The stories in this collection are brief but rich with insight into the absurdities of the human condition. As well, I found the depiction of contemporary Israelis to be both moving and endearingly funny. I laughed and shook my head a lot.
It was a terrific book to carry around. I found I could read an entire story whenever I had spare moments. There was something wonderful about being able to do that and carry the resonance of the experience with me for the rest of the day.
Classic warped and wonderful stories from a “genius” (The New York Times) and master storyteller.
Brief, intense, painfully funny, and shockingly honest, Etgar Keret’s stories are snapshots that illuminate with intelligence and wit the hidden truths of life. As with the best writers of fiction, hilarity and anguish are the twin pillars of his work. Keret covers a remarkable emotional and narrative terrain - from a father’s first lesson to his boy to a standoff between soldiers caught up in the Middle East conflict to a slice of life where nothing much happens.
Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy.
I read Maalouf's book many years ago and it remains one of the best books I have ever read about identity. It helps that he is a gifted writer and that Maalouf's story is so compelling.
Origins, by the world-renowned writer Amin Maalouf, is a sprawling, hemisphere-spanning intergenerational saga.
Set during the last quarter of the nineteenth century and the first quarter of the twentieth, in the mountains of Lebanon and in Havana, Cuba, Origins recounts the family history of the generation of Maalouf's paternal grandfather, Boutros. Why did Boutros, a poet and educator in Lebanon, travel across the globe to rescue his younger brother, Gebrayel, who had settled in Havana?
Maalouf is an energetic and amiable narrator, illuminating the more obscure corners of late Ottoman nationalism, the psychology of Lebanese sectarianism, and the dynamics of…
I have always been interested in the politics of democracy and dictatorship. Governing is a funny business: the masses must entrust a very few to lead them, and often with vast power. Where does that trust come from? And why do some rulers act so viciously while others serve with grace? Understanding these very human concerns is a worthy pursuit of knowledge.
In the twenty-first century, the US began promoting democracy in the Middle East, either by war (as in Iraq) or through peaceful diplomacy, as in everywhere else. The problem, as this book divulges, is that transplanting American political and cultural values into the Arab world was bound to create unacceptable outcomes. Among them was the rise of Islamist movements, whose ideas seemed repugnant to many Americans. The cunning solution to this contradiction: the US should still call for elections in the region as a political goal, but leave all talk of cultural and social freedoms aside.
Shadi Hamid reimagines the ongoing debate on democracy's merits and proposes an ambitious agenda for reviving the lost art of democracy promotion in the world's most undemocratic regions.
What happens when democracy produces "bad" outcomes? Is democracy good because of its outcomes or despite them? This "democratic dilemma" is one of the most persistent, vexing problems for America abroad, particularly in the Middle East-we want democracy in theory but not necessarily in practice.
When Islamist parties rise to power through free elections, the United States has too often been ambivalent or opposed, preferring instead pliable dictators. With this legacy of…
I was a freelance writer for The Oxford Times for 20 years when it was well respected. For ten of those years, I wrote the Oxford Castaway series in which I cast away inspirational people from 5 continents whose lives have been affected by their time in the city. Even Lord Chris Pattern of Barnes – the Chancellor of Oxford University and former Governor of Hong Kong let me cast him away on Oxtopia! Oxford is still divided between Town and Gown but I stride the two and my husband was an academic at that other Oxford University: Oxford Brookes.
Weimin was the university's artist-in-residence recording the restoration of the C18th Observatory and Radcliffe hospital, the bulldozing of the site, and the building of the Maths Institute and Blavatnik School of Government near Jericho. This historic collection of art evokes past, present, and future, and Town and Gown. The artist comes from Manchuria so to me, it represents Oxford as an international city.
This book is only available from the author, email Weimin He for a signed copy for £20 plus postage.
I have always been interested in the politics of democracy and dictatorship. Governing is a funny business: the masses must entrust a very few to lead them, and often with vast power. Where does that trust come from? And why do some rulers act so viciously while others serve with grace? Understanding these very human concerns is a worthy pursuit of knowledge.
Westerners often believe that in the Middle East, ideas of democratic freedom and human rights are gifts of Western civilization. Not so, this book shows. Across the Arab world, there are generations – and in some cases, centuries – of local activism, organization, and intellectual life focused on democracy and liberalism. This is an extraordinary heritage, and one that inverts the script of Western condescension: Arab thinkers were debating democratic possibilities well before women could vote in America.
Since the uprisings of 2010 and 2011, it has often been assumed that the politics of the Arab-speaking world is dominated, and will continue to be dominated, by orthodox Islamic thought and authoritarian politics. Challenging these assumptions, Line Khatib explores the current liberal movement in the region, examining its activists and intellectuals, their work, and the strengths and weaknesses of the movement as a whole. By investigating the underground and overlooked actors and activists of liberal activism, Khatib problematizes the ways in which Arab liberalism has been dismissed as an insignificant sociopolitical force, or a mere reaction to Western formulations…
Steven A. Cook is the Eni Enrico Mattei senior fellow for the Middle East and Africa studies and director of the International Affairs Fellowship for Tenured International Relations Scholars at the Council on Foreign Relations (CFR). He is a columnist at Foreign Policy magazine and an expert on Arab and Turkish politics as well as U.S. Middle East policy.
