Fans pick 19 books like Buffalo Is The New Buffalo

This book places First Nations and Métis women at the heart of fur trade society and shows that they played crucial roles as workers and wives, mothers, and daughters. Van Kirk creates striking portraits of women whose relationships with fur traders made them important linchpins between their Indigenous and Métis communities and white fur trade society.

The book takes an innovative approach to studying the fur trade in early Canada. Van Kirk also shows how these women’s lives were deeply affected by changes in the fur trade and the coming of settler society to Western Canada.

I’d be remiss if I shared books from Canada with you and didn’t point you towards some of the amazing writing coming out of Saskatoon, Treaty 6 Territory, and the Homeland of the Métis. Lisa-Bird Wilson's newest book is a beautiful novel about an Indigenous woman’s search for identity after her adoption. Living in Saskatchewan as Canada wrestles with truth and reconciliation, books like Probably Ruby give me a path to understanding and learning. The voice of this novel is searing and gorgeous, filled with heart and light, and I believe anyone who reads it will feel changed by the experience.

In 1959, orphaned, fifteen-year-old Nipishish, a Metis, is kicked out of a residential school and returned to his reserve in northern Quebec. But there is nothing there for him but trouble and hopelessness. He is sent to a nearby town, billeted with a white family to attend high school. That doesn’t work out well either. This is an inspiring story bringing to light native issues and once again, showing how resilience and courage can overcome prejudice and hopelessness.

Not all indigenous languages have a corresponding alphabet or writing system. For example, many North American indigenous languages are now represented in a Romanized alphabet, but traditionally these languages were spoken and the stories they contained were transmitted by oral tradition.

In the case of my Taino ancestors, stories were also told with pictographs or petroglyphs. I conclude my list of indigenous futurist books with stories that are told graphically, in the form of Moonshot, a collection of comics edited, written, and illustrated by indigenous storytellers and artists.

Edited by Elizabeth LaPensée (Anishinaabe & Métis) and Michael Sheyahshe (Oklahoma Caddo Nation), the imagery is striking, conjuring colorful mythoscapes and slipstream futures with indigenous people at the forefront, redefining science and technology along the way. One story features a protagonist in a wheelchair, raising questions about ableism in SF and the possibility for “Crip” Futures and Indigenous Futurism to be… show more.

Since discovering details of my personal genealogy, and learning that I am Metis, I have become more interested in learning about the history of the Metis people of Canada. During my research, I came upon this book which I found to be an enjoyable mix of fiction and history based around the battle between the Metis people of the prairies and the Canadian government. I particularly enjoyed how the author showed the strengths and weaknesses of real historical figures, Louis Riel and Gabriel Dumont, through the eyes of strong female characters.

Many French Canadians are the descendants of the King's Daughters (Filles du Roi) of this era. Many also are the descendants of mixed French and Algonquian marriages. Wikipedia…The Métis (/meɪˈtiː(s)/; French: [metis]) are Indigenous peoples in the three Prairie Provinces (Manitoba, Saskatchewan, Alberta), as well as parts of Ontario, British Columbia, the Northwest Territories, and the Northern United States.

As an historian, I enjoyed Vanessa Winn’s portrayal of Colonial Victoria in The Chief Factor’s Daughter. Hudson Bay Chief Factor, John Work, protects all his daughters with many restrictions on their lives causing his eldest daughter, Margaret, to fear that at age 23 she will never find a suitor and is destined to remain a spinster forever. The author shows a fascinating side of society in 1858 where although Margaret and her sisters belong to the upper class in the fur-trading community, they are also the victims of snobbery and racism because their mother is Metis. Winn’s sequel Trappings continues with the story of Kate Work, another daughter, and both books are a good read for those who love family history.

This is a book about stories of the land I live on.

My home is in Winnipeg, on the edge of the flatland called “the Prairies” in Canada and “the Great Plains” in the United States. But the land doesn’t care about the Canada-US border. And that border is nothing but an imposition on the older nations whose territory I live in: the Red River Métis, and the Anishinaabeg.

These Indigenous Peoples have ancient living traditions of oral storytelling, and this book, by Anishinaabeg scholars, celebrates their stories’ spiritual, practical, and political power.

A teaching shared by storyteller Kathleen Delores Westcott tells us “the story is a living being. It’s alive.” That teaching has helped me to understand how stories attract us, get inside us, change, and move across boundaries. 

Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.

I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wild to slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.

This book is the third in Liz Milliron’s Homefront series. The protagonist, private detective wannabe Betty Ahern is worried because her friend, Lee Tillotson, is on the verge of being arrested for his father’s murder. Betty will do just about anything to prove his innocence before it’s too late.

I really like Betty’s can-do attitude and I love the support she gets from her family—especially her father. Even though she wants an unconventional career, her father knows she’s capable of anything she sets her mind to. It’s a wonderful book to show the importance of friends and family in chasing your dream.