66 books like You Can Trust Me

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.

This 1993 fantasy novel is set in a future San Francisco, modelled on the Paris Commune, that has become a pagan queer feminist ecotopia that is under siege and threatened to be overrun by an army of war-faring fundamentalists.

It features great adventures of loveable characters and some brilliant ideas for creating alternative societies.

Techniques described in the book are highly subversive; it offers alternatives to valuing money and setting prices, practices to transform soldiers into military deserters, and generally seeks to unhinge democratic practices that will harm nature, plants, animals, children, women, and the old and weak.

I find this is a good read to cheer up and reclaim your trust in friendships. 

An introductory chapter describes our greater Bay Area climate and its microclimates. The plants listed are ones that will thrive in the region with a minimum of summer water. The glory of the book is in the photographs by Saxon Holt, which include close shots for identification and wider shots that will inspire you to combine plants handsomely in your garden. 

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from… show more.

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

A flat-out clinic on how to infuse humor in mystery! Author Catriona McPherson is hilarious, both in person and on the page.

I am continually amazed by her ability to create fully realized characters, like series star Lexy Campbell, who read so true on the page while being laugh-out-loud funny. Oh! And I also greatly admire the plotting of each terrific installment in this long-running Last Ditch Mystery series.

To me, the discovery of a top-notch series is a gift that keeps on giving. I hope this one keeps it up for a long time.

Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating.  A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.

Growing up in rural East Texas, some of my earliest memories center around the fire station where my father was a volunteer firefighter.

Although this book is set in Northern California, it manages to render the small town and its politics familiar enough that I can almost smell the smoke. Lex’s reluctance to return to where everyone else in her immediate family died is tempered by the romance igniting between her and an old flame, but everyone has secrets here—and some can be deadly.

This was a hard pick because I could easily have chosen any of Joanne Bischof’s other books.

She writes with such excellence and depth of feeling that you bond with the characters and go through their trials alongside them. I chose The Gold in These Hills over her other equally loved books because I read it with tears streaming down my face. The theme of restoration after loss and betrayal resonated with me. Deep despair gives way to soul-stretching hope.

Beautiful, quotable prose stuck with me long after I finished. If you want a novel about second chances that speaks deeply to the heart, give this one a try.  

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!