100 books like Atomic Anna

I was completely immersed in this novel. Through her exploration of Chinese-American culture, Amy Tan draws us deeply into the intricate relationships between the mothers in this book and their daughters.

Cross-generational and cross-cultural, Tan skillfully portrays the conflicts within these friendships—both among the mothers and between mothers and daughters—ultimately demonstrating the power of understanding and forgiveness.

Franzen is at his best when depicting character, and The Corrections goes deep, creating a family drama that is rooted in detailed psychological portraits of his subjects.

In doing so, he meticulously builds their worlds, motivations, and fears, creating nuanced portrayals that not only reveal individual personality, but also the texture and color of life in America in the late 20th century.

Yet the true theme of the book is family dynamics: what does it mean when your mother insists that you come home for Christmas, and what does it mean when you don’t really want to go?

I really admire how this book traces two lines of a tumultuous family history through a series of short stories.

Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.

This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.

Smith is a master at depicting multi-racial families (something she knows all about, as she grew up in one).

Her narratives take up the complex nature of the relationships between parents, children, and siblings, while delving into issues of race, class, politics, infidelity, and self-knowledge. Smith is expert with her use of voice, as she composes character through idiosyncratic styles of language and expression.

Life in this novel is colorful and messy, as it cleverly investigates the impossibility of really knowing those closest to you.

This book, written for lay readers, was originally published in France, which generates 40% of its electricity from nuclear power. It is a deep dive into electricity generation (megawatts) and nuclear weapons (megatons). The book my colleague and I wrote is, in a sense, an update emphasizing the developments of the last decade in fail-safe reactors.  In these so-called small modular reactors, safety is controlled by laws of physics (gravity drives convection, driving cooling that never turns off), and construction techniques go beyond expensive one-of-a-kind reactors to the cost-controlled modular construction technologies pioneered in aerospace industries and the like. 

Megawatts and Megatons are tough and, at times, uncomfortable topics to consider. However, democratic societies need informed citizens to function effectively. We should make up our own minds about issues. We cannot leave it to a few specialists or loud voices to tell us what to think.  

This collection of Katsumata’s manga for legendary gekiga magazine Garo and others is a powerful graphic bridge between the politics and reality of this world, and the creatures and legends of the other. Katsumata takes us from the transitory and dangerous lives of nuclear workers at Fukushima Daiichi (decades before the 2011 disaster) to the tough and haunted lands of Tohoku (North East Japan) in the early twentieth century. Lonely kappa monsters, tanuki, and fox spirits feature as sympathetic lead characters, shapeshifting and conjuring a version of Fukushima and Tohoku that dazzled and inspired me.

I knew the Manhattan Project was big, but I never realized how immense it truly was. This book left me in awe of how scientists recognized and unleashed the power of the atom. Rhodes makes the technical details as compelling as the personalities and relationships he weaves into this sprawling saga.

My favorite character is Leo Szilard, who conceived the idea of a nuclear chain reaction while waiting at a traffic light. He secretly donated his patent on atomic chain reactions to the British government and convinced Einstein to co-sign a letter warning President Roosevelt about German efforts to develop the bomb. The stakes were incredibly high, and Rhodes' storytelling is masterful.

James Mahaffey is an American physicist who worked in the nuclear industry for many years.

Atomic Accidents is his engaging account of what happens when something goes badly wrong. What I particularly like is that it is written from the perspective of someone who completely understands the science and who is also well informed by his first-hand experience of working with nuclear technology.

Although Mahaffey is clearly a supporter of nuclear research and the nuclear industry, the book presents an objective balanced picture, acknowledging the risks of nuclear technology, but placing the scale of those risks into context. The book is full of interesting stories and offers some reassurance that the nuclear industry is able to learn from the mistakes of the past.

My father and I were both speechless after reading this book. We were unable to put into words our rage at this nuclear energy cover-up. Instead of developing clean nuclear energy that could fuel the world, the world pursued nuclear energy that could destroy humanity. There is enough thorium to fuel the world and beyond for centuries. However, it cannot be used to make bombs. With the world in an energy crisis, we hoped writing letters to the Senator of Kentucky would give life to the idea of using thorium once again. Sadly, some only care about destroying cities. Everyone should read this book and learn about the alternative to uranium.

We Almost Lost Detroit was published in the mid-1970s  at a time of growing concern over nuclear power in America that would reach a boiling point with the Three Mile Island nuclear accident in Pennsylvania in 1979. There was no love lost between the two sides. Utility executives were believed to be liars trying to save their investment in a costly, difficult technology. Nuclear critics were portrayed by the industry as deluded tree-huggers. It was a real debate with real consequences, and this book shows why. The cover of the Ballantine paperback edition shows the terrified face of a man inside a radiation protective suit.