Here are 99 books that A Bucket of Questions fans have personally recommended if you like
A Bucket of Questions.
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I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Simple drawings, simple text, nails the moral with an absolute gut punch that feels just right. It’s got expert pacing! It’s got animals!
This book has won a million awards for a reason. The plot? Taylor builds a thing with blocks. It gets knocked down. Different animals present different strategies for coping, but ultimately Taylor just needed someone to listen to him. Enter rabbit.
So simple! And sooooo human. AI wishes it could distill an essential human experience like this. But it can’t - yet - I don’t think. So prbtrbrtb.
With its spare, poignant text and irresistibly sweet illustrations, The Rabbit Listened is a tender meditation on loss. When something terrible happens, Taylor doesn't know where to turn. All the animals are sure they have the answer. The chicken wants to talk it out, but Taylor doesn't feel like chatting. The bear thinks Taylor should get angry, but that's not quite right either. One by one, the animals try to tell Taylor how to process this loss, and one by one they fail. Then the rabbit arrives. All the rabbit does is listen, which is just what Taylor needs. Whether…
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
“I am the Fog Man,” said their host. “You must have got lost in my fog.” These are the words spoken by a man on Fog Island with a beard and hair that entirely cover his body. His only visible clothing are slippers, metal wristbands, and a candle strapped to a metal headband. He is the one that the kids Finn and Cara encounter when they decide not to heed their father’s warning to not leave the bay of their small coastal Irish village.
The illustrations paint a moody dreamlike journey that swing between whimsical, eerie, and delightfully odd. The text reads like an epic tale from the old country owing in so small part to the repeated use of the word “carragh.” This, like Tim Fite’s book, is another great example of an author/illustrator bringing a cohesive aesthetic to their work. We visit Tomi’s world between these pages, and…
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Human creativity is on full peacock feathers out display with this one.
The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids.
For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Every now and then you learn as much from a 40-page picture book as you do from 300 pages of text. This was my experience with Lunch From Home.
The author of this book has equal footing in the cookbook-as-memoir realm as the picture book realm, and this book meets at the intersection of those two worlds. It tells the story of four children (who would go on to become professional chefs) who each experience “lunch box moments,” wherein their non-sandwich lunches receive scrunched noses from their classmates.
I have since learned that this experience is commonplace within immigrant communities. Reading this book with my kids increased all our capacities for empathy and understanding, and in just 40 pages – many of which have no text! This book is a master class in delivering a uniquely human insight simply and effectively.
In a classroom of sandwiches, four students stand out with their homemade, culturally-specific lunches. But before they can dig in and enjoy their favourite foods, their lunches are spoiled by scrunched noses and disgusted reactions from their sandwich-eating classmates.
Follow each of the four students as they learn to cope with their first "lunch box moments" in this picture book that encourages empathy and inspires all readers to stand up for their food! Inspired by the "lunch box moments" of four acclaimed chefs, Ray Garcia, Preeti Mistry, Mina Park, and Niki Russ Federman, this heartwarming story reminds us all that…
Saying just the right words in just the right way can cause a box of electronics to behave however you want it to behave… that’s an idea that has captivated me ever since I first played around with a computer at Radio Shack back in 1979. I’m always on the lookout for compelling ways to convey the topic to people who are open-minded, but maybe turned off by things that are overly technical. I teach computer science and study artificial intelligence as a way of expanding what we can get computers to do on our behalf.
So much of the public conversation around AI focuses on the extremes: "It's Going to Take Our Jobs And We'll Never Be Able To Work Ever Again!" or "It's Going To Create a Utopia And We'll Never Have To Work Ever Again!"
To be honest, I don't put a lot of credence into either of these perspectives. What I adore about this book is that it puts the technology in perspective in a concrete and laugh-out-loud funny way. Through detailed examples, it provides a glimpse into how the technology works, how it can be applied to real problems, and where it falls jaw-droppingly short.
“A deft, informative, and often screamingly funny primer on the ways that machine learning can (and often does) go wrong.” —Margaret Harris, Physics World
“You look like a thing and I love you” is one of the best pickup lines ever…according to an artificial intelligence trained by the scientist Janelle Shane, creator of the popular blog AI Weirdness. Shane creates silly AIs that learn how to name colors of paint, create the best recipes, and even flirt (badly) with humans—all to understand the technology that governs so much of our human lives.
