Here are 100 books that Battle Exhaustion fans have personally recommended if you like
Battle Exhaustion.
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A Canadian academic, Michael J. Prince is an award-winning author in the field of modern politics, government, and public policy. The Lansdowne Professor of Social Policy at the University of Victoria, he has written widely on issues of disability activism and social change, including on veterans and their families. He is co-author, with Pamela Moss, ofWeary Warriors: Power, Knowledge, and the Invisible Wounds of Soldiers, New York and Oxford: Berghahn Books, 2014.
The aftermath of the Great War for wounded and shattered soldiers is carefully examined in this comparative study of two belligerent nations. The great paradox recorded here is how British veterans struggled on the margins of their society, denied legal rights and employment support, while, through state programs, German disabled veterans were more likely reintegrated into their economy. “Disabled veterans,” Cohen concludes in this fascinating study, “were the Great War’s conspicuous legacy.” Tragically, the same might be said of subsequent major armed conflicts. What I got from this book is the absolute importance of decisions following the Great War in shaping the indifference and support toward veterans over the twentieth century and into the twenty-first.
Disabled veterans were the First World War's most conspicuous legacy. Nearly eight million men in Europe returned from the First World War permanently disabled by injury or disease. In The War Come Home, Deborah Cohen offers a comparative analysis of the very different ways in which two belligerent nations--Germany and Britain--cared for their disabled. At the heart of this book is an apparent paradox. Although postwar Germany provided its disabled veterans with generous benefits, they came to despise the state that favored them. Disabled men proved susceptible to the Nazi cause. By contrast, British ex-servicemen remained loyal subjects, though they…
A Canadian academic, Michael J. Prince is an award-winning author in the field of modern politics, government, and public policy. The Lansdowne Professor of Social Policy at the University of Victoria, he has written widely on issues of disability activism and social change, including on veterans and their families. He is co-author, with Pamela Moss, ofWeary Warriors: Power, Knowledge, and the Invisible Wounds of Soldiers, New York and Oxford: Berghahn Books, 2014.
This consummate French philosopher explores the lineage of psychiatry as an intertwined field of knowledge and form of power. For Foucault, moving beyond asylums, in the nineteenth and twentieth century armies called on psychiatry to assert the reality of military power and the functioning of military purposes. A similar relationship has taken place with the family in relation to nation-states and military establishments. The author provides many useful concepts to appreciate the psychiatrization of soldiers as shocked, exhausted, hysterical, neurotic, and traumatized, among other diagnostic categories. From this work, a significant value I gained is a historical understanding of how modern psychiatry developed in relation to armed forces and warfare.
In this addition to the College de France Lecture Series Michel Foucault explores the birth of psychiatry, examining Western society's division of 'mad' and 'sane' and how medicine and law influenced these attitudes. This seminal new work by a leading thinker of the modern age opens new vistas within historical and philosophical study.
A Canadian academic, Michael J. Prince is an award-winning author in the field of modern politics, government, and public policy. The Lansdowne Professor of Social Policy at the University of Victoria, he has written widely on issues of disability activism and social change, including on veterans and their families. He is co-author, with Pamela Moss, ofWeary Warriors: Power, Knowledge, and the Invisible Wounds of Soldiers, New York and Oxford: Berghahn Books, 2014.
Lieutenant General Roméo Dallaire is the highest-ranking military officer who has come out and publicly talked about his psychiatric struggles with flashbacks, depression, and suicidal thoughts. This is his story as the commander of the United Nations Assistance Mission for Rwanda in 1993-94. Woven into his narrative is an account of the onset of traumatic stress and of his reactions to what psychiatry refers to as PTSD. This is a brutally honest book by a high-ranking military officer about the unspeakable inhumanity of civil war and the terrible vulnerability of international peacemakers. It is a story of one of the walking wounded who survived the genocide as a moral witness.
For the first time in the United States comes the tragic and profoundly important story of the legendary Canadian general who "watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect." When Romeo Dallaire was called on to serve as force commander of the UN Assistance Mission for Rwanda, he believed that his assignment was to help two warring parties achieve the peace they both wanted. Instead, he was exposed to the most barbarous and chaotic display of civil war and genocide in the past decade, observing…
A Canadian academic, Michael J. Prince is an award-winning author in the field of modern politics, government, and public policy. The Lansdowne Professor of Social Policy at the University of Victoria, he has written widely on issues of disability activism and social change, including on veterans and their families. He is co-author, with Pamela Moss, ofWeary Warriors: Power, Knowledge, and the Invisible Wounds of Soldiers, New York and Oxford: Berghahn Books, 2014.
As American veterans and academics, both authors personally and professionally know the subject of modern warfare, stress disorders, and military mental health. This book examines the invisible injuries of psychiatric casualties from combat. The authors scrutinize what they call the dark side of military mental health and, in considerable detail, expose this darkness, which they show to be systemic and multifaceted in how it inflicts wounds on military personnel. The book ends with options for changing military mental healthcare and moving toward a resilient and mentally healthy military. I appreciate this book because it demonstrates from the perspective of insiders how military culture and practices continue to harm those veterans with invisible wounds.
The psychological toll of war is vast, and the social costs of war's psychiatric casualties extend even further. Yet military mental health care suffers from extensive waiting lists, organizational scandals, spikes in veteran suicide, narcotic overprescription, shortages of mental health professionals, and inadequate treatment. The prevalence of conditions such as post-traumatic stress disorder is often underestimated, and there remains entrenched stigma and fear of being diagnosed. Even more alarming is how the military dismisses or conceals the significance and extent of the mental health crisis.
