Here are 100 books that Carlo Scarpa and Castelvecchio Revisited fans have personally recommended if you like
Carlo Scarpa and Castelvecchio Revisited.
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I have lived in the US, and particularly lived and worked in New York, for many years. How the events of 9/11 changed the city, its people, and the perceptions of the people all around the country and the world has always intrigued me. 9/11 has put up a prism through which experiences have emanated out in a kaleidoscopic range of stories. A banker by day and a cynical blogger by night, I have traveled the world and have met many interesting people with compelling backgrounds and have experienced many peculiar and beautiful things. I love to explore the confluence of fascinating narrative arcs and life-altering events.
An American Muslim is chosen blindly by a jury to design a memorial to the 9/11 victims, opening it up to vociferous debates and dissensions, much like the Ground Zero Mosque controversy.
The author uses her vast experience as a New York Times journalist to eloquently describe the warps and wefts of the fabric of New York society, and starts tugging at several threads as it all unravels. The players’ tug-of-war is well portrayed in rich texture, while the politicians’ intent on not letting a good crisis go to waste adds satirical color to the expansive tapestry.
As a creator, one feels that art has no religion and has no boundaries. The axiom is severely tested in the face of rabid nationalism, parochial intolerance, and a media free-for-all.
A jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name - and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam.
The memorial's designer is Mohammad Khan, an enigmatic, ambitious architect. His fiercest defender on the jury is its sole widow, the mediagenic Claire Burwell. But when the news of his selection leaks to the press, Claire finds herself under pressure…
Business development and projects have fascinated me since my studies and my first experiences in companies. Time and again, I think I have understood what it's really all about... and shortly thereafter, completely new insights emerge that challenge previously perceived assumptions and thus enable leaps in performance. This is sometimes exhausting, but I wouldn't want to miss this path of development! Today I help management teams to improve their business results quickly and sustainably by guiding them to question assumptions, find new perspectives and thereby enable performance leaps.
When I read this book, it was like an epiphany. Suddenly, I understood what—beyond all the doctrines and pub talk—actually slows down projects and thus impairs the economic performance of companies. It is our own management mechanisms and beliefs about how we think we can get a grip on projects. Shortly after reading this novel, we were able to perform nothing short of miracles in a technology company I was working for at the time: Halving project times, doubling productivity. You have to have witnessed that to really believe it... Read this book!
This fast-paced business novel does for project management what The Goal and It's Not Luck have done for production and marketing. Goldratt's novels have traditionally slain sacred cows and delivered new ways of looking at processes which seem like common sense once you read them. Critical Chain is no exception. In perhaps Eli's most readable book yet, two of the established principles of project management, the engineering estimate and project milestones, are found wanting and dismissed, and other established principles are up for scrutiny - as Goldratt once more applies his Theory of Constraints. The approach is radical, yet clear,…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
A large part of the last book of my trilogy focuses on one character’s involvement in the construction of the Flavian Amphitheater, known today as The Colosseum. As with other complex issues I’ve written about — the Jewish Revolt, social constraints on women, relationships between masters and slaves — I’ve had to make sense of this grandest construction project of the first century. Elkins’ scholarly book helped me get out of the “tourist-in-Rome mindset” and into the “you-are-there-as-it’s-being-built mindset.” I’m currently writing that section, so the jury is still out, but Elkins’ in-depth research and clear exposition provide a good road map.
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world-a paragon of Roman engineering prowess.
Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even-when flooded-small-scale naval battles, the building itself was also a marvel. Rising…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Buildings are a product of the artistic imagination and building technology, but they also depend on political will and cultural capital. Ross King, a skillful storyteller, describes how all these played a role in the construction of the dome of Santa Maria del Fiore in fifteenth-century Florence. Its maker, the great Filippo Brunelleschi, was the first architect in the modern sense, and in many ways the story of Western architecture begins here.