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
This is not a novel, but a collection of Lardner's newspapers columns and short stories, many of which revolve around a bush league pitcher named Jack Keefe who tells stories to his friend.
I love baseball and am fascinated by the early days of the game, and Lardner's Jack makes me feel as if I am experiencing life in baseball's “bushes” back in the 1920s. Oh, yea, that's the other draw of this book for me a view, from his columns and other stories, of the daily grind of American life in an era that was much more than flappers and bathtub gin. (Although there is a bit of both therein).
This collection brings together twenty-one of Lardner's best pieces, including the six Jack Keefe stories that comprise You Know Me, Al, as well as such familiar favorites as "Alibi Ike," "Some Like Them Cold," and "Guillible's Travels."
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date…
Cozy mysteries tend to exist in a simpler world, one without extreme violence and heavy swearing. They are often set in bucolic settings, but they deal with murder! I love many of the cozy tropes—tea, cats, dogs or other pets, family shenanigans, food. I think it’s family nuances that draw me the most to cozies. Whether it’s a romantic comedy or just one full of capers and laughter, cozies are my favorite genre.
One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay.
The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This…
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
I once visited an art exhibition in which an artist had taken old canvasses and re-used them, over-layering one work with another in such a way as to illuminate both. This technique was described as a palimpsest. At the time I was writing a novel that seemed to be four connected stories, struggling with the format, wondering if it would work. The exhibition encouraged me to persevere and Crossings: Four Tiered Stories is the result. Since writing my palimpsest I have come across others in the genre, written by some of the most revered authors of our time. It has been a pleasure to share them with you.
This book is a collection of the author’s memoirs, set in a fictional village in England’s leafy countryside. Each story stands alone and yet they build a picture of a time and place that is now lost.
There is humour and tragedy in these stories. A disastrous dinner party ends up with the guests having to go to the hospital to have their stomachs pumped. An elderly lady who cares more for her animals than she does for herself is discovered to be starving. The mysterious ‘hedging and ditching man’ evades identification although there is a suggestion that this disreputable-looking old tramp is in fact the local squire. A happenstance meeting at the scene of an accident results in a fledgling music group being started up in the village.
All these anecdotes are narrated from the confused, curious, only partly-understanding point of view of a young boy. There is nostalgia…
Welcome to the village of Notwithstanding, where a lady dresses in plus fours and shoots squirrels, a retired general gives up wearing clothes altogether, a spiritualist lives in a cottage with the ghost of her husband, and people think it quite natural to confide in a spider that lives in a potting shed. Based on de Bernieres' recollections of the village he grew up in, Notwithstanding is a funny and moving depiction of a charming vanished England.
I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I’m instantly hooked by an essay that’s irreverently funny but has a heart. David lives in his head and overanalyzes his life’s experiences. As an overthinker, I relate. I’ve always found humor in my own or others’ neuroses, and some of my best friendships are those in which we compare obsessions and funny/awkward experiences. I feel like I’m with a friend when I read his essays.
David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the…
I have been an animal lover and caretaker all my life. I have memories of taking care of toucans, skunks, alligators, fish tanks, chameleons, various birds, and monkeys from the time I was a child! I received my licenses from the NYSDEC and US Fish and Wildlife Service and Ravensbeard Wildlife Center was founded in 2000. I hold permits to rehabilitate injured/orphaned wildlife and house unreleasable birds to educate communities in protecting wildlife. My entire life has been devoted to caring for animals and educating others about them, and I hope you can find joy in the books I recommended!
Gideon Sterer is my co-author and it is a pleasure to work with him! He is a fellow upstate New York native, and has been an active member of the community with his lovely children’s books.
This book provides children with a fun, aesthetically pleasing story about sharing. Great for children who love animals!
Bird is just about to put the finishing touches on her new home when she suddenly finds that her nest is already full - of someone else. So she reluctantly builds another nest. But Fox finds this new nest quite comfy, and Brush Hog loves the view from Bird's next attempt. Soon the Acacia tree is bursting with happily nested animals of all shapes and stripes - everyone except bird!
But when Bird finally finds a way to evict her unwelcome guests, the animals realise their mistake and build a nest that's big enough for all of them. Well, almost.