The trauma experts Mark C. Russell and Charles Figley offer an impassioned and meticulous critique…
I am a Canadian with bachelor's degrees in history and communications and over thirty-five years of experience in the Canadian Army reserves. My interest in the German Army of the Third Reich period has led to interviews with surviving veterans, visits to various battlefields, a successful YouTube channel, and involvement in military-themed hobbies such as war re-enactment and wargaming which in turn has led to the publication of many related books and magazine articles. Like all of us writing on the subject of Germans in the Second World War, I find it often poorly understood yet hugely compelling for its complex legal, historical, and moral aspects.
I think it is only natural to include an autobiography in a list like this, and Bruno Friesen's book is compelling to me for several reasons, mainly because he was a Canadian who ended up in the German Army.
Friesen talks about these curious circumstances honestly and with good humour, and the book transitions quickly from light-hearted reminiscences to a really very good technical study of what it was like to fight in tanks on the Eastern Front.
I thought the book illustrated well how an individual could fight against the multiple dehumanizing forces of modern war and come out the other end with spirit intact. The book juxtaposes well the helplessness of men fighting in machines with their human survival instincts.
There are few memoirs available of German Panzer crews that focus on the climactic last 12 months of the war on the Eastern Front, 1944-45. What makes Bruno Friesen's account virtually unique is his family background: his parents came from a German-speaking Mennonite community in Ukraine, and were to all intents and purposes culturally German. To make matters even more complex, in 1924 his parents left Ukraine for Canada, where Bruno was born.
In March 1939 he and his brother Oscar found themselves on a ship bound for Bremerhaven in Germany. He barely spoke German, and had never been to…
Research Professor of Psychology at Bryn Mawr College. Since the 9/11 attacks I have tried to understand how normal individuals, people like you and me, can move to terrorism in particular and political violence more generally. I retired from teaching in 2015 to have more time to write. I’ve written about genocide (Why Not Kill Them All? The Logic and Prevention of Mass Political Murder), about self-sacrifice (The Marvel of Martyrdom: The Power of Self Sacrifice in a Selfish World), and about terrorism (Friction: How Conflict Radicalizes Them and Us).
Mowat’s title is taken from John Keats’ poem La Belle Dame Sans Merci: “O what can ail thee, Knight in arms, Alone and palely loitering? The sedge has withered from the Lake, And no birds sing!”
Best known for his books People of the Deer and Never Cry Wolf, Farley Mowat here turns his naturalist’s eye to the experience of war. His brief memoir describes joining, training, and fighting as part of Canadian forces in WWII. He led a rifle platoon in the invasion of Sicily and up the spine of Italy against fierce German resistance. From humorous to horrible, from youthful fervor to enormous weariness, Mowat takes us with him. He was relieved of combat duty after crying over the unconscious body of a friend brought in with an enemy bullet in his head. I love this book for its vivid observations of men before, during, and after…
Turned away from the Royal Canadian Air Force for his apparent youth and frailty, Farley Mowat joined the infantry in 1940. The young second lieutenant soon earned the trust of the soldiers under his command, and was known to bend army rules to secure a stout drink, or find warm -- if nonregulation -- clothing. But when Mowat and his regiment engaged with elite German forces in the mountains of Sicily, the optimism of their early days as soldiers was replaced by despair. With a naturalist's eyes and ears, Mowat takes in the full dark depths of war; his moving…
I read my first book on WWII when I was 8 years old. It was about the Battle of Britain and I’ve never looked back. I began specializing in 20th Century Canadian military history in very literally all its facets. Discussing the war with hundreds of Canadian veterans over the last half century has been immensely inspirational to me. I’ve obtained a Ph.D. in Canadian military history from McGill University, visited Canadian battlefields in Europe at least 15 times, worked as the WWII historian at the Canadian War Museum, and have published on many aspects of Canadian military history. For more than 30 years I have been able to teach these subjects to students.
Terry Copp is one of Canada’s foremost military historians and his towering knowledge is on full display in this brilliant study of Canada’s role in the 1944 Normandy Campaign. Copp interviewed dozens of veterans and visited Normandy some 20 times to walk the ground and see the unfolding of the battle through the men’s eyes.
Fields of Fire redresses an imbalance in our understanding of Canada’s battlefield performance in Normandy that several leading international and some Canadian scholars feel was underwhelming. But not Copp.
He minutely and compellingly re-examines and convincingly contextualizes Canadian generalship, the terrain over which the men fought, the nature of German defences, Canadian casualties of 18,000 in just ten weeks, including psychological casualties due to battle exhaustion, and other factors that oblige us to assess the Canadians’ performance more positively.
He is palpably proud of these men’s achievements and deeply sensitive to the cruel fates of…
Fields of Fire offers a stunning reversal of accepted military history. Terry Copp challenges and refutes the conventional view that the Canadian contribution to the Battle of Normandy was a 'failure': that the allies won only through the use of 'brute force,' and that the Canadian soldiers and commanding officers were essentially incompetent. His detailed and impeccably researched analysis of what actually happened on the battlefield portrays a flexible, innovative army that made a major, and successful, contribution to the defeat of the German forces in just seventy-six days. Challenging both existing interpretations of the campaign and current approaches to…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.
Born Dawid Szymin in Warsaw, Chim began his career in the early 1930s photographing for leftist magazines in Paris. In 1936, one of these magazines, Regards, sent him to the frontlines of the civil war in Spain, along with comrades Robert Capa and Gerda Taro. Although war formed the backdrop of much of his reportage, Chim was an astute observer of twentieth-century European politics, social life, and culture, from the beginnings of the antifascist struggle to the rebuilding of countries ravaged by World War II. Like millions of other Europeans, Chim had suffered the pain of dislocation and the loss…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
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