Here are 100 books that Bonaparte Falls Apart fans have personally recommended if you like
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I’m fascinated with monsters. Always have been. But in a weird way. I was never a scare seeker. I sought out the unique monsters, not the traditional werewolves and vampires. I related to the creatures who were more human than the humans. The ones that struggled to fit in, but if you took the time to get to know them, they were more interesting than anyone you had ever encountered before. And I think that’s a theme I use in my stories. Overcoming your fear of things that are strange or different can open wondrous new worlds.
This is my all-time favorite book! It’s odd, quirky, and unpredictable. While not technically monsters, the wolves are terrifying…at first. You feel the helplessness of the characters, but rest assured, you cheer when they get a handle on the situation. This is a one-of-a-kind story that you’ll want to share with your entire family.
"Gaiman does here for the older picture-book set what he did for middle-grade readers with Coraline." —Kirkus (starred review)
Lucy is sure there are wolves living in the walls of their house—and, as everybody says, if the wolves come out of the walls, it's all over. Her family doesn't believe her. Then one day, the wolves come out.
But it's not all over. Instead, Lucy's battle with the wolves is only just beginning.
There are sneaking, creeping, crumpling noises coming from inside the walls...
This New York Times Best Illustrated Book combines a deliciously creepy tale, a strong heroine, and…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
The book's great front matter invites the child reader to experience a journey through the night to search for jumbies, which are, it explains, not friendly. But then, within the pages, the jumbies, though lying gently to the child, are, in fact, quite friendly. The darkness is, sort of, implied for later.
I love this ambiguity–gentle enough to allow this book to exist but mysterious enough to open up possibilities. This book will definitely serve as an introduction to the author’s middle-grade series. It is dark, luminous, and wonderful.
New York Times bestselling author Tracey Baptiste and acclaimed illustrator Amber Ren take readers on a fun, creepy, storytime-ready romp through a forest filled with creatures from Caribbean folklore.
I'm looking for a jumbie, I'm going to find a scary one.
But Mama says jumbies exist only in stories. So Naya sets out on a nighttime adventure to find out for herself.
No such thing, say the friends she makes along the way.
But Naya is sure that jumbies are real. Some have big mouths. Or thick fur. Or glowing skin. Or sharp teeth. Kind of like her new friends....…
I never stopped reading children’s books and started writing my own when I hit the age of 40. I gravitate toward crisp drawing styles and illustrations that bring out the magic in the everyday. These books are a few of my favorites.
This book (and its two sequels) presents a place where all sorts of monsters and unwanted creepy-crawlies can find shelter and a home—Julia’s house.
It’s a book about inclusion and acceptance and maybe even some bad manners. All of Ben Hatke’s books are smartly told and beautifully drawn (Zita te Space Girl, Mighty Jack, Nobody Likes a Goblin)—but even with a simple story, the magic on every page is evident, and one can linger on the pictures well past the time it takes to read the words.
Julia's housemates have to do their chores - even if they're fairies, goblins, mermaids, and dragons! When Julia and her walking house come to town, she likes everything about her new neighbourhood except how quiet it is! So Julia puts a sign up: "Julia's House for Lost Creatures." Soon she's hosting goblins, mermaids, fairies, and even a dragon. Quiet isn't a problem anymore for Julia...but getting her housemates to behave themselves is!
I’m fascinated with monsters. Always have been. But in a weird way. I was never a scare seeker. I sought out the unique monsters, not the traditional werewolves and vampires. I related to the creatures who were more human than the humans. The ones that struggled to fit in, but if you took the time to get to know them, they were more interesting than anyone you had ever encountered before. And I think that’s a theme I use in my stories. Overcoming your fear of things that are strange or different can open wondrous new worlds.
Books teaching kids not to be afraid of the dark can be cliched and a bit preachy. I stay away from books that “talk” to kids. However, while this book does deal with fear and bravery, it does so in a subtle way and feels genuine. The lessons come from the characters and not the writer. This is a sweet story and you will find yourself rooting for Martina.
Two little girls―one human and the other a monster―are afraid to go to sleep for fear of what's living under their beds.
What if an entire world of MONSTERS lived underneath your floor? Martina is having trouble sleeping because she is afraid monsters might break through the floor and bring her into the monster world where she'll have to learn how to scare humans. Meanwhile, Anitram, a little girl monster, is also having trouble sleeping. There's a noisy little human jumping on the bed in the upside-down world under her floor! Martina and Anitram have more in common than they…
I have been fascinated with ancient civilizations since my parents, amateur historians, moved our family to Saudi Arabia in the early 1980s, and we began to travel extensively around the Mediterranean, especially Greece, Italy, Egypt, and Jordan. I went on to study classical art and archaeology in graduate school in England, Scotland, and Germany, and excavated in Greece, Italy, and North Africa. My own research ranges widely, from the Etruscans to sport and entertainment in the Roman empire (about which I made a film with the Smithsonian, Rome’s Chariot Superstar). I currently live in Chicago, where I teach at a university.
