Here are 100 books that Barney's Version fans have personally recommended if you like
Barney's Version.
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I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.
As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I'm a journalist who worked as a daily newspaper reporter and editor for 40 years for the Daily Mail in London, the South China Morning Post in Hong Kong, the Sunday Australian in Sydney, and most recently the Vancouver Sun in Canada. My first novel was an erotic comedy, not much in that genre since Chaucer wrote TheMiller’s Tale. My second, River Boy is about a skinny Canadian kid who can walk on water. No one has had that gig for 2000 years — and we’re not sure about the last guy. But is River Boy a brilliant illusionist or the long-awaited Second Coming? And if he is the new Messiah, why does the Christian church want to kill him?
Pierre’s adolescent high schooler makes JD Salinger’s protagonist in Catcher in the Rye look like a valedictorian. Just as (finally) he is about to score with a teenage crush, who has hitherto rejected him, he ejaculates prematurely.
"My world dissolves under my belly with a jet like stung snakes squirting out through their own eye holes. Then quiet. Just a slow ocean moving slowly, and spit-curry after-poon drying cold on my face."
What’s worse, at that precise moment, cops burst into the room, catching him with his pants down, and arresting him for a mass killing he didn’t commit.
You couldn’t make this stuff up unless you’re a comic genius like DBC Pierre
Hailed by the critics and lauded by readers for its riotously funny and scathing portrayal of America in an age of trial by media, materialism, and violence, Vernon God Little was an international sensation when it was first published in 2003 and awarded the prestigious Man Booker Prize.
The memorable portrait of America is seen through the eyes of a wry, young, protagonist. Fifteen-year-old Vernon narrates the story with a cynical twang and a four-letter barb for each of his townsfolk, a medley of characters. With a plot involving a school shooting and death-row reality TV shows, Pierre’s effortless prose…
Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
I love a book that makes me laugh out loud and feel something deep about the characters and the world it presents. Ignatius J. Reilly, this novel’s main character, is basically a blueprint for the modern incel: he’s rude, selfish, hypocritical, infantile, and inconsistently idealistic, and while he’d be a horror to interact with in real life, he’s absolutely one of the funniest characters in all of literature.
One of the many magic tricks of this book is making the reader realize they’re halfway rooting for Ignatius by the end of his inane New Orleans adventures.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
I'm a journalist who worked as a daily newspaper reporter and editor for 40 years for the Daily Mail in London, the South China Morning Post in Hong Kong, the Sunday Australian in Sydney, and most recently the Vancouver Sun in Canada. My first novel was an erotic comedy, not much in that genre since Chaucer wrote TheMiller’s Tale. My second, River Boy is about a skinny Canadian kid who can walk on water. No one has had that gig for 2000 years — and we’re not sure about the last guy. But is River Boy a brilliant illusionist or the long-awaited Second Coming? And if he is the new Messiah, why does the Christian church want to kill him?
Chaucer didn’t invent erotica, but he must be the all-time bestselling writer of medieval smut. He wrote The Miller’s Tale to entertain fellow travellers on a pilgrimage. I bet they lapped it up. This bawdy celebration of lust and trickery is as rude — and hilarious — as it was 400 years ago.
Author Michael Alexander: Michael Alexander is Emeritus Professor of English Literature, University of St Andrews, UK. He is a poet and translator and has international experience of teaching English literature, both medieval and modern. Author Michael Alexander: Michael Alexander is Emeritus Professor of English Literature, University of St Andrews, UK. He is a poet and translator and has international experience of teaching English literature, both medieval and modern.
If I were a supermarket pie, my label would say, ‘Made in the UK with Chinese ingredients.’ Born in Wales to parents from Guangzhou and Hong Kong, my Cantonese is appalling, I’m bad at maths, and I can barely ride a bike without falling off. In short, I am an example of a real-life person and not a cliché or stereotype from the sorts of books we used to have to read if we wanted to see diverse characters. It’s about time the stories we read and the shows we watch become so effortlessly diverse that we don’t even notice. I hope my novels are playing a part in making that commonplace.
This is another book I read that made me think that the story of immigration into a provincial, rather than big city, setting was something people would read. It also made me think, that all parents, immigrants or not, have a massive calling to be deeply embarrassing.
Marina’s story to publication is an inspiring one, too. She was fifty-eight when this, her debut novel, was published.
Concealed inside this comic tale of an octogenarian newly widowed father, finding romance with a much younger Ukrainian barmaid is a lesson that all immigrants must one day learn. Just because someone else is from the old country too, it does not necessarily mean they have your best interests at heart.
A Short History of Tractors in Ukrainianis bestselling author Marina Lewycka's hilarious and award winning debut novel.
'Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcee. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.'
Sisters Vera and Nadezhda must aside a lifetime of feuding to save their emigre engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin…
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
How can one not love this book? The sensitivity with which Steinbeck renders his lead characters, broody, sensitive George, and childlike, powerful Lenny, is unparalleled. The reader can’t help but love them and feel their pain as their dreams inevitably slip away from their grasp.
The only fitting ending for this masterpiece is Steinbeck’s heartrending ending, foreshadowed throughout the book. It will leave you in tears, but make you a better person in the process.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
I couldn’t make a list like this without including Graham Greene. His introspective art of writing has shaped my own approach to fiction. This book is a brilliant portrait of Scobie, a security officer in West Africa during World War II.
