Fans pick 82 books like Brokenburn

Early in the war, writer Louisa May Alcott journeyed to the nation’s capital to care for sick and wounded soldiers. Over a period of six weeks, she experienced firsthand the rigors of life in crowded hospital wards as a nurse to men suffering from disease and wounds. She recorded her observations in a series of accounts printed in a Boston newspaper. These writings formed the basis of Hospital Sketches. Published a month after the end of the Battle of Gettysburg, when the outcome of the war remained uncertain, Alcott’s words encouraged other women to support the U.S. war effort, and remind us today of the critical role of nurses in times of conflict.

This slim volume packs a mean punch. Following the secession of the seven Deep Southern states in 1860-61, commissioners were sent out to the remaining uncommitted slaveholding states to convince their leaders of the necessity of joining the new Confederate States of America. While the arguments of these secession commissioners included constitutional arguments in favor of secession, they relied even more so on emotional pleas that framed the election of the nation’s first Republican president as a direct threat to the institution of slavery and white supremacy. Their speeches were laced with horrific images of emancipation and a region plunged into racial violence. Charles Dew offers a compelling argument that highlights the importance of slavery and race in the outbreak of war.

A soldier in an Iowa infantry regiment, John Quincy Adams Campbell spent the conflict in the war’s western theater, present at, among other things, the fall of Vicksburg on July 4,1863, which even at the time he recognized as a turning point of the war. His diary, interlaced with some letters that he wrote to his hometown during the war, comments incisively on the military progress of war in the Mississippi Valley from the perspective of one infantrymen, offering today’s readers insights into the immediacy and also the limits of the view of one person actually living through the alternating boredom of camp life and terror of battle. Campbell also commented astutely on social conditions, on the motivations of his fellow soldiers and of the populations they met in the South, and on all that he saw at stake in the war. His first-hand account offers sharp insight into the… show more.

As the Union Army penetrated into Confederate territory, enslaved men, women, and children fled bondage to take refuge with the army. Roughly half a million formerly enslaved people exited slavery in this way, spending the war in encampments appended to the army or in Union occupied cities. They influenced the progress and outcome of the war as well as emancipation. They also encountered conditions that amounted to a humanitarian crisis, one that soldiers tasked with fighting a war were ill-equipped to meet. Civilians from the North made their way to camps and occupied cities to serve as relief workers. Harriet Jacobs headed South as just such a worker. Jacobs herself had been born a slave and made a harrowing escape decades earlier, but when war broke out, she braved the South again. She made her way to Alexandria, Virginia where she worked among the many freedom seekers who came to… show more.

The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.

I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.

His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.

I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing.  Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.

Awarded the Pulitzer Prize for Fiction, this collection of short stories draws upon Butler’s fluency in the Vietnamese language, his experiences as an Army intelligence specialist living in Saigon during the war, and later his extensive contacts with Vietnamese communities in and near New Orleans, Louisiana. These stories are Vietnamese aftermath tales of émigrés adjusting to post-war life in America and yearning to retain their individual and cultural identities—a quest Butler described “as a pursuit of self” in our 2005 interview. For me, this book illuminates the culture, history, and communities that I, and most American soldiers, never attempted to know when we were in Vietnam and tended to ignore once Vietnamese resettled in the U.S. This book reaffirms for me that despite our many differences, we are all linked by the joys, sorrows, and hopes of our universal human condition. 

Amanda Skenandore’s beautiful and insightful novel about a silent film star who was sent to live in a Louisiana Leper Colony in the 1920s. The book is rich and full of surprising historical details. While it might seem like a downer – it is funny and heartwarming, with a beautiful coming-of-age story and romance at its heart.  Absolutely fascinating.

Jefferson's Louisiana is an absorbing study of a clash of cultures that helped to shape America's legal empire as it moved westward. Louisiana, governed by Spain and France under civil law codes for nearly a century before it became part of the United States, was a crossroads at which English law (dominant elsewhere in the new nation) and European law collided. Prof. Dargo first describes the uneasy cultural accommodation that French and Spanish settlers made with American immigrants at the turn of the nineteenth century, an accommodation made more challenging by Aaron Burr's simultaneous efforts to foment revolution in the trans-Appalachian West. Dargo then tells the story of how American and old-settler jurists collaborated to shape a new Louisiana code amalgamating common and civil law.