If you are looking for a short, accessible, and up-to-date introduction to the Etruscans, this is it. Like other works in the Very Short Introductions series, Smith’s scope is broad, his tone is chatty, and his discussion is highly current. Whether you are an undergraduate or a general reader, this book speaks to all audiences.
From around 900 to 400 BC, the Etruscans were the most innovative, powerful, wealthy, and creative people in Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art. In this Very Short Introduction, Christopher Smith explores Etruscan history, culture, language, and customs. Examining the controversial debates about their origins, he explores how they once lived, placing this within the geographical, economic, and political context of the time. Smith concludes by demonstrating how the Etruscans have been studied and perceived throughout the ages, and the impact this has had on our understanding of their place…
I spent a decade researching my own dramatic family story in Southern Italy – a story of murder and passion – so I took a deep dive to learn about a hidden culture my relatives left behind when they came here to America in steerage. As a fellow at the New York Public Library, I literally read hundreds of books, articles, and papers over those ten years to try and educate myself about the world I was entering for my own search. These are the books that touched me the most deeply – and continue to – not just with their own intense research but with their emotion and gorgeous prose.
This incredible book gave names and faces to the women of Southern Italy, who, until recently, were mostly ignored by writers—and, by extension, readers. It taught me about the intensely difficult life my own female ancestors endured and stories that did not travel with them to the United States for those who immigrated—stories that were left behind, and for good reason.
The book was written in the 1970s after Cornelisen worked in the South, helping to establish nursery schools there. But the story is not her own. The stories belong to the strong, overworked, oppressed, inspiring women of Basilicata.
Conversations with and observations of peasant women of southern Italy reveal the hardships, sorrows, strengths, and perseverance of wives and mothers who are burdened with unremitting poverty and frustration
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
It’s a compact 100+ pages with 80 images, showcasing Morris’s passionately held view that beautiful, functional design should be accessible to all. All expressed through quotations from his own words and those of his friends, colleagues, and biographers.
Fits in a pocket and is a perfect introduction for those who do not yet know of Morris’s ideas and influence. Also a handy source of quotations on the aesthetics of design.
Born in London in 1834, William Morris was a radical thinker whose democratic vision for society and art has continued to influence designers, artists and writersto this day, long after his death in 1896. He was a gifted poet, architect, painter, writer and textile designer, who also founded the Kelmscott Press, the most famous of the Arts and Crafts private presses. Morris's ideas later came to influence the Garden City movement, as well as numerous artists and craftspeople, who sought to negotiate a viable place within the modern world in the troubled years that followed the First World War. His…
I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!
The
thing that I really like about this book is that it is literally built around a
3-D model of the body embedded in the center of the book, so that as you turn
the pages, you uncover different layers of the body, since the model is built
in layers, each attached to the board-book-style pages. So, opening the cover (the skin, as it
were) of the book reveals a page on the dermal system, and the skeletal system,
and as you turn the next page, the ribs come with the page to reveal some of
the internal organs, and so on.
As a parent, children’s book author, and fan of all things Halloween I have searched the globe for the best of the best when it comes to Halloween books for kids. Ok not really “the globe” but when the bookstore starts stocking the featured shelves with children's Halloween books around mid-August, I can’t resist either browsing or purchasing. These 5 are near and dear to my heart because instead of just a simple bedtime read, they all have something special and a memory attached to them. These are the books that are brought out year after year and still enjoyed by the kids, even when they are probably getting too old for bedtime stories.
I read this book to a Kindergarten class in 2006 and then again this past year.
This book is a smash hit with the kids and stands the test of time. The book is simple and the humor is silly which is what makes this book a fantastic read before bed or anytime really. It sets the mood when the leaves start to fall and spooky season is upon us.
It is highly interactive and the kids love to make the “hic-hic” sound while you read. When reading the book out loud, it gives adults a chance to let their silly flag fly and the kids all respond in-kind.
I am a huge fan of Halloween and love decorating my porch to greet our neighborhood kids. This past year I gave away a couple dozen copies of my own picture books along with candy, which was a huge hit. I live in Baltimore with my family, including my silly, spooky kid, and love animals, especially dogs and horses. This past Halloween, my daughter wanted to dress up as a dentist, of all things, so my husband and I went along dressed up as giant teeth. She never got the irony of asking for candy while dressed as a dentist. We’ll have to wait until she is older for that.
I love this book which teaches kids that scary things (like skeletons!) aren’t always as scary as they appear. Rebecca Evans, the author, is a friend of mine and does a lot of volunteer work to help other children’s book writers and illustrators, so I love supporting someone so involved and helpful! When I saw Rebecca read this book at an event, she had an adorable craft where kids could make skeletons out of gluing dry pasta to black paper—activity idea!
Skeletons might seem frightening, but if you look closer, there's nothing much to fear. They can't run fast, they're terrible at hide-and-seek, and they're scared of everything. When a group of trick-or-treaters runs into an actual skeleton on an enchanted Halloween night, they do whatever they can get away. But what does the skeleton really want? What if they're just looking for a friend?
