As a kid I found myself watching cop shows and wondering “These cops seem to be on duty all day and all night. Don’t they have families?” And when I’d read dramas in which characters took lavish vacations and bought expensive cars, I’d think “Doesn’t anyone worry about money?” While I certainly don’t believe that fiction should always strive toward perfect realism (I love fantasy and sci-fi stories!) I do think that adding everyday problems and concerns makes a character much more relatable and interesting. A detective chasing a serial killer is exciting. A detective suffering from an excruciating toothache while chasing a serial killer adds another layer of delicious tension.
I disagreed with almost every action by every character in
this book. I’d find myself saying to them: “Don’t do that!” But
they did
do that. And it kept me reading nonstop.
It’s a strange feeling, to
watch
characters spin out of control, yet be unable to look away. It's also
the mark of terrific storytelling, and writing that I greatly admire.
“Spectacular. . . . Ten shades blacker and several corpses grimmer than the novels of John Grisham. . . . Do yourself a favor. Read this book.” —Entertainment Weekly
Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.
Margaret Atwood has got to be my favorite author,
so it’s always a joy to read anything by her.
However, I read this book primarily as
research (I’m currently working towards a PhD, which looks at biographical
novels and the ways authors blend fact and fiction). This novel re-imagines
the life of an 18th-century alleged murderess.
What’s fascinating
for me is seeing the interplay between historical evidence and the writer’s imagination.
Atwood is a wonderful storyteller, and this is a masterclass in how to write compelling
bio-fiction. Even if you don’t share my obsession with biographical novels,
you’ll love this one.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I'm a recently retired Professor of French literature and cinema studies at Dartmouth College. Because I love both books and movies, I developed a course on adaptation, which I taught with pleasure for many years. I wanted to give students the opportunity to learn how to analyze literary texts and films, separately and in juxtaposition, and they especially enjoyed discovering how the “same” story works quite differently in different media. In addition to the two volumes on Tavernier, my published books include New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France; Parables of Theory: Jean Ricardou’s Metafiction; and Rape and Representation (co-edited with Brenda Silver).
I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.
A classic crime novel from 'the best suspense writer going, bar none' New York Times
Nick Corey likes being the high sheriff of Potts County. But Nick has a few problems that he needs to deal with: like his loveless marriage, the pimps who torment him, the honest man who is running against him in the upcoming elections and the women who adore him.
And it turns out that Nick isn't anything like as amiable, easy-going or as slow as he seems. He's as sly, brutal and corrupt as they come.
Books that are haunting enough to stick with you long after you abandon their pages are the truly transformative ones. At the least, they leave a lingering thought, but the most effective ones can alter your perception of the world. As a person in recovery from substance use disorder since April 15, 2012, I have both dwelled in the darkness and lived in the light. This dual lived experience naturally informs my writing. I fluctuate between traditional horror stories and literary fiction with more mature themes. My goal in everything I write is to expose the reader to a new idea—one that sticks with them—for better or worse.
Very few books have left such a searing image in my mind as Iain Banks did with one particular scene in his disturbing novel,The Wasp Factory.
The story is told first-person through an increasingly unreliable narrator who lets us in on his private rituals, unsettling relationship with his father, and anxieties about his escaped mental patient brother.
This is a novel that takes its time easing you into the narrator’s world, and by the time you reach the climax, the culminating effect of budding dread and pure shock is enough to haunt anyone for a lifetime.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
Grayson Hale claims that the devil made him commit a gruesome murder. This brilliant page-turner kept me guessing whether the blame should fall on the devil or untreated mental illness, given Grayson’s upbringing within a fundamentalist Christian household where he was viewed as evil.
I love psychological horror, so this book was right up my alley as I turned the pages to see whether the murder had a human or supernatural cause. The book beautifully unfolds the story of Grayson’s trauma, shame, and self-loathing as an isolated and marginalized person.
I will say no more about that to avoid spoilers, but I loved how this book kept me guessing and entertained while it provided me with a new understanding and compassion.
This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder.
Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it.
When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted…
My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.
I’m recommending this book because of its subject matter. A virus. After what’s happened in the world recently with Covid, why not believe this could happen? A disease that makes you think someone is trying to kill you, so you have to kill them first. It’s similar to being paranoid. The author of this book has written a few sequels that follow the main character’s journey. A journey that took the person from working a normal day to thinking people were now the enemy.