A deeply religious Catholic with simple tastes, Scobie struggles with guilt toward all in his melancholy orbit: his wife Louise, whose hopes to climb the social ladder have been dashed by Scobie’s simplicity and integrity; his mistress Helen; his faithful servant Ali.
The book ends beautifully, with Scobie making the only choice consistent with his quirky beliefs and sensitivities. I could easily have added his The Power and the Glory, but I didn’t want to make this a Graham Greene list.
“Wilson sat on the balcony of the Bedford Hotel with his bald pink knees thrust against the ironwork..."
Graham Greene's masterpiece, The Heart of the Matter, tells the story of a good man enmeshed in love, intrigue, and evil in a West African coastal town. Scobie is bound by strict integrity to his role as assistant police commissioner and by severe responsibility to his wife, Louise, for whom he cares with a fatal pity.
When Scobie falls in love with the young widow Helen, he finds vital passion again yielding to pity, integrity giving way to deceit and dishonor—a vortex…
Too often, I find that novelists force the endings of their books in ways that aren’t true to their characters, the stories, or their settings. Often, they do so to provide the Hollywood ending that many readers crave. That always leaves me cold. I love novels whose characters are complex, human, and believable and interact with their setting and the story in ways that do not stretch credulity. This is how I try to approach my own writing and was foremost in my mind as I set out to write my own book.
There’s so much to love in this book. Desai’s characters come to life, as does Kalimpong's setting on the Himalayan foothills. You can feel the frustrations and humiliations of Sai, her grandfather, their cook, and his son Biju in New York City as the cruelty and callousness of life crush them.
As the book lurched toward its painful conclusion, I desperately warned the characters to avoid a catastrophe, but alas, to no avail. This is one of the best books I have ever read.
The Inheritance of Loss is Kiran Desai's extraordinary Man Booker Prize winning novel.
High in the Himalayas sits a dilapidated mansion, home to three people, each dreaming of another time.
The judge, broken by a world too messy for justice, is haunted by his past. His orphan granddaughter has fallen in love with her handsome tutor, despite their different backgrounds and ideals. The cook's heart is with his son, who is working in a New York restaurant, mingling with an underclass from all over the globe as he seeks somewhere to call home.
I’ve been the dorky bookworm, the party girl who laughs too loud, the gamer-tomboy, and the doting mother of two kids who is now in a happy, loving marriage. Through all my shifts and changes, the one constant thread in my life was love. But not the rough, I-have-to-hurt-someone-to-get-it kind of love you might find in dark romance novels (although I enjoy those too sometimes). My kind of experience with love is that it’s at its best when it’s fun and when it’s easy. If you can find your most authentic you in the pages of a rom-com, you’re guaranteed an escape from reality that’ll pull you deeper into yourself.
One common theme with the books I love is that the characters are amazing. They’re funny, endearing, thoughtful, and fiery. When my fave writing duo came out with this stunning novel, I was hard-pressed to put it down. I loved Fizzy, and I have absolutely no doubt you’ll love her too.
Add in a hot British producer, a romance-based reality show, so much angst you could light a match against it, and the sweetest will-I-make-a-good-step-mom subplot, and you have a comfort read that’ll leave you wishing the show they aired was real.
Sparks fly when a romance writer and a documentary filmmaker join forces to craft the ultimate Hollywood love story—but only if they can keep the chemistry between them from taking the whole thing off script—from the “divine” (Jodi Picoult) New York Times bestselling authors of The Soulmate Equation and The Unhoneymooners.
Felicity “Fizzy” Chen is lost. Sure, she’s got an incredible career as a beloved romance novelist with a slew of bestsellers under her belt, but when she’s asked to give a commencement address, it hits her: she hasn’t been practicing what she’s preached.
My first clue that I was a crime writer in the making was that on nights I couldn’t sleep growing up, I would Wikipedia serial killers. (I promise I’m nice and normal!) When I discovered crime novels—specifically, those with a strong noir influence—I was hooked. My favorite definition of noir, which comes from the author Laura Lippman, is “Dreamers become schemers,” and to me, that’s the story of America. It’s what I’ve been interested in exploring in my own books, The Lady Upstairs and The Hurricane Blonde. I hope you enjoy the women who are dreamer-schemers in these books as much as I do!
I loved the voice of Tiffany, the murderous head sorority girl of this novel, so much so that I was very willing to overlook the fact that she was a serial killer. (We all contain multitudes, right?!) Like My Sister, the Serial Killer, this book manages to be tense, dark, and funny all at once, which truly ticks so many of my reader boxes.
This book is also set in Los Angeles, where I live, and I guffawed at its satiric portrayal of a certain type of Angeleno: perma-blonde pumped full of glamorous toxins and is willing to take anyone down a notch if it means “manifesting her highest self.” I thought this book was a truly dark, murderous blast.
The boys on the row are only after one thing, but that bullshit’s for pledges. Tiffany’s on the hunt for something more.
Kill for Love is a searing satirical thriller about Tiffany, a privileged Los Angeles sorority sister who is struggling to keep her sadistic impulses—and haunting nightmares of fire and destruction—at bay. After a frat party hookup devolves into a bloody, fatal affair, Tiffany realizes something within her has awoken: the insatiable desire to kill attractive young men.
As Tiffany’s bloodlust deepens and the bodies pile up, she must contend with mounting legal scrutiny, social media-fueled competing murders, and…
