Here are 21 books that An Army of Lovers fans have personally recommended if you like
An Army of Lovers.
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My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
A wonderful overview of the early years of Olivia Records, this memoir from the social justice warrior of the original Olivia collective details how the first lesbian recording company was founded—and succeeded, despite all odds. Berson includes romantic insights on the artists’ passion for one another, as well as accounts of building a national audience. For two generations of women who came out with this music, the songs and albums remain critical anthems of female empowerment—and the only music that existed to affirm lesbians’ lives.
Literary Nonfiction. Women's Studies. LGBTQIA Studies. Music. The burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutions--bookstores, publishers, health clinics, and more--to support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals. Ginny Z Berson, one of Olivia's founding members and visionaries, kept copious records during those heady days--days also fraught with contradictions,…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
A memoir by one of the most enduring women’s music performers, covering her background in peace activism and solidarity with Black freedom singers that led to the creation of Redwood Records. Wonderful material on the many tensions concerning concerts for women only vs. forming alliances with other progressive communities and performance partners.
Singer-songwriter Holly Near reveals her professional triumphs and setbacks and her personal side, detailing her childhood, her activism, her emerging lesbianism, and her role in women's music
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Featuring an Introduction by artist Linda Tillery, the book offers a timely critique of white-centered women’s music events and the possibility of Black women’s music festivals. The author looks at the different experiences of Black audiences in primarily white feminist festival spaces and the role of Black lesbian artists across several generations.
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.
The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
I love how the various writers in the book explore music and its effects on them and their lives.
I really enjoyed how they also include people they have known and been fond of, such as Maggie Nelson writing about her friend Lhasa. It also explores, through the series of essays, the reasons that inspire women to play and perform, but also other areas like fame and how this affects musicians.
The essays challenge the usual pattern of men writing about music and I love the view from the female musician’s standpoint. The essays vary in length, topics, and style but this is fine. I found the book inspirational, especially as the essays are there with only light edits.
Whether writing about what it is to be far from home on a journey, or defying expectations found the passion, consideration for music, and their motivation captivating.
This Woman's Work: Essays on Music is edited by Kim Gordon and Sinead Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.
Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their…
I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermissionis about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!
This book piqued my interest because it was on former President Obama’s reading list. On the surface, this is a story about an interracial rock duo’s rise to fame and their breakup. But it is really about how race impacts black women and the choices we have to make that others don’t.
The story is primarily set in the 1970s, and as a baby boomer, I enjoy reading about this time period. In 2016, they considered a reunion, but of course, secrets and unresolved issues got in the way.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF 2021 | LONGLISTED FOR THE WOMEN'S PRIZE 2022
'A thrilling work' TA-NEHISI COATES
'Lovely and lyrical . . . warm and wonderful' KILEY REID
A queen of punk before her time. A duo on the brink of stardom. A night that will define their story for ever.
Opal is a fiercely independent young woman pushing against the grain in her style and attitude, a Black punk artist before her time. Despite her unconventional looks, Opal believes she can be a star. So when the aspiring British singer/songwriter Neville Charles discovers her one night,…
Over the years, as a Professor of English at St. John's University, NY, I have shifted my research from American literature to popular culture, specifically rock music, a passion first ignited when I watched the Beatles on The Ed Sullivan Show, and re-ignited time and time again over the years. I have written articles, reviews, interviews, and a few books and I edit Popular Music and Society and Rock Music Studies.
With Gender, Branding, and the Modern Music Industry, Kristin Lieb provides an enlightening but often troubling account of the contemporary pop music industry. By focusing on women artists in the post-MTV era, Lieb demonstrates that female pop singers are judged more than ever on their sex appeal—despite the advances of the women’s movement over the past several decades. Lieb draws from both theorists and music industry insiders, giving her conclusions weight and credibility. Yet despite its frequently disturbing findings, the book is not overly cynical. Lieb, an energetic writer, has managed to maintain her enthusiasm for pop music.
Gender, Branding, and The Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience.
This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars -- and the industry power brokers who make their fortunes -- have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star's…
I’m fascinated by angry, feral, primal women. In my book, ten stories feature these women, the ones doing the things we’re not supposed to do, thinking and feeling and saying the things we’re not supposed to. I think we’re beyond powerful when we embrace our anger, nourish and cultivate it, channel it. So I write about these women in the hopes that I’ll get a bit of their strength. The books in this list have inspired me as a writer and thrilled me as a reader.
In the early 1990s, a group of women-centric punk bands and their young fans created a radical feminist movement, one that is still deeply inspiring. This book of Riot Grrrl is a fascinating look at the interplay between music and revolt, as well as an enraging analysis of how media took young women’s anger and turned it poisonous. I have long been obsessed with Riot Grrrl; although I was of the age to participate at the time, I lacked information and access. So I look back now at my Gen X peers and celebrate the music and rage that created this holy thing. And in my book, some of my stories are based on these songs and the spirit of these girls.
At the beginning of the 1990s, the Senate didn't believe Anita Hill, Rush Limbaugh compared feminists to Nazis, and a study found that girls tended to start hating themselves during adolescence. It was a hard time to be a young woman, to be growing up on promises of equal rights that didn't square with reality. Sexual assault rates reached record highs; harassment was rife in the schools; and, boys still would be boys, and girls still had to watch what they wore and where they walked. It was enough to make a girl want to scream. Riot Grrrl roared into…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
This is a compelling, detailed history of three influential singer/songwriters – Carole King, Joni Mitchell, and Carly Simon. Their early careers were wildly different, yet intersected in unexpected ways as they each found their unique paths to success. What I love most about this deftly written account is that specific songs are set in their historical context, so you better understand what was happening with the artist at that time and gain new insights into the songs that still resonate today, fifty years later.
A groundbreaking and irresistible biography of three of America’s most important musical artists—Carole King, Joni Mitchell, and Carly Simon—charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of…
I love the combination of action and romance and suspense. It’s a real juggle as an author to balance the two main elements (suspense and romance mostly), give each depth and page time, and make us care about the people both in love and in peril. I’ve always been drawn to suspense, even as a kid. But I gotta have the relationships, too. I used to direct plays with my childhood friends, and there were always bad guys and the romance—and this was long before I was thinking of having a real romance!
I read this long ago, but its sensual southern essence stays with me. Less action but definitely suspenseful, it pairs a chilly violinist needing some time to hide away with a sexy southern charmer from a wealthy family who may be her undoing…or he may be a killer. I like, and have written, these kinds of stories with heroes who are also suspects. In a romantic suspense, though, we readers *know* that the hero is *not* going to be the killer. Where’s the HEA in that??? But we can be uneasy about him, which is all part of the ride!
A retreat to the bayou for some rest and relaxation becomes anything but for celebrated concert violinist Caroline Waverly as she finds herself falling in love . . . with a man who may be a serial killer in this novel from 'the greatest novelist on Planet Earth' (Washington Post)
Burned out by a whirlwind musical career, Caroline Waverly arrives in the small Mississippi town of Innocence desperate for some peace and quiet.
Relaxing in her grandmother's beautiful home by the bayou, Caroline has no intention of indulging in a summer fling . . . until she meets Tucker Longstreet.…
