Fans pick 66 books like Scot Mist

As much as I love this book’s hero, former television commercial star Dayna Anderson, her tight circle of got-your-back friends is what made this mystery really shine.

To say the cast has big personalities is like calling Hollywood’s Dolby Theater a quaint venue. I laughed out loud throughout and wished I could ride along with these ladies (there are some guys involved, a love interest in particular) as they doggedly unravel the deftly plotted mystery.

I am grateful to Garrett that there is a sequel to this first in the series, Hollywood Ending.

I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.

I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.

Up for a small-town Southern church lady amateur sleuth that kicks ass? After reading Danielle Arceneaux’s cozy-defying debut, my answer is yes!

Story hero Glory Broussard is a small-time bookie, loyal friend, exasperating mother, and intrepid detective. I found myself shaking my head, thinking Oh, no she didn’t! And loving her for it! I admire Arceneaux for crafting Glory as a complicated, hilarious, and surprising character—in other words, a stellar protagonist who is utterly and truly unique.

And there’s more. The bayou setting, Glory’s coffee shop hangout, local criminals, and small-town gossipy intrigue all meld into a steamy, irresistible plot I couldn’t get enough of.

I love a story that fills a space on the shelf that no one else has thought to create. Props to Lina Chern for giving this reader Katie True.

From the moment I met Katie, working at a decidedly unglamorous suburban mall shop while wondering why her life is...well, her life (and looking to Tarot cards among other places for answers), I knew this wasn’t another off-the-shelf mystery protagonist.

This book not only serves up a clever plot with offbeat supporting players in a unique yet oh-so-familiar setting; it reveals an everyday struggling young woman as a cool and quirky individual who is just trying to make her life into something meaningful.

I should mention, along the way, she solves a murder, proving her street smarts aren’t to be underestimated.

Woollett’s novel is based on much research on Peoples Temple and Jonestown. She came to the US from Australia for interviews with many survivors and others—including Ron Cabral and me because of our knowledge of the teenagers in the Temple. It’s a great read and adds much to the understanding of those who joined the Temple. Evelyn Lyndon (all the characters have fictional names except Jim Jones) is the “Beautiful Revolutionary” who, with her idealistic husband, joins the Temple and eventually becomes one of Jones’s mistresses. I recognize many of the book’s characters, sometimes two people rolled into one. Only in a novel could Woollett be in the minds of the characters she follows in this story, who are all believable and vividly drawn.

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives.  His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

Surely the Gold Rush is one of the first things we learn about the West, but who were these people? Where did they come from? Susan Johnson is a great storyteller, and this story is peopled with men and women from across the globe, radicals and racists, Chinese, Mexicans, Germans, Irish, and everyone else, how they worked, loved, and made a life.

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from… show more.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.