Here are 96 books that Astronomy in Prehistoric Britain and Ireland fans have personally recommended if you like
Astronomy in Prehistoric Britain and Ireland.
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I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
Skywatchers of Ancient Mexico, although a bit dated on some arguments, is a must-read book on the Archaeoastronomy of the Meso-American people. It includes a fascinating description of the role of astronomical alignments in places like Teotihuacan and the Aztec capital (modern Mexico City), as well as an in-depth exploration of Maya astronomy and of the Maya astronomically-driven architecture.
Skywatchers of Ancient Mexico helped establish the field of archaeoastronomy, and it remains the standard introduction to this subject. Combining basic astronomy with archaeological and ethnological data, it presented a readable and entertaining synthesis of all that was known of ancient astronomy in the western hemisphere as of 1980.
In this revised edition, Anthony Aveni draws on his own and others' discoveries of the past twenty years to bring the Skywatchers story up to the present. He offers new data and interpretations in many areas, including:
The study of Mesoamerican time and calendrical systems and their unprecedented continuity in contemporary…
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
Monumental architecture was thought up as an explicit manifestation of religious power, and for this reason, it was in uncountable many cases connected with the sky. The key to understanding Archaeoastronomy is therefore to understand the connections between astronomy, power, religion, and architecture. This is exactly the aim of this inspiring book, written by an outstanding astronomer and archaeoastronomer. The author describes from this viewpoint many fascinating places - from Giza in Egypt to Palenque in Mexico - using a narrative that is richly enhanced by more than 150 photographs and illustrations.
Discover the celestial myths and cosmic rituals of ancient priests and kings . . . Drawing on intimate knowledge of the more than 1,300 ancient sites he has visited, E. C. Krupp, acclaimed writer and preeminent researcher, takes you to the world's essential sacred places and celestial shrines. Join him on a rich narrative journey to see where the rulers of old communed with the gods of the sky. ""Highly recommended to everyone interested in the culture of astronomy and those peoples who practiced it in their own ways.""-Sky & Telescope ""A lively account of the ways in which our…
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
The last two books I suggest are of fresh press and testify to the modern approach to archaeoastronomy as a multi-disciplinary science. In this book, the aim is to approach Greek religion as a complex mix of rituals, cults, and architecture, identifying the connections with the sky and, more generally, with the “cosmos”. Relevant examples are discussed in detail.
In this book, Efrosyni Boutsikas examines ancient Greek religious performances, intricately orchestrated displays comprising topography, architecture, space, cult, and myth. These various elements were unified in a way that integrated the body within cosmic space and made the sacred extraordinary. Boutsikas also explores how natural light or the night-sky may have assisted in intensifying the experience of these rituals, and how they may have determined ancient perceptions of the cosmos. The author's digital and virtual reconstructions of ancient skyscapes and religious structures during such occurrences unveil a deeper understanding of the importance of time and place in religious experience. Boutsikas…
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
Two thousand years ago, Native Americans created thousands of mounds and geometrically shaped earthworks across the Eastern Woodlands. In many cases, these structures are connected with the celestial cycles. This book presents a comprehensive study of the Ohio sites, framing them into Adena-Hopewell's religious beliefs and practices and showing how, for these ancient people, the entire landscape – including the sky – was a sacred space.
Two thousand years ago, Native Americans created thousands of mounds and geometrically shaped earthworks across the Eastern Woodlands. Many are larger than Stonehenge; most are aligned to celestial events. Among the most impressive of these earthworks were those created by people of the Adena and Hopewell cultures in south and central Ohio. This book presents one of the most comprehensive and detailed studies of the Ohio earthworks ever written. More than one hundred sites are documented using on-site photographs, maps, and LiDAR imagery. Using these data the author assesses each earthwork relative to its astronomy, geometry, mensuration, and landscape setting.…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
I first encountered this book as a series of lectures in Oxford in 1978 and was riveted.
Lyons faced head-on the themes of cultural and sectarian antagonism in Ireland from the death of the constitutionalist nationalist leader Parnell in 1891 to independent Ireland’s decision to remain neutral in World War II, using sources that were as much literary as political, and at the end projecting the divisions in Irish society forward to the then-current violence in the North. The tone was notably acerbic, even verging towards despair, but also employing bitter humour.
A great historian, he died prematurely a few years later when just embarking on his projected but unwritten biography of Yeats. He had written many books, but this is the one that left the loudest echoes–notably in nailing the psychological gulf of understanding between Ireland and Britain that became so apparent in the early twentieth century.