Over the years, there has been a lot of mythmaking about the United States and Iran––often influenced more by politics and ideology than an objective reading of history. Ray Takeyh’s beautifully written volume takes on the U.S.-Iran relationship with all of its complexities and offers a cogent corrective to the received wisdom about events that have shaped the Middle East in the last four decades.
The surprising story of Iran's transformation from America's ally in the Middle East into one of its staunchest adversaries
"An original interpretation that puts Iranian actors where they belong: at center stage."-Michael Doran, Wall Street Journal
"An extraordinary account. . . . Deeply nuanced and eloquent."-Benjamin Weinthal, Jerusalem Post
Offering a new view of one of America's most important, infamously strained, and widely misunderstood relationships of the postwar era, this book tells the history of America and Iran from the time the last shah, Mohammad Reza Pahlavi, was placed on the throne in 1941 to the 1979 revolution that brought…
I enjoyed this story for several reasons. First and foremost, reading this series makes me feel closer to my dear mother-in-law who passed away in 2009. She loved Dunnet!
I hadn’t read anything by this author until I started reading this series. Each book opens a new world to me, whether in Scotland or England or France, with the history of the place and the people brought vividly to life.
Secondly, I’m enjoying the series because Dunnet has such a wonderful way with language and storytelling that I find her writing beautiful and elegant and often tongue-in-cheek funny. This historical fiction is entertaining as well as educational.
Combining all the political intrigue of Game of Thrones with the sweeping romanticism of Outlander, Dorothy Dunnett’s legendary Lymond Chronicles have enthralled readers for decades and amassed legions of devoted fans. In this fourth book in the series, Francis Crawford of Lymond embarks on a desperate and deadly journey in search of his kidnapped child.
Somewhere within the bejeweled labyrinth of the Ottoman Empire, a little boy is hidden. Now his father, Francis Crawford of Lymond, soldier of fortune and the exiled heir of Scottish nobility, is searching for him while ostensibly engaged on a mission to the Turkish Sultan.…
Agatha Christie is best known for her murder mystery
stories but there was much more to the ‘Queen of Crime’.
She accompanied her
archaeologist husband, Max Mallowan, on his digs in Iraq and Syria. Rather than
sit back and think up puzzles for Poirot to solve, she became the official dig
photographer, taking and developing images of the discoveries. She also helped
clean, catalogue, and piece together the ancient artifacts.
Come, Tell Me How You
Live is an account of her time on the digs. The book is self-deprecating,
charming, and funny. I have spent a lot of time reading and researching
Christie’s crime stories for my book. This book was an
unexpected delight. I was smiling from the first to the last page.
Agatha Christie's personal memoirs about her travels to Syria and Iraq in the 1930s with her archaeologist husband Max Mallowan, where she worked on the digs and wrote some of her most evocative novels.
Think you know Agatha Christie? Think again!
To the world she was Agatha Christie, legendary author of bestselling whodunits. But in the 1930s she wore a different hat, travelling with her husband, renowned archaeologist Max Mallowan, as he investigated the buried ruins and ancient wonders of Syria and Iraq. When friends asked what this strange `other life' was like, she decided to answer their questions by…
Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage.
Reading that once upon a time in my birthland, male dominance was not the natural order of things was liberating.
In this historical book that’s based on critical facts, one learns of the true nature of women as Goddess in the Middle East. She held prestigious positions and had a fairly peaceful lifestyle until religion and patriarchy changed all that.
Over the centuries, her stories were deleted out of history and also distorted in an attempt to strip her of her power. An attempt that has caused a hell on earth in that region.
The landmark exploration of the ancient worship of the Great Goddess and the eventual supression of women's rites.
In the beginning, God was a woman...
How did the shift from matriarchy to patriarchy come about? In fascinating detail, Merlin Stone tells us the story of the Goddess who reigned supreme in the Near and Middle East. Under her reign, societal roles differed markedly from those in patriarchal Judeo-Christian cultures: women bought and sold property, traded in the marketplace, and inherited title and land from their mothers. Documenting the wholesale rewriting of myth and religious dogmas, Merlin Stone describes an ancient…
As a descendant of Jewish refugees, from pogroms in Russia and from Nazi persecution in Germany, I grew up with stories of war, exile, and loss. As a writer, these themes have been very important for me, not only in the series of four books about Stephie and Nellie, but also in a novel for adults and a picture book for younger children. As a reader, I am interested in stories that deal with the same themes – stories that may be set in the past, the present, or the future. As a mother and grandmother, I know that good books can help us talk to our young about the most difficult matters.
The idea of this book is so simple and so brilliant! What if war broke out, not in some faraway part of the world, but in your own home country? What if your house had been bombed, your sister injured, and your grandparents killed? What if you, a European teenager, had to flee with your family to a country in the Middle East, where you are barely tolerated and forced to live in poverty?
On 64 pages, in a book the size and shape of a European Union passport, Danish writer Janne Teller makes the reader understand what it really means to be a refugee from war and persecution.
Endorsed by Amnesty International. Imagine if war broke out - not in Iraq or Afghanistan, somewhere far far away, but here, in our country. In War, Janne Teller embarks on a thought-provoking experiment: by simply turning the current crisis on its head, she reveals what it is like to flee your home country, to be exiled, and to fight for survival in a foreign country.
In this illustrated short story, Europe has fallen apart and the only place at peace within reach is the Middle East. You follow a normal British family as they flee to the Middle East and…
