partner, prepare for your baby's arrival, and take care of yourself during this exciting time. It concludes with two special sections: one on labour and delivery, guiding you through the big day; and the other on what comes next, covering the first few months after the baby's arrival.
This new edition of The Expectant Father is updated from cover to cover with the latest information on fertility options, delivery options,…
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
The word “abortionist” usually conjures up images of dangerous back alleys where untrained men take advantage of women.
In the case of Rickie Solinger’s book, instead, we meet Ruth Barnett, who performed approximately 40,000 abortions in the mid-twentieth century (1918-1968) in Portland, Oregon, without losing a single patient.
What I loved about this book is how Solinger takes us behind the scenes of a thoroughly illegal abortion clinic that still managed to provide expert care to all its patients, even as it sought to evade the law and its enforcers at every turn.
Prior to Roe v. Wade, hundreds of thousands of illegal abortions occurred in the United States every year. Rickie Solinger uses the story of Ruth Barnett, an abortionist in Portland, Oregon, between 1918 and 1968 to demonstrate that it was the law, not so-called back-alley practitioners, that most endangered women's lives in the years before abortion was legal. Women from all walks of life came to Ruth Barnett to seek abortions. For most of her career she worked in a proper suite of offices, undisturbed by legal authorities. In her years of practice she performed forty thousand abortions and never…
I became fascinated with the lives of women around the period of World War Two when I discovered the female aviators of the Air Transport Auxiliary based in England. It wasn’t until I researched the history of reproductive rights after attending the Women’s March in 2017 in Toronto, Canada that I realized the period of the 1930s was a particularly progressive time for women, a time of early feminism. As a novelist I am drawn to the social history and the impact of wars. My first novel explored PTSD, and in this one I’m exploring the lives of women who fought against the gender norms at the time.
This is a devastating story but O’Brien is a master wordsmith and I was dazzled by the writing while being distressed by the events, that of a young teen in Ireland who gets pregnant in abominable circumstances, then tries to find a way out of it. The church looms large in the novel, and the helplessness this young girl feels is palpable. That she keeps fighting against the forces against her despite the gaslighting is a testament to her strength. Even her one chance to escape is foiled in the most frustrating manner. I’ve been reading about the history of reproductive rights for my own novel, and the stories are never easy. The expected thing to do would be to acquiesce and accept the circumstances, but she chose otherwise. A beautifully written and necessary book.
Down by the River is a newly reissued novel from Edna O’Brien, the author of Girl—“one of the most celebrated writers in the English language” (NPR’s Weekend Edition).
Set in the author’s native Ireland, a powerful and passionate novel about a young girl who becomes pregnant by her father—a situation made worse when it becomes fodder for the gossip mill of church, state, and the town square.
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poop.
