Love Women in American Music Women's Studies Kresge College University of California? Readers share 68 books like Women in American Music Women's Studies Kresge College University of California...
Here are 68 books that Women in American Music Women's Studies Kresge College University of California fans have personally recommended if you like
Women in American Music Women's Studies Kresge College University of California.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
A wonderful overview of the early years of Olivia Records, this memoir from the social justice warrior of the original Olivia collective details how the first lesbian recording company was founded—and succeeded, despite all odds. Berson includes romantic insights on the artists’ passion for one another, as well as accounts of building a national audience. For two generations of women who came out with this music, the songs and albums remain critical anthems of female empowerment—and the only music that existed to affirm lesbians’ lives.
Literary Nonfiction. Women's Studies. LGBTQIA Studies. Music. The burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutions--bookstores, publishers, health clinics, and more--to support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals. Ginny Z Berson, one of Olivia's founding members and visionaries, kept copious records during those heady days--days also fraught with contradictions,…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
This comprehensive exploration of the women’s music movement in the 1970s and 80s looks at every angle of business and culture, from artists, companies, labels, distributors, publicity, session musicians, and more; the book includes over 100 interviews, and draws upon the author’s personal experience as a popular touring performer and recording artist.
In California, a month before the Stonewall Riots in 1969, Maxine Feldman penned a song, “Angry Atthis,” about the shame surrounding lesbians. She didn’t know where she was going to sing her new song until comedy duo Harrison and Tyler asked her to open their shows. On the other side of the country and three years later, Alix Dobkin released Lavender Jane Loves Women, the first record produced, engineered and played by women.
Maxine and Alix had no business plan. They didn’t fit the mold set by mainstream music but they saw great potential to create a powerful soundtrack for…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
A memoir by one of the most enduring women’s music performers, covering her background in peace activism and solidarity with Black freedom singers that led to the creation of Redwood Records. Wonderful material on the many tensions concerning concerts for women only vs. forming alliances with other progressive communities and performance partners.
Singer-songwriter Holly Near reveals her professional triumphs and setbacks and her personal side, detailing her childhood, her activism, her emerging lesbianism, and her role in women's music
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Featuring an Introduction by artist Linda Tillery, the book offers a timely critique of white-centered women’s music events and the possibility of Black women’s music festivals. The author looks at the different experiences of Black audiences in primarily white feminist festival spaces and the role of Black lesbian artists across several generations.
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and…
My name is Bri Bruce, writing as B. L. Bruce, and am an award-winning poet and Pushcart prize nominee from California. Over the last decade and a half, my work has appeared in dozens of literary publications. I am the author of four books and Editor-in-Chief of nature-centric magazineHumana Obscura. I was raised with a wildlife biologist/avid gardener for a mother and a forestry major/backpacker/fisherman as a father. Both my parents instilled in me at a young age a love of nature. A lifetime spent outdoors inspires my work—so much so that I’ve been called a “poetic naturalist” and the “heiress of Mary Oliver.”
This volume of selected poems and unpublished works spoke to me during a time when I was finding my voice, and was formative during my early years as a poet. While not heavily embedded in the nature genre, the author on occasion writes her observations of the natural world with strong imagery. The author is also from my hometown of Santa Cruz, California, and left her mark on the poetry community. Her poems are powerful but accessible and written in simple language, which I feel makes for the best kind of poetry.
California poet and activist, Maude Meehan speaks eloquently. Washing the Stones resonates with compassion and a strong spirit. This stunning collection spans twenty years of work from Chipping Bone and Befoe the Snow, plus new, never-before-published poems
I've always loved reading to myself and others. I've been an English teacher for years. I love sharing good books and have the reputation of being a good resource, especially for moms with children. I’m happy to share everything from memoirs and history books to classics and children’s picture books. Walking through a library or a bookstore is a favorite activity, so finding not only new books but excellent books about books is always a treat. I love to understand what makes a book work well as a story, thus books that delve into the richness of a story through personal narrative or literary criticism have been favorites to keep on my shelves.
Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind.Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair.
The stories we read as children shape us for the rest of our lives. But it is never too late to discover that transformative spark of hope that children's classics can ignite within us.
Award-winning children's author Mitali Perkins grew up steeped in stories—escaping into her books on the fire escape of a Flushing apartment building and, later, finding solace in them as she navigated between the cultures of her suburban California school and her Bengali heritage at home. Now Perkins invites us to explore the promise of seven timeless children's novels for adults living in uncertain times: stories that…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
Surely the Gold Rush is one of the first things we learn about the West, but who were these people? Where did they come from? Susan Johnson is a great storyteller, and this story is peopled with men and women from across the globe, radicals and racists, Chinese, Mexicans, Germans, Irish, and everyone else, how they worked, loved, and made a life.
The world of the California Gold Rush that comes down to us through fiction and film is one of half-truths. In this brilliant work of social history, Susan Lee Johnson enters the well-worked diggings of Gold Rush history and strikes a rich lode.
Johnson explores the dynamic social world created by the Gold Rush in the Sierra Nevada foothills east of Stockton, charting the surprising ways in which the conventions of identity-ethnic, national, and sexual-were reshaped. With a keen eye for character and story, she shows us how this peculiar world evolved over time, and how our cultural memory of…
If you live in the San Francisco Bay Area, you know that its climate is unique in the U.S. and that there are many microclimates within the region. It’s all mediterranean, as you can tell by its dry summers and mild, wet winters. But near the coast, summer fog carpets the land for weeks and winter is rarely frosty, while inland summers are hot, winter frosts are frequent. I live here and use my academic and first-hand experience with plants to help regional gardeners create year-round beauty and harvests in all of our wonderful, often perplexing microclimates.
In
this book are directions for planting and pruning roses and protecting them
from pests, all keyed to the climate of the greater Bay Area. The separate
chapter on rose-growing in the fog will be especially welcomed by coast-side gardeners, as will the list of rose varieties rated for the SF Bay Area. Order
the book's current edition on the San Francisco Rose Society website using the direct link below.
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
I’m a longtime writer and author, who basically learned the craft of writing from over 17 years with the Portland Police Bureau. Some of the best writers are working and retired police officers because, when you write those daily reports or detailed investigativereports, you learn how to write. I've written six books, two of which have been published by Oregon Greystone Press, the Indie Publishing company operated by my wife, Theresa. I graduated from Portland State University in 2017 and was listed in the commencement program as “the oldest PSU graduate” of that year. I was 80. I live in Portland with my wife, Theresa, also a writer and author.
White Crow is a story that takes place in the early 1800s in California when it was still a territory, a part of Mexico, and before it became a state. The book details the story of a white boy, raised by Indians because his parents were killed. He becomes an Indian warrior whom they call White Crow and accept into their tribe. The book is like a western story, but much more complex. It shares the struggles of the lead character, Isaiah Crow, and how he becomes a part of the tribe. He marries an Indian woman and they have a child. Their son, Jedadiah grows up and carries on many of the traditions and customs he learns from the tribe but in a more modern California. I enjoyed this story because it's such a gripping story and Wood does an outstanding job of character development in this book.…
In the 19th century West begins the saga of a powerful family.
After mountain man Isaiah Crow arrives in Alta California, he saves a group of people from local bandits.
As luck would have it, they are family and Vaqueros from the rancho of Don Hernando Batista, one of the most powerful families in Southern California - and very anxious to take their new friends to meet the Patron.
After Señor Batista introduces his daughter Francisca to Isaiah, the two soon fall in love. From this union a child - Jedadiah - is born. He will learn not only how…
