I’ve been a published romance author since 2010, but even before I published my first romance novel, I was an avid reader of the genre. In fact, I started at the very young age of eleven, checking out romance novels from my local public library. Over the years, I’ve read hundreds of books and found the ones that I enjoy the most have the most intriguing heroes who fall hard for the heroine.
This book was my first Beverly Jenkins novel, and it made me fall in love with her historical romance novels. Before I read it, all the historicals I’d read were Regencies. I was thrilled to find a historical romance with black characters in the United States, which opened my eyes to a part of history I didn’t know much about.
But, the historical aspects were not the only thing that captured my attention. Galen, the Creole hero and free Black man who worked as a conductor on the Underground Railroad, is the reason I recommend this book. There is plenty of chemistry and sensuality between the couple, but his gentleness and love for Hester, a former slave, is unmatched. Galen is one of the best kinds of heroes, and Hester deserves all the love he showers her with.
*** Now with new material -- Hester and Galen's favorite Mud Pie Recipe ***
As a child Hester Wyatt escaped slavery, but now the dark skinned beauty is a dedicated member of Michigan's Underground railroad, offering other runaways a chance at the freedom she has learned to love. When one of her fellow conductors brings her an injured man to hide, Hester doesn't hesitate…even after she is told about the price on his head.
The man in question is the great conductor known as the "Black Daniel" a vital member of the North's Underground railroad network. But Hester finds him…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I’d never read a novel like this. The chapters are similar to diary entries, telling the fictional story of a middle-aged white woman who moves into her childhood home. Over the years, due to “city planning,” East of Troost (an actual neighborhood in Kansas City, Missouri) has become nearly all-black. Readers will wonder: Why the heck did the narrator decide to move back there? How will she be treated? Will she have any friends? You’ll enjoy finding out.
Under the guise of a starting-over story, this novel deals with subtle racism today, overt racism in the past, and soul-searching about what to do about it in everyday living.
East of Troost's fictional narrator has moved back to her childhood home in a neighborhood that is now mostly Black and vastly changed by an expressway that displaced hundreds of families. It is the area located east of Troost Avenue, an invisible barrier created in the early 1900s to keep the west side of Kansas City white, "safely" cordoned off from the Black families on the east side.
I
write contemporary romance, so I’m always looking for great examples to model
my stories after, and In the Likely Event is one of those “WOW” books that I
ended up enjoying even more than I expected.
It’s about a young couple, Izzy
and Nate, who first meet when the airplane they’re on ends up crashing only a
few minutes after takeoff. Even though they ultimately go their separate ways,
they never forget one another. Izzy goes into politics, and Nate ends up in the
military.
Fifteen years later, they meet again in Afghanistan, right during the
crazy, chaotic U.S. withdrawal. This is a love story full of suspense,
heartbreak, and joy. It really kept me on the edge of my seat… right up to the
wonderful, swoon-worthy ending.
From the instant New York Times bestselling author of Fourth Wing, Rebecca Yarros, comes a sweeping romance about the sustained power of chance encounters.
When Izzy Astor gets on a plane to go home, she isn’t expecting much. It’s the usual holiday travel experience: busy, crowded, stressful.
Then she spots her seatmate, who is anything but ordinary. Nate Phelan sports dark hair, blue eyes, and a deliciously rugged charm that Izzy can’t resist. Their connection is undeniable. Izzy never believed in destiny before, but she does now.
Just ninety seconds after takeoff, their plane goes down in the Missouri River.…
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
I defy any reader not to fall in love with The Land of Laughs. Tom Abbey and ‘spirited girlfriend’ Saxony Gardner head to the small Midwestern town where children’s author Marshall France once lived and wrote, with the aim of persuading France’s daughter to approve a biography. They come to realise that the town has a personality that’s unlike any other, as much the author’s creation as his adopted home. Warm, surprising, funny, scary; if, like me, you were ever captivated in childhood by a favourite writer’s imagined world and wish you could go there again, then this is the book for your adult self.
Have you ever loved a magical book above all others? Have you ever wished the magic were real? Welcome to The Land of Laughs. A novel about how terrifying that would be.
Schoolteacher Thomas Abbey, unsure son of a film star, doesn't know who he is or what he wants--in life, in love, or in his relationship with the strange and intense Saxony Gardner. What he knows is that in his whole life nothing has touched him so deeply as the novels of Marshall France, a reclusive author of fabulous children's tales who died at forty-four.
For much of my career as a sociologist and professor of social welfare, I’ve focused my research and teaching on the issue of economic and social inequality in America. Why should the United States have both great wealth and yet at the same time extreme poverty and inequities? This question has motivated much of my scholarly and popular writing over the years. For me, this represents the fault line of America. We profess the importance that all are created equal, and yet our actions undermine such a belief. Why should this be the case, and how can we change the reality to reflect the ideal?
