Thomas Abbey is a man stuck in a rut. An English teacher in a small Connecticut prep school, Abbey is in a crisis. His career is unfulfilling, he has no social or love life to speak of, and he cannot break out of the shadow of his famous father, the actor Stephen Abbey. To kick-start his life, he takes a sabbatical to work on a biography of his favorite writer, Marshall France. France's books were the only thing that kept Abbey sane during his childhood, and though he was renowned for his lyrical and imaginative children's books, nearly nothing was known about the writer's life. Although Abbey has been warned that France's daughter Anna has blocked all previous attempts at her father's biography, he and Saxony Garder--an intense woman also obsessed with France's life--head to Galen, Missouri, with high hopes of breaking down Anna's resistance. They are surprised to find Anna the soul of small-town hospitality and quite excited about Abbey's proposal--even eager to get the project finished as soon as possible. Even stranger than Anna's behavior is the town of Galen itself. On the surface, all is as a small midwestern town should be. But the people of the town seem to know what their future holds--freak accidents and all--down to the hour and are as eager for Abbey to finish the biography as Anna is.
As far as plot goes, The Land of Laughs doesn't break any new ground--it is a riff on a very old literary theme--and the more interesting issues the story raises--fate, free will, and the creative power of the written word--receive only a glancing blow as the story careens to its somewhat unsatisfying Gothic ending. That said, Carroll does show a good ear for dialogue and a deft hand at creating complex characters and quietly ominous moods. And the story--hoary plot line and all--immediately grabs you and doesn't let go. If you already know Jonathan Carroll from his other novels, you will want to add this reissue of his first novel to your library. And if you haven't yet been introduced to this inventive author, The Land of Laughs is the perfect place to begin. --Perry M. Atterberry
About the Author
Jonathan Carroll has written twenty books including Bathing the Lion, The Woman Who Married a Cloud, The Crow’s Dinner, and The Land Of Laughs. His new novel Mr. Breakfast will be published by Melville House in January 2023. He lives in Vienna.
Excerpt. © Reprinted by permission. All rights reserved.
1
"Look, Thomas, I know you've probably been asked this question a million times before, but what was it really like to be Stephen Abbey's--"
"--Son?" Ah, the eternal question. I recently told my mother that my name isn't Thomas Abbey, but rather Stephen Abbey's Son. This time I sighed and pushed what was left of my cheesecake around the plate. "It's very hard to say. I just remember him as being very friendly, very loving. Maybe he was just stoned all the time."
Her eyes lit up at that. I could almost hear the sharp little wheels clickety-clicking in her head. So he was an addict! And it came straight from his kid's mouth. She tried to cover her delight by being understanding and giving me a way out if I wanted it.
"I guess, like everyone else, I've always read a lot about him. But you never know if those articles are true or not, you know?"
I didn't feel like talking about it anymore. "Most of the stories about him are probably pretty true. The ones I've heard about or read are." Luckily the waitress was passing, so I was able to make a big thing out of getting the bill, looking it over, paying it--anything to stop the conversation.
When we got outside, December was still there and the cold air smelled chemical, like a refinery or a tenth-grade chemistry class deep into the secrets of stink. She slipped her arm through mine. I looked at her and smiled. She was pretty--short red hair, green eyes that were always wide with a kind of happy astonishment, a nice body. So I couldn't help smiling then too, and for the first time that night I was glad she was there with me.
The walk from the restaurant to the school was just a little under two miles, but she insisted on our hiking it both ways. Over would build up our appetites, back would work off what we'd eaten. When I asked her if she chopped her own wood, she didn't even crack a smile. My sense of humor has often been lost on people.
By the time we got back to the school we were pretty chummy. She hadn't asked any more questions about my old man and had spent most of the time telling me a funny story about her gay uncle in Florida.
We got back to Founder's Hall, a masterpiece of neo-Nazi architecture, and I saw that I had stopped us on the school crest laid into the floor. Her arm tightened in mine when she noticed this, and I thought I might as well ask then as anytime.
"Would you like to see my masks?"
She giggled a giggle that sounded like water draining from a sink. Then she shook her finger at me in a no-no-naughty-boy! way.
"You don't mean your etchings, do you?"
I had hoped that she might be half-human, but this dirty little Betty Boop routine popped that balloon. Why couldn't a woman be marvelous for once? Not winky, not liberated, not vacuous…
"No, really, you see, I have this mask collection, and--"
She squeezed me again and cut off the circulation in my upper arm.
"I'm just kidding, Thomas. I'd love to see it."
Like all tight-fisted New England prep schools, the apartments that they gave their teachers, especially single teachers, were awful. Mine had a tiny hallway, a study that was painted yellow once but forgot, a bedroom, and a kitchen so old and fragile that I never once thought of cooking there because I had to pay all of the repair costs.
But I had sprung for a gallon of some top-of-the-line house paint so that at least the wall that the collection was on would have a little dignity.
The only outside door to the place opened onto the hallway, so coming in with her was okay. I was nervous, but I was dying to see how she'd react. She was cuddling and cooing the whole time, but then we went around the corner into my bed-living room.
"Oh, my God! Wha…? Where did you get…?" Her voice trailed off into little puffs of smoke as she went up to take a closer look. "Where did you get, uh, him?"
"In Austria. Isn't it a great one?" Rudy the Farmer was brown and tan and beautifully carved in an almost offhand way that added to his rough, piggy-fat, drunken face. He gleamed too, because I had been experimenting that morning with a new kind of linseed oil that hadn't dried yet.
"But it's…it's almost real. He's shining!"
At that point my hopes went up up up. Was she awed? If so, I'd forgive her. Not many people had been awed by the masks. They got many points from me when they were.
I didn't mind when she reached out to touch some of them as she moved on. I even liked her choice of which ones to touch. The Water Buffalo, Pierrot, the Krampus.
"I started buying them when I was in college. When my father died, he left me some money, so I took a trip to Europe." I went over to the Marquesa and touched her pink-peach chin softly. "This one, the Marquesa, I saw in a little side-street store in Madrid. She was the first one I bought."
My Marquesa with her tortoiseshell combs, her too-white and too-big teeth that had been smiling at me for almost eight years. The Marquesa.
"And what's that one?"
"That's a death mask of John Keats."
"A death mask?"
"Yes. Sometimes when famous people die, they'll make a mold of their faces before they bury them. Then they cast copies…" I stopped talking when she looked at me as if I were Charles Manson.
"But they're just so creepy! How can you sleep in here with them? Don't they scare you?"
"No more than you do, my dear."
That was that. Five minutes later she was gone and I was putting some of the linsfeed oil on another mask.
Copyright © 1980 by Jonathan Carroll