I love great writing and great storytelling too. As a child I liked nothing more than when my father made up bedtime stories for me. As I’ve gotten older, I’ve come to appreciate how writers work exceptionally hard not just at getting the plot of a story right but in the words they chose. Being Irish, I love to support the wealth of enviably good writers that seem to spill out from these shores. In each of these books you will find love and loss and laughter. It never fails to make me smile when abroad to see one of these guys on the shelves of the bookshops I visit.
I love Donal Ryan’s work and thankfully he is a prolific writer. Really, I could have chosen any of his books, but this one is his most recent and had me rereading sentence after sentence because his prose is so full of beauty. Paddy and Kit Gladney’s daughter disappears in 1973. They know nothing of where she has gone and if she is alive at all. Five years later she returns, with a son, changing the course of her family’s life forever. This a beautiful and devastating exploration of loss, alienation, and the redemptive power of love and affirms Ryan as one of the best storytellers Ireland has ever known.
"Mr. Ryan writes conspicuously beautiful prose... The fleeting happiness and abiding melancholy of the asymmetry, heightened by the intimately rendered surroundings, brings out Mr. Ryan's most sensuous and emotive writing." -The Wall Street Journal
From the Booker nominated author of From a Low and Quiet Sea, Donal Ryan's new novel follows the Gladney family across three generations seeking the true meaning of what it is to find home and love.
In 1973, twenty-year-old Moll Gladney takes a morning bus from her rural home in Ireland…
I’m deeply interested in the lives of my ancestors including the times they lived through so in researching our family tree I took into account the historical events they witnessed. This is what led me to read and write historical fiction. One branch of my family where survivors of the Great Hunger so I have done a lot of research on this dark period of Irish history. During WW1 my husband’s great uncle died in the trenches as an Irishman fighting in the British Army while at the same time my English grandfather and his two brothers were imprisoned as conscientious objectors, one of them dying as a consequence.
This is an eyewitness account of the Great Hunger in Ireland for the years 1847-1849, written by an American woman who felt pity for the poor Irish immigrants fleeing their native land. Her first trip to Ireland was just before the Great Hunger and although conditions were bad then, they were much worse on her second visit. Her accounts allow the reader to see what takes place through her eyes and they are harrowing at times. Not only does the author inform us of the dire situation of the poor but she also pays tribute to those who lost their lives in the struggle to help others. This was one of the books I used as a reference while writing my own series.
"Annals of the Famine in Ireland" is essential reading for anyone who wishes to understand the effects and contributing causes of the Great Famine. But it is not a history. It does not merely trot out facts and figures. Rather, it is a personal and emotional response from an eye-witness to the calamity. Histories are generally detached from the events that they record but, in this account, the reader will experience an immediacy to the situation as though transported back to the very time and place. The anecdotal nature of the testimony allows it to be so.
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
Rebel Knot is set in 17th-century Ireland, torn apart by religious conflict between Catholics and Protestants. This is a war-ravaged Ireland, a land where hope is in short supply and peace is more of a dream than a possibility. And yet, in the midst of all that violence fragile love can flourish—even between people who belong on opposite sides of the religious fence. Ms. Bazos does a fantastic job of transporting the reader back in time, and her two main characters, Niall and Ainé, are wonderfully complex and relatable. The harshness of the times is vividly depicted—as is the growing attraction between the innocent and traumatised Ainé and her new protector, Niall.
Ireland 1652: In the desperate, final days of the English invasion . . .
A fey young woman, Áine Callaghan, is the sole survivor of an attack by English marauders. When Irish soldier Niall O'Coneill discovers his own kin slaughtered in the same massacre, he vows to hunt down the men responsible. He takes Áine under his protection and together they reach the safety of an encampment held by the Irish forces in Tipperary.
Hardly a safe haven, the camp is rife with danger and intrigue. Áine is a stranger with the old stories stirring on her tongue and rumours…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
To understand the history of Irish immigrants in America, you first need to study the country they left.
Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.
His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.
From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Perhaps no book has moved me more than Ireland by Frank Delaney.
Through a series of tales told by an itinerant storyteller the author paints a series of haunting, vivid portraits of Irish history. Each story stands alone, but over the course of three nights of story-telling, the pieces of this mosaic come together, revealing a clearer history than most history books could hope to present.
Delaney reaches deeper historical facts and allows a rare glimpse into how people felt and what they believed. I felt that I was listening to the storyteller, rather than reading words. This presents the Irish people in a unique and engaging light.
One evening in 1951, an itinerant storyteller arrives unannounced and mysterious at a house in the Irish countryside. By the November fireside he begins to tell the story of this extraordinary land. One of his listeners, a nine-year-old boy, grows so entranced by the storytelling that, when the old man leaves, he devotes his life to finding him again. It is a search that uncovers both passions and mysteries, in his own life as well as the old man's, and their solving becomes the thrilling climax to this tale. But the life of this boy is more than just his…
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