This is a very powerful book that takes the city of St. Louis as a case study to illustrate the amount of violence, discrimination, and inequities that have happened across a 300-year period, particularly with respect to race.
Johnson develops the idea of racial capitalism throughout the book, and notes that “the red thread that runs through this entire book is the historical relationship between imperialism and anti-Blackness.” At the same time, the city has also been home to both communist and Black radical organizing into the 20th century.
A highly interesting and important case study of American inequality and exploitation.
A searing and "magisterial" (Cornel West) history of American racial exploitation and resistance, told through the turbulent past of the city of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in The Broken Heart of America, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor Black residents, from slavery through redlining and…
I loved Liesl, the main character, who wouldn’t give up trying to find out why her aunt died. I also love the little town of Mexico, Missouri.
We jump back sixty years to something that happened to Aunt Suzanne when she was a teenager, and learn that, like Liesl, she had tried to solve a murder. Are the two deaths connected? You can bet Liesl will ferret out the truth, no matter what! I can’t wait for the next book in this series to release.
Two deaths occur decades apart. Is it possible these deaths are related? What motivates a killer, who got away with murder sixty years ago, to kill again? Was it uncontrollable rage or the hope of silencing someone who fit all the puzzle pieces together and deduced who committed the crime?
Set in the picturesque town of Mexico, Missouri, Show Me Betrayal takes flight in words and emotions of rich characters woven together into a story you won’t want to put down.
I write books to make sense of the world — this gloriously weird, sometimes heartbreaking, marvelous place we call home. Years ago, while visiting a museum in St. Louis, I heard a woman give a talk on charlatans (people who intentionally deceive others for their personal gain). It sparked a number of questions in me: Why do we believe the things that we do? What might we be willing to try to change our circumstances? Exploring these ideas was the starting point for my book, Miraculous, and its mysterious stranger, Dr. Kingsbury. I hope the stories you read in these pages fill you wonder as they did me.
Thirteen-year-old Natalie Minks loves to tinker and is fascinated when a traveling show comes to town with a mysterious contraption hidden under a tarp. But something is wrong with the show and its healer, Jake Limberleg. Natalie realizes for the sake of her town, she is the one who must discover the truth and finally set things right.
Like my book, Miraculous, The Boneshaker is centered on a traveling medicine show. The story is mysterious and atmospheric — two of my favorite things. I loved how the town’s past informed its present. Most of all, I loved Natalie’s bravery.
Thirteen-year-old Natalie Minks loves machines, particularly automata—self-operating mechanical devices, usually powered by clockwork. When Jake Limberleg and his traveling medicine show arrive in her small Missouri town with a mysterious vehicle under a tarp and an uncanny ability to make Natalie’s half-built automaton move, she feels in her gut that something about this caravan of healers is a bit off. Her uneasiness leads her to investigate the intricate maze of the medicine show, where she discovers a horrible truth and realizes that only she has the power to set things right.
Set in 1914, The Boneshaker is a gripping, richly…
Genre fiction and Robert Louis Stevenson aside, I can’t imagine loving a novel that has no strong thread, or threads, of love running through it. Fiction is written to entertain, it is true, but fiction’s higher aim is to put us in touch with our own humanity—our capacity to love, and to feel loss. We write to make people feel, and a powerful evocation of love will do that. I wouldn’t write a novel with no romantic love at its center, but I work hard too at love between siblings, friends, children, and parents.
Great characters drive great novels, and the cast of Huck Finn is as rich, varied, idiosyncratic, and vivid as any in literature. Some will make you laugh, some will make you angry, some will touch your heart. This is America’s best book, as Ernest Hemingway famously said, and if you haven’t read it, you’ve deprived yourself.
Chafed by the "sivilized" restrictions of his foster home, and weary of his drunkard father's brutality, Huck Finn fakes his own death and sets off on a raft down the Mississippi River. He is soon joined by Jim, an escaped slave. Together, they experience a series of rollicking adventures that have amused readers, young and old, for over a century. The fugitives become close friends as they weather storms together aboard the raft and spend idyllic days swimming, frying catfish suppers, and enjoying their independence. Their peaceful existence comes to…
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
Henry Rowe Schoolcraft may have been a condescending, greenhorn Easterner when he ventured through the sparsely settled Ozarks more than two centuries ago, but his descriptions of the terrain he traversed and the frontier settlements he saw are an invaluable resource for anyone interested in the history and geography of the region. Cultural geographer Milt Rafferty’s maps and annotations put us in the woods and on the streams with Schoolcraft every step of the way.
In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.
The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the…