REMAIN CALM DO NOT PANIC TAKE SHELTER WAIT FOR FURTHER INSTRUCTIONS THE SITUATION IS UNDER CONTROL Society is rocked by a sudden increase in the number of violent assaults on individuals. Christened 'Haters' by the media, the attackers strike without warning. The assaults are brutal, remorseless and extreme: within seconds, normally rational, self-controlled people are becoming maddened, vicious killers. There are no apparent links as a hundred random attacks become a thousand, and then thousands, right across the country. Everyone, irrespective of gender, age, race, sexuality or any other difference, has the potential to become a victim - or a…
I’m deeply interested in the psychology and emotions behind human violence. I’ve been exploring this subject for the past 35 years in 13 non-fiction books about crime, many of them high-profile cases. I have a passion to understand more about this phenomenon.
A highly controversial 1983 book about Dr. Jeffrey MacDonald who was accused of murdering his wife and two children in their home in 1970. Initially, MacDonald hired McGuiniss to prove his innocence, but the author eventually changed his mind about the physician’s guilt. He was convicted and the book underscored the perils of writers getting too close to their subjects, especially when they're criminals.
The electrifying true crime story of Dr. Jeffrey MacDonald, the handsome, Princeton-educated physician convicted of savagely slaying his young pregnant wife and two small children—murders he vehemently denies committing...
Bestselling author Joe McGinniss chronicles every aspect of this horrifying and intricate crime and probes the life and psyche of the magnetic, all-American Jeffrey MacDonald—a golden boy who seemed destined to have it all. The result is a penetration to the heart of darkness that enshrouded one of the most complex criminal cases ever to capture the attention of the American public. It is a haunting, stunningly suspenseful work that no…
Visiting journalists regularly misinterpret California. Outside politicians twist it into bizarre caricatures. I know because I have worked as a journalist in all parts of the state. I covered crime for the LA Herald Examiner, spent 27 years at the LA Times, was a columnist and editorial page editor at the Sacramento Bee and, finally, was senior editor of the nonprofit news organization, CalMatters. I’ve covered governors, wildfires, a major earthquake, politics, mass incarceration, mass shootings, an execution, and all manner of policy. There are many great nonfiction books about California, including Jim Newton’s biographies of Earl Warren and Jerry Brown, Randy Shilts’s The Mayor of Castro Street, and Gladwin Hill’s Dancing Bear.
In The Devil’s Harvest, Jessica Garrison uses California’s Central Valley as an essential character in this fast-paced, thrilling, and chilling tale. Although she describes a prolific contract killer, Jessica Garrison has written much more than a meticulously researched true crime book. Readers will gain important insights into the nature of justice and California.
This suspenseful true story of a drug cartel hitman who got away with murder after murder in California's Central Valley over three decades reveals how the criminal justice system fails our most vulnerable immigrant communities.
On the surface, fifty-eight-year-old Jose Martinez didn't seem evil or even that remarkable—just a regular neighbor, good with cars and devoted to his family. But in between taking his children to Disneyland and visiting his mom, Martinez was also one of the most skilled professional killers police had ever seen.
He tracked one victim to one of the wealthiest corners of America, a horse ranch…
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
There have been many, many fictional adaptations of the Leopold-Loeb story, and it seems to be tricky to get the details and the people portrayed accurately, while still telling a tight and intriguing story. This play achieves that the best that I’ve seen.
Told in a non-linear fashion, it explores a nuanced relationship between Leopold and Loeb and what led them to the murder, as well as the arguments of the lawyers and the vitriol of the press. Exploring themes of prejudice, love, and mob hysteria, the audience gets to see many angles of the case and feel the vast effect it had on the city, without losing the more nuanced explorations of the characters and their struggles.
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
Janet Fitch achieved a miracle with this novel about a girl rambling through a flawed foster care system after her mother is convicted of a heinous crime.
In a predictable set-up, the mother would be supportive despite her incarceration. She would be a wise person offering the girl advice. But the author had the confidence and skill to make the mother a beautiful monster, a brilliant, malignant poet whose attempts at controlling the girl are frustrated by the physical distance between them.
The girl’s growing awareness of her mother’s destructive potential is set against a series of foster families. I highly recommend White Oleander for the honesty of the mother-daughter conflict. The novel expertly depicts the epic struggle to create an identity in relation to a charismatic, narcissistic parent.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
