98 books like Closer to Nowhere

I went through some very tough times growing up. I was an undiagnosed autistic teen, terribly shy, with no real guidance, and I was often bullied and bewildered. But my heart was filled with only goodwill and good intentions, and a yearning to connect meaningfully with others. So, stories of adversity, of characters making it through very tough times, through trauma—these stories were like shining beacons that said, “survival is possible.” Now that I’m a grownup writer, it’s at the root of what I want to offer—hope—to today’s kids who may be going through similar tough stuff. Survival is possible.

When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.

I love the way verse novels eliminate unnecessary background and scene-setting. They cut straight to the heart of conflict and emotions. We instantly feel what the characters feel. The lyrical flow of words, figurative language, and freedom to arrange the poems in different ways on the pages taps into a different creativity for an author. Each poem stands alone, telling its own story. While writing Wishes, Dares, and How to Stand Up to a Bully, eleven-year-old Jack insisted I tell the story his way. Raw, unflinching, unfiltered. I am in love with this form and plan to write more novels in this format. The book is a 2021 NCTE notable verse novel.

I love the way verse novels eliminate unnecessary background and scene-setting. They cut straight to the heart of conflict and emotions. We instantly feel what the characters feel. The lyrical flow of words, figurative language, and freedom to arrange the poems in different ways on the pages taps into a different creativity for an author. Each poem stands alone, telling its own story. While writing Wishes, Dares, and How to Stand Up to a Bully, eleven-year-old Jack insisted I tell the story his way. Raw, unflinching, unfiltered. I am in love with this form and plan to write more novels in this format. The book is a 2021 NCTE notable verse novel.

Stories and the myriad ways they’re told fascinate me. Growing up in Atlanta with Mexican and American heritage, I first learned about Mexican códices—centuries-old books that tell stories through images—on a trip to visit family in Mexico. Later, I studied the history and literature of Latin America at Harvard and got a Ph.D. in Latin American and Iberian Cultures and Comparative Literature at Columbia University. I’ve studied storytelling in many forms, from Mesoamerican maps to early Spanish chronicles of exploration and invasion, to modern Latin American novels. The books listed here celebrate oral storytelling, written traditions, and artistic expression, and they take seriously the perspectives of young people.

I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side. 

I’m a fan of all things spooky! I especially love ghost stories, which is probably abundantly clear from my own novels. I’ve been known to frequent old graveyards, seek out haunted places, and sneak into abandoned buildings for inspiration—and the adrenaline rush! This fascination started when I was a young girl and my dad brought me a YA ghost mystery home from the library—every week, he would have the librarian help him pick out books for me, and I would devour the stack immediately, then re-read until the next library day! My favorite ghost stories have a mix similar to what I write—a tension-filled romance combined with a spooky, suspenseful haunting. 

I was raised in a home where one parent was an acute alcoholic and the other parent was the child of an acute alcoholic, codependency and boundary issues flourished, and there was a touch of end-times religion to top it all off. This made me a kid who was highly tuned in to everything going on around me as a way to maintain a sense of control. Though that probably wasn’t the best thing for my emotional development, it’s turned me into a writer who strives to delve into the authentic human experience and a reader who wants that, too. The books on this list meet that bar!

I was a late reader. I was, in fact, forcefully against reading. You’d have had to drag me by my ear to get me anywhere near a book. I was dyslexic, suffered with Irlen syndrome, and detested the embarrassing fact that I found reading too difficult. I thought my mother had invented some kind of cruel torture when she insisted I read to her every day. It never worked. And then… it did. I read my first book at the age of 12, and it was written in the form of letters. It was Animorphs Book 1 by KA Applegate, and the rest, as they say, is history.

I’ve always been in love with the idea of love. I didn’t know what that feeling was like for a long time–not being in love myself–so I grew attached to fictionalised worlds that brought those ideas to life. I’ve always been the person who smiles at a meet-cute or feels that warm, fuzzy feeling inside when the couple you’ve been rooting for the last two hundred pages finally kisses. I want them to know how exciting it can be to feel loved and experience that through the creation of stories. This is why romance is, and likely always will be, a huge thematic influence on all forms of my work.