This work tells the story of the largest masonry dome ever built, describing the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. Initially regarded as impossible to build, the construction of the dome, for the cathedral of Santa Maria del Fiore in Florence, became the greatest architectural puzzle of the age, and, when finally completed in 1436, was hailed as one of the great wonders of the world. Also told is the story of the dome's architect, the brilliant and volatile Fillippo Brunelleschi. His ambition and ingenuity, personal rivalries and intrigues are set in the context…
Although I have been a professional artist for over forty years, I have never yet gotten to the point where I imagine I have it all figured out. There are always new techniques to learn, and new mediums to explore. The books on this list are ones I have found helpful in nudging me in new and productive directions.
I owe Francis D.K. Ching big time. What I learned about perspective in art school served me well enough during my first few years as a working illustrator, but there came a time when I faced a perspective problem beyond my experience on deadline, and I needed to pick up new skills fast. I knew the neighbor in the next apartment over was a graphic designer, so I knocked on her door to ask if she had any books on perspective, and this is what she had on the shelf. The perspective section is only a small part of this elegantly drawn and hand-lettered book, but the information in it was enough to solve my immediate problem and set me to exploring perspective on my own (and some thirty years later, I found my neighbor again on LinkedIn and returned her copy).
The bestselling guide to architectural drawing, with new information, examples, and resources Architectural Graphics is the classic bestselling reference by one of the leading global authorities on architectural design drawing, Francis D.K. Ching. Now in its sixth edition, this essential guide offers a comprehensive introduction to using graphic tools and drafting conventions to translate architectural ideas into effective visual presentations, using hundreds of the author's distinctive drawings to illustrate the topic effectively. This updated edition includes new information on orthographic projection in relation to 3D models, and revised explanations of line weights, scale and dimensioning, and perspective drawing to clarify…
I am a design-obsessed George Washington University (Washington, DC) professor, author, architect, interior designer, sketcher, modernist, city lover, traveler, and University of Michigan alumni who writes about topics on architecture and interior design for people of all ages and backgrounds. Everyone lives in the built environment, but not everyone understands it. For example, sketching is one of the best ways to understand a piece of furniture, interior, or building. You will never see the object the same way after you draw it! All of the books on this list are approachable, interesting, fun, and most importantly inspiring. Enjoy!
This is a fun sketching book to let your imagination run wild. More than just a coloring book, there are visual prompts that allow the user to modify or redesign an iconic building, or create one from scratch. It provides the framework; you provide the artistry. For kids and adults of all ages, this book will provoke creativity and encourage the architect in everyone.
This innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more.
Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance…
I have been continuously studying, practicing, and/or teaching architecture since 1984, and my particular focus has been on drawing–why we draw and how we can develop our own practices for drawing, whether it’s related to architecture or not. Even more particular is my focus on drawing by hand–a practice that has had a major resurgence after the initial wave of fascination for digital drawing tools has waned. I am passionate about drawing and want to share that passion with others, partially by recommending books that have been of significant use to me over the years.
Paul Laseau spent his career investigating the graphic thinking process and is one of the foremost authorities on the “why” and “how” drawing relates to creative and critical thinking. This book should be essential reading for anyone interested in developing graphic literacy–not only architects and designers, as the title would suggest.
The essential design companion-now in an up-to-date new edition
For architects, drawing is more than a convenient way to communicate ideas; it is an integral part of the creative process that has a profound impact on thinking and problem-solving. In Graphic Thinking for Architects and Designers, Third Edition, Paul Laseau demonstrates that more versatile and facile sketching leads to more flexible, creative approaches to design challenges. To encourage this flexibility and stimulate graphic thinking, he introduces numerous graphic techniques that can be applied in a variety of situations. He also helps readers acquire a solid grasp of basic freehand drawing,…
I’ve just spent the last few years writing Return to Valetto, about a nearly abandoned village in Umbria and the last ten people who live there. In 2018, I received an NEA grant to conduct research in Italy and I visited about a dozen abandoned and nearly abandoned towns all across Italy. While I was traveling, I immersed myself in books about Italy—from history and biography to memoir and fiction. The books on my list were stepping stones in my education about all things Italian and I hope you find them as transporting as I did!
This is one of the funniest and truest books about Italy!
The English novelist Tim Parks captures modern-day Italy through the lens of life on a single street in Verona, where he lives with his wife. He brings the entire neighborhood to life with a cast of characters that are colorful to say the least.
He also captures what it’s like to be a foreigner in a country where you weren’t born and whose essence is constantly evading you. Nonetheless, he shows us that it’s possible to find a true sense of belonging and home among the ragtag parade of your neighbors.
In this deliciously seductive account of an Italian neighborhood with a statue of the Virgin at one end of the street, a derelict bottle factory at the other, and a wealth of exotic flora and fauna in between, acclaimed novelist Tim Parks celebrates ten years of living with his wife, Rita, in Verona, Italy. Via Colombre, the main street in a village just outside Verona, offers an exemplary hodgepodge of all that is new and old in the bel paese, a point of collision between invading suburbia and diehard peasant tradition in a sometimes madcap, sometimes romantic always mixed-up world…
I lived in the former Soviet Union for ten years, primarily in Moscow, the home of many a brutal tyrant. My obsession with dictator literature began after I discovered that Saddam Hussein had written a romance novel, following which I spent many years reading the literary output of all of the 20th century’s most terrible tyrants, from Mussolini to Stalin to the Ayatollah Khomeini. This monumental act of self-torture resulted in my critically acclaimed book The Infernal Library: On Dictators, the Books They Wrote, And Other Catastrophes of Literacy.
Once a dictator dies, his statues might come down and his books might disappear from school curriculums, but his legacy can endure for generations. Mussolini was the man for whom the term “totalitarian” was coined, and he pioneered many of the techniques of domination that other dictators deployed later in the century. When it was all new, a lot of people thought he might be onto something and “Il Duce” even enjoyed the support of such famous figures such as Churchill and Gandhi. The sight of his bullet ridden corpse strung upside down outside an Esso gas station in Milan must have seemed like the ultimate fall from grace, an indelible image of his regime’s failure. But that was not the end of the story, and in this remarkable book, Luzzato explores what happened next — both to Mussolini’s corpse, and to his ideas, as they continued to linger on…
A brilliant young historian follows the odyssey of Mussolini's body in an original exploration of the history and legacy of Italian Fascism
Bullet-ridden, spat on, butchered bloody: this was the fate of Il Duce, strung up beside his dead mistress in a Milan square, as reviled in death as he was adored in life. With Italy's defeat in World War II, the cult of Benito Mussolini's physical self was brought to its grotesque denouement by a frenzied, jeering crowd of thousands-one eerily similar to the cheering throngs that had once roared their approval beneath Il Duce's balcony.
Dostoevsky wrote that the opposite of love is not hatred, it is indifference. That’s why I have always been fascinated by the topic of love hate. They are not opposed, they are somehow connected, and when I started writing romance I spent an insane amount of time trying to understand how people cross the bridge from hate to love. It makes for incredible stories of seduction, corruption, resilience, and ultimately happiness. As a ‘villain writer’ who enjoys writing about passionate characters going the extra mile, burning the world down to keep their love warm, I am familiar with the tropes and my imagination knows no bounds.
Oh, this one? It is everything. The villain is a virgin! Which deep down we all want. Seraphena is promised to him since childhood, groomed into marrying him and killing him in order to save her country. When the wedding night comes – he rejects her, leaving her behind. People blame her. If she hated him before, she loathes him even more. Until he reappears into her life to save her and they both fight this attraction. She still has a mission, and this is her excuse to try to seduce him. He is a tough nut to crack. He is actually more in control of himself than she is. As she grows to know him in his supernatural surroundings, hatred is hard to keep and so is distance…
#1 New York Times bestselling author Jennifer L. Armentrout returns with book one of the all-new, compelling Flesh and Fire series—set in the beloved Blood and Ash world.
Born shrouded in the veil of the Primals, a Maiden as the Fates promised, Seraphena Mierel’s future has never been hers. Chosenbefore birth to uphold the desperate deal her ancestor struck to save his people, Sera must leave behind her life and offer herself to the Primal of Death as his Consort.
However, Sera’s real destiny is the most closely guarded secret in all of Lasania—she’s not the well protected Maiden